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IV

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In truth, Turgenev’s art at its highest may well be the despair of artists who have sufficient insight to understand wherein he excels. He is rich in all the gifts, so he penetrates into everything; but it is the perfect harmony existing between his gifts that makes him see everything in proportion. Thus he never caricatures; he is never too forcible, and never too clever. He is a great realist, and his realism carries along with it the natural breath of poetry. His art is highly complex, but its expression is so pellucid, so simple, that we can see only its body, never the mechanism of its body. His thought and his emotion are blended in one; he interprets life, but always preserves the atmosphere, the glamour, the mystery of the living thing in his interpretation. His creative world arises spontaneously from his own depths—the mark of the world’s great masters. Never thinking of himself, he inspires his readers with a secret delight for the beauty that he found everywhere in life. And he never shuts his eyes against the true.

EDWARD GARNETT.

October 1898.

A Lear of the Steppes, etc

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