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CHAPTER VII.
ОглавлениеMARTINIQUE—ST. PIERRE—MUSCULAR FEMALES—FEVER—GRANDE RUE—TAMARIND AVENUE—SAVANNA—SKETCHING FROM NATURE—BOTANICAL GARDENS—MOUNTAIN CABBAGE PALM—THE GREAT TROPICAL FALLACY—WATERFALL—THE LAKE—MUSEUM—A FORSAKEN GARDEN—TO MORNE ROUGE—COUNTRY LIFE—THE CALVARY.
“Here the pilgrim may behold
How the bended cocoa waves
When at eve and morn a breeze
Blows to and from the Carib seas,
How the lush banana leaves
From their braided trunk unfold;
How the mango wears its gold,
And the sceptred aloe’s bloom
Glorifies it for the tomb.”
The above lines, appropriate enough for any West India isle, yet for me associate themselves with Martinique more than with any other. It may be because I lingered long enough to know that island better than the rest, or it may be because the remembrance of a certain ride across the rich country—a ride ever memorable as the most beautiful I had ever enjoyed, and which must be described later on—abides with me as a practical lesson in botany by nature herself.
It was late in the afternoon when we anchored off St. Pierre—the chief town in Martinique. The character of the island had not seemed quite so broken and romantic as Dominica, there was more low table-land and more cultivation, but the mountain range, with its grand pitons looking out over the clouds, gave promise to the expectant imagination of many beautiful scenes.
From the roadstead, we saw in front of us houses thickly massed together and extending round the bay. Close behind the town, on the eastern side, rose a precipitous hill, crowned with waving sugar-cane, and its deep-wooded side dotted with white villas. Towards the north, a broad ravine, through which a river ran, divided the town into two parts, and beyond rose the soft uplands, green with cane, and stretching to the delicately coloured hills which reached the high mountains in the background. On our right, the coast line was varied with rock, hill, and valley, and on one summit a large white statue stood out conspicuously against the green foliage; on our left, the palm-fringed shore, with here a solitary house, and there a little white village, ran northwards in a gently undulating line.
On landing at St. Pierre the traveller finds himself the object of a popular demonstration; he is assailed by a swarm of stalwart women, some of whom dispossess him of his book, umbrella, or whatever he may be carrying, whilst others, after a short fight among themselves, seize on the luggage, toss great portmanteaus and boxes on to their heads with the greatest of ease, and amid shouts of laughter rush off with loud cries, “A la douane! à la douane!” It is useless to protest that you want to carry such and such a thing yourself, you may recapture it for a second, but it is lost again; everything goes aloft on female heads and shoulders, and to avoid a similar fate yourself you follow in the wake of the flying Amazons and arrive at the Custom House. Then a strict inspection ensues, after which the luggage is remounted and a procession is formed to the hotel.
We—one other passenger and myself—had been advised to go to the Hôtel des Bains, so when our porters said of course “les Messieurs” were going to the “Hôtel Micas,” we answered of course not. Eventually we made out from the extraordinary Creole patois, that the former hotel was closed, and that its proprietor had opened the latter. We soon arrived there, and it looked clean and comfortable, but the landlord was “désolé,” there was not a single vacant room; “would the gentlemen be satisfied with a billiard table for to-night, then to-morrow——?” This offer was declined, and finally we found rooms in the Hôtel du Commerce, a place of very second-rate pretensions, but with a very obliging proprietor.
The first few days of my sojourn in this “Faubourg St. Germain of the tropics”—as the French love to call it—were certainly depressing. The heat was great, the food very indifferent, and the rain almost incessant. Much stress has been laid on the streams of clear, crystal water which here run through the streets. I should call them gutters, and, after one has seen the use to which they are put—the houses being entirely free from what we consider the most necessary requirements—the crystal romance is dissipated. Fortunately, owing to the slope of the streets and the ample supply of water which is brought down through fine aqueducts from the mountains, the flow is swift, and thus the gutters are kept pretty clean. Otherwise, the town of St. Pierre would be unbearable, as even now it rivals Cologne in the number of its smells. Under such conditions, it is not surprising that the stranger feels the effects of an “acclimatizing fever,” as they here designate it.
Morning after morning I awoke dull, listless, and tired, and with all sorts of pains and aches in my limbs, but as the day advanced health returned and fever was forgotten.
St. Pierre is not a cheerful town even on its sunniest days; the streets are narrow, with side-walks of infinitesimal dimensions, the old stone houses, with heavy outside shutters, are gloomy and comfortless, no bright verandahs attract the eye, and the roofs are dingy with moss-covered tiles. But the outskirts are more attractive, and the road to the Botanical Gardens particularly so. Passing up the Grande Rue towards the north, we see shops and stores filled with gay-coloured foulards, straw hats, finery of all sorts, and an excess of gold ornaments. On the left is the Batterie d’Esnoty, with a few seats under the shady trees, and affording a fine view over the sea. Farther on, some fine mangoes overshadow a heavy fountain, and soon our road turns off eastward before reaching the bridges which cross the intersecting river. We follow its left bank under a beautiful avenue of tamarinds, whilst on our right is the Savanna or public park. And here commences picturesque Martinique. Down below in the wide rocky ravine flows the brawling stream, alive with dusky “blanchisseuses,” whose methodical beat on the smooth stones with the clothes they are washing, keeps time with their patois songs. White houses rise in tiers over the opposite bank, their gardens filled with many bright flowers, and crowning all are clusters of palms and ceiba groves. Across the Savanna rises the mountain screen that shades the town; its steep side a perfect network of hanging vines. Here and there a mango has gained a precarious footing, its dark green dome contrasting well with the crimson blaze of a neighbouring Bois Immortelle;[12] and these lofty trees look like out-stretched arms on which is hung a close-textured mantle of flowering creepers. Far up, at the head of the cultivated river-valley, rise the mountains, whose dark gorges, veiled by almost constant mist, are arched by the most brilliant rainbows.
In a few steps after leaving the Savanna, the Botanic Gardens are gained. At the time of my first visit the road outside was lined with cadets from the French training ship “Flore,” who were sketching a handsome Traveller’s Tree—Ravenala speciosa—which grew near the entrance. A crowd of little urchins hovered about them, and it was very amusing to hear their outspoken opinions on the efforts of the different artists, who worked away with perfect composure. Several times afterwards I met the young scholars eagerly acquiring, under able tuition, that most desirable accomplishment—sketching from nature.
The Botanical Gardens are delightfully situated in a wide ravine through which a stream flows. Terraces have been cut out of the sides, and winding walks and avenues lead to pretty scenes and charming outlooks. Art here has done much in laying out the grounds and forming the various rills, fountains, and waterfalls, but nature has supplied a very beautiful site. Particularly beautiful is one avenue of “Palmistes Royals,”[13] whose perfectly straight grey stems, ending in a light green shaft and crowned with a leafy diadem of dark green spreading leaves, form an aisle of living Corinthian pillars, seventy or eighty feet in height. This magnificent species of palm reminds me of an article which appeared in the June number of “Belgravia,” 1878, entitled “The Great Tropical Fallacy.” In it the writer declares that “waving sugar-cane, graceful bamboos, spreading tree ferns, magnificent palms, &c., may be found at Kew, but not in the tropics.” He also says “a true fern can scarcely be seen through the foul mouldering fronds that cling around its musty stem.”
The amusing article certainly would dispel “The Great Tropical Fallacy,” if it was true, but it can only have been written as a joke, as the writer adds that he has “lived for years in the tropics, but never yet beheld an alligator, an iguana, a toucan, or an antelope in their wild state. Scorpions do not occur.” It is an undoubted fact that these creatures—with the exception of scorpions—do not frequent the streets of towns or villages, nor are they much addicted to highway travelling, but had the writer ever visited “the bush,” or walked in the “country,” I think he would have hesitated before making such a statement, that is, supposing he has the full use of his eyesight and has lived where these animals exist.
As regards the palm, it is true that cocoa-nut trees, especially when blighted, are not very imposing; but there are many other splendid species, and to depreciate the mountain cabbage-palms is to be guilty of high treason against the princes of the forest. They are simply wonderful. To admire them it is not necessary to be a pantheist, or one of those to whom a forest is a cathedral, each tree a missionary, and every flying creature a sacred spirit; one who bows down at the sight of a daisy or buttercup, and kneels before an oak as the wild Indian does before his ceiba. For these palms are so matchless in grace, so simple and yet so stately, that they lend an indescribable air of dignity to any spot where they may chance to grow.
To return to the garden. Leaving the palm avenue one comes suddenly upon a beautiful waterfall rushing down a steep rock amidst a mass of hanging grasses, ferns, and waving cannas. A little way below it runs into the heart of a garden-wilderness rich with bamboos, plantains, thickets of tangled vines, and fragrant coffee trees. Here shrubs and trees are more cultivated than flowers, but the former with their brilliant blossoms save the place from the monotonous effect of a too prevailing green. Gloxinias and primulas are scattered over the sloping banks, and overhead are interlaced the branches of various trees. The bright flowers of the “Flamboyant,”[14] form a red canopy which vies in richness with the large crimson blossoms of the mountain rose.[15] Here may be seen South Sea Island bread-fruit, cinnamon from Ceylon, and sandal-wood from the Marquesas. That tree with bunches of wax-like and pear-shaped fruit is a Eugenia;[16] its trunk is a perfect fernery, and its branches are hung with parasites. Next to a stilted pandanus rises a tall “poui” with saffron flowers, and beyond are the long white trumpets of a datura. Close at hand is the much prized persimmon of Japan, having a wood like ebony, and a reddish-yellow fruit. The ground is everywhere strewn with the red beads of an erythrina, and occasionally the large uneatable fruit of a species of inga comes down with a thump, that a passer by, if hit, would not soon forget.
Perhaps the prettiest spot in the garden is a small lake fed by a slender fall, whose water trickles down a moss-covered rock through ferns and drooping grasses. The three tiny islets are fringed with arums, heliconias, and bamboos, amongst which are scattered dark glossy green and gold-marbled crotons, purple dracœnas, and crimson hybiscus blossoms. In the centre of each stands a “Traveller’s Tree,” like a gigantic fan, surrounded with a few flowering shrubs and graceful plantains. But here as elsewhere, there is an air of neglect, the shady walks are full of weeds, the stone seats under the trees are damp and green, a broken canoe half full of water lies on the yielding bank, the few remaining tree labels are illegible, and, in a word, the gardens are not tended as they deserve. Their charm seems to have vanished with their novelty, as they are seldom visited by the inhabitants, and the funds granted for their maintenance are insufficient.
Within the grounds there is a building which contains a small natural history museum, and the native products form a very interesting collection. There is also an interior nursery-garden, where some delicate orchids and rare exotics are reared.
A primitive people these French Creoles must be, as a printed notice strictly prohibits bathing in the small fountains in this inside garden. Unhappily the people appear disinclined even to walk in the pleasant grounds, and the casual visitor feels that a time may come when the few labourers will be withdrawn and a “Forsaken Garden” realised:
“Not a flower to be prest of the foot that falls not;
As the heart of a dead man the seed plots are dry;
From the thicket of thorns when the nightingale calls not,
Could she call, there were never a rose to reply.
Over the meadows that blossom and wither
Rings but the note of a sea-bird’s song,
Only the sun and the rain come hither
All year long.”[17]
One of the pleasantest drives from St. Pierre is to Morne Rouge. The village is situated high up in the hills, and near it and cut out of a rocky wall is a celebrated grotto dedicated to “Our Lady of Lourdes.” Morne Rouge is one of the localities which the negroes say is at certain seasons visited by the celebrated Dominican Friar, Père Labat, who arrived in Martinique in 1693. He is said to appear in the guise of a lambent flame.
The road thither passes the Botanical Gardens, and for some distance is lined with country houses standing in pretty grounds. It was in one of these villas that the Empress Joséphine was born. The hedges and banks are covered with blue flowers of the “ipomæa” and the buff-coloured “thumbergia,” whose dark brown eye attracts the attention of numerous humming birds.
The houses for the most part look cool, but comfortless and devoid of privacy. The foliage of the tall trees shades them, but the bare trunks leave an uninterrupted view into the interior. Here, one sees Madame in a very airy costume enjoying her early coffee; there, Monsieur in his dressing-gown lounges on a long cane chair.
Grass is conspicuous by its absence, but rich and gaudy flowers are in abundance. Tall yuccas guard the entrance, and the lavender spikes of the “petrœa” cluster over the verandahs. Many varieties of “dracœna” are scattered about, their slender stems and bending blades contrasting well with the showy hybiscus and the bright green bananas. In each garden one sees a tall clavija, like a giant papau, and with panicles of the fragrant white flowers beloved by Creoles. Thick stone walls surround some of the villas, but tropical nature heeds no such barriers. Creepers of every hue fling themselves over, then catching the hanging air-roots scramble up to the tree-tops and mingle their blossoms with those of their more lofty brethren. Among the numerous trees with hanging pods, the “rosary bean”[18] is very prominent, as the curled and split pod displays the bright red seeds within. Gradually the houses are left behind, and the road becomes more steep and winding. The high banks are thickly carpeted with begonias, both pink and white. From a neighbouring hill a high waterfall—caused by a deflected stream—descends and turns the wheel of a sugar-mill situated at its foot.
At last we reach the village of Morne Rouge. A long straggling street with pretty cottages and gardens. From trellis-work hang great granadillas, fruit which is only palatable when cunningly compounded with sugar, ice, and wine. The life around is simple, but full of colour, and picturesque. Old women spin in the doorways. Mothers, with bright kerchiefs round their heads, watch their children playing in the road. The children themselves, often only dressed in a plain suit of gold earrings, have fresh, happy faces, brighter and ruddier by far than those in the hot town below. Round the fountain are groups of girls with water-jars poised on their heads, and in the bright sunshine each touch of red and blue in their dress shines out clearly and effectively. From this fountain a beautiful view is obtained seaward, but from the higher Calvary there is a more extended landscape. The prayer-stations leading to the chapel stand between hybiscus hedges, and are surrounded with roses, lilies, azaleas, and palms. The little shrines contained terra cotta representations of the Passion, but the protecting glass was broken and the figures were defaced. Within them green lizards played at hide and seek, and humming birds searched the flower-offerings that had been thrust through the torn grating.
The view from the top is worth the climb. On one side a mass of undulating hills sweeps off to the sea; through the intervening pasture land a winding stream threads its way, and here and there a cottage is seen half buried in clumps of palms and bamboos, and with its cane patch or banana grove. The lofty “pitons” form the background. Below us lies the village, and extending westward towards St. Pierre are cane-covered hills, fertile valleys, and a broad cultivated plain, squared like a chess-board by the dividing palm rows. Beyond rises the glittering blue sea far into the sky, white sails catch the sunbeams, and nearer is the dark line of anchored ships. On rare occasions—one of which favoured me—rounded masses of fleecy clouds of intense brilliancy float over land and sea, and pour down such a flood of light that the panorama is illuminated. The white glare is almost painful, but the strong sea-breeze soon drives the wandering rain-heralds back to the mountains, where they wreathe themselves round the higher peaks and lie like snow-drifts in the hollows between the summits. And thus the scene changes from sunshine to shade, from rest to storm, and from light to darkness, each a life-phase typical in itself, but not more significant than the solemn Calvary above us in its bright frame of green trees and flowers.