Читать книгу Roraima and British Guiana, With a Glance at Bermuda, the West Indies, and the Spanish Main - J. W. Boddam-Whetham - Страница 12
CHAPTER VIII.
ОглавлениеA GALA DAY—COSTUMES—CINQ-CLOUS—BATTERIE D’ESNOTY—A CASSAVA FARM—PANDEMONIUM—PREPARATION OF CASSAVA—A “CATCH”—COUNTRY SCENES—FRESH ATMOSPHERE—A STORM—RAINBOWS—FOREST SCENES—TROPICAL VEGETATION—NOON-DAY HALT.
On Sundays and gala days St. Pierre brightens up. The band plays in the Savanna, and thither the inhabitants flock. In the matter of carriages and horses, Rotten Row would certainly outvie this favourite drive, but in brilliancy of colour the latter would carry the day. On ordinary occasions the Creole woman is content with a simple long-flowing dress of light material, but on state occasions her costume is bright and picturesque. Then you see a bewildering display of silk or satin skirts, short enough not to hide a daintily shod foot; embroidered bodices and gauzy scarfs, a profusion of necklaces and bracelets, all of plain gold—for precious stones are never worn—and jaunty turbans ornamented with gold pins and brooches. But the most striking as well as the commonest feature in the national costume of Martinique is the quaint earrings—cinq-clous. These consist of five gold tubes welded together at the sides into a circular form, not unlike the barrels of a revolver, and vary in size from the dimensions of a toy pistol to those of a full grown Colt’s. Many girls carry their entire future in their ears.
Those splendid beds of tulips were not in the Savanna when we last passed through! As we approach, we see they are not composed of flowers, but are merely gorgeous head-dresses. Another trait, and a charming one too, of Martinique costume. Here you see no dyed feathers, or artificial flowers and fruits, decorating the flashy hats and bonnets so dear to the negro soul. Bright coloured foulards, twisted into various pyramidal, circular, and oval shapes, crown every head with rainbow hues. There are ten different ways of tying these kerchiefs, and the initiated can tell by the twist whence the wearer comes.
Near the band is a motley group. Two or three old negresses dressed in flowered chintz, and with trimly turned head-dresses gossip over the last scandal; slowly sweeping along comes a majestic creature, her long white dress hitched up on one side and displaying a foot neatly blacked by nature; in that family coach are some white Creole ladies with charming faces, and tastefully dressed in the latest Parisian fashion, while the youngsters who force their bouquets on them are habited in little else than “native” worth. The excitement is of the mildest kind, but enjoyment is universal. Here and there some little maidens dance to the music, boys run races, the elders give the prizes, handsome carriages and wretched fiacres continue their monotonous round, and meeting is so perpetual that everybody smiles at everybody else, till at length the sun goes down. Then the vehicles are turned towards home, dandies prance off on their rocking horses, old ladies put up their umbrellas against the dew, peasants take off their shoes preparatory to their homeward tramp, and very soon the Savanna is deserted.
Wonderfully clear are the nights in Martinique. You see distinct shadows, and on looking up for the moon you find they are cast by a star (Venus probably) shining with a radiance of most remarkable power.
From the Batterie d’Esnoty you look down on a sparkling sea in which every vessel stands out distinctly. You can almost count the piles of merchandise and barrels on the wharf. It is so quiet that you can catch the words of the song that the black crew are singing as they pull to shore from some outlying ship, and their strange rising and falling to each stroke is plainly visible. Suddenly a hideous bray rings out close beside you. It comes from one of three buglers who make this their starting point, and in turn repeat the discordant sounds until they reach their distant barracks. This is the Martinique tattoo. The stranger in St. Pierre will notice the quantity of thin white cakes about the size of a cart wheel. These are made from cassava[19] which here, as in many of the islands, and in parts of South America, affords the chief sustenance of the poorer classes.
We drove out one day to a farm to witness its manufacture. We soon came to fields covered with the plant, which grows to a height of about four feet. In appearance it is a slender-knotted grey stem, with branches at the top from which spring red stalks of broad digitated leaves. The root, which is cylindrical and about a foot long, is a deadly poison in its natural state, but by a simple process it is converted into nutritious food. As we approached the wattled shed in which it was being prepared, we heard sounds of a veritable pandemonium. On looking in, we saw thirty or forty jet black Africans stripped to the skin and furiously grating the white roots against a rough board, the meal falling into great tubs.
The exertion was apparently immense, as they steamed with perspiration, and, as if the fumes of the poison got into their heads, they would every now and then utter yells or bound into the air. To this wild scene there was a musical accompaniment. The instruments consisted of tom-toms, pipes, chac-chacs, and long bamboos, struck by pieces of wood, and a strange concern made of cane-work, from which issued a grating sound by drawing a stick quickly up and down. Music from such sources was not likely to be of a high order, but it was conscientiously gone through at all events. All that lungs could blow was blown; all that fists could do to break a drum skin was done. White, eyes rolled, black lips blew, and black fists struck. The “grater” sounded worse than the grating, and the monotonous chant of one of the performers was more horrible than the howls of the workers. Never had I heard a like “charivari.” “Ils ont de la couleur,” said the pleased proprietor, as he rubbed his hand and glanced at the rapidly filling tubs. The next operation is to get rid of the poisonous juices. Here, as the factory was on a large scale, the meal was put into a great sort of oven and the poison extracted by heat or pressure. But the usual mode, and the one invariably applied by the Indians of Guiana, where in after-days I many a time witnessed the operation, is as follows: A long plaited tube—matapi—made of a certain reed is filled with the grated meal; its upper end is fastened to a beam so that its lower end, which possesses a loop-hole, hangs a few feet from the ground. A pole is then passed through the loop and the shorter end firmly fixed so that the longer, when pressed down, serves as a lever; the elastic tube presses the meal together, and the poisonous juice escapes through the interstices. The flour is then dried and sifted. When required for use, a handful is baked over a fire on a flat plate, and in a few minutes “cassava bread,” resembling an enormous oatmeal cake, is ready. If required for a journey, it is thoroughly dried in the sun until it is as hard as a nail, and will then last for months; if not properly dried, it quickly gets mouldy and uneatable. Cassiripe, which is the extracted poison-juice of cassava, is the foundation of the well-known “pepper pot,” which is an “olla podrida” of meat and peppers cooked in an earthen pot, and always on hand in the West Indies. Fortunately, the deleterious principle of the juice is so volatile that it is entirely dissipated by heat, and it then becomes a wholesome seasoning; and thus the good is extracted from the evil in this strange blending of life and death, as exhibited in the cassava root.
That evening, before we reached home, we witnessed a scene of excitement. As we drove along the sea-shore there was a sudden rush of people to the beach, boats were pushed hurriedly out, men jumped into the water and swam out, women waded up to their knees and ran back again, and children did their best to get drowned. Presently, a series of long nets formed a semi-circle and enclosed a large shoal of sardines which had been the cause of the uproar. Gradually the nets were drawn in, and so large was the haul that in a few minutes five boats were filled with the little silvery fish. Buckets, barrels, baskets, and cans were then put into requisition, and, even after every article from the neighbouring cottages that could hold a fish had done its duty, there were still sardines enough left on the beach to have stocked a market.
Next morning I started for a ride across the island to Trinité, a distance of about thirty miles. The scenery on the road had been so extolled that I attributed enthusiastic descriptions of it to patriotism, and was prepared for a disappointment. When I returned, I acknowledged it was the most beautiful ride I had ever taken, and one whose like I should probably never see again.
It was dawn when my mule drew up at the hotel door, and we were soon clattering over the rough cobble stones which pave the narrow streets. We passed the Promenade, which was deserted by all save a solitary sentry, who slept in his box under the Palace of the Archbishop, and then the road commenced to wind up the hill under whose shadow the town lay, dark and quiet. Before we reached the top it was broad daylight, the great crimson blossoms of the hybiscus and the fragile bells of the abutilon, which we had left sleeping below, were now unfolded, and the white flowers of the night cereus and of the ipomæa, had already drooped and faded. For some distance beyond the summit the road is walled in with sugar-cane, then bends inwards towards the mountains by a gentle acclivity. Here and there, one passes a little cabaret de ferme, where the market people are drinking coffee, or, more probably, rum.
Down in the valley lie cottages and farms, and the hill-sides are flecked with groups of trees, whose light and dark green foliage is very conspicuous. Fine mango trees are dotted about here and there, and fringing rocky heights, or clustered in hollows, are aloes in various stages of their growth; some fully flowered and rapidly collapsing, others whose tall stalks are covered with fresh blooms, and more still whose rich green expanding heart is suggestive of a thyrsus—“thro’ the blooms of a garland the point of a spear.”
On approaching a small and picturesque village, cane culture is superseded by cassava, and the country becomes more rugged and grander. Cottages are perched upon jutting cliffs, and immediately above the road is situated a delightfully quaint old church, which is reached by a flight of rough stone steps. Near this, a large wooden cross overlooks the valley. The view looking west is lovely. Afar off is the bright blue sea, to which extend the mountain arms and the undulating hill spurs. The valleys between are partly tilled and partly bush-covered, and the few houses stand in garden patches high up on the hill slopes. Through the central valley a twisting thread of green, darker than the surrounding foliage, marks the course of a stream, and clumps of trees of a similar contrasting hue, above and around us, show where orange groves and mangoes lie amid the paler green of cane fields and bananas. Behind rise the forest-clad peaks of the mountains, through which runs the road to Trinité.
Up to this point we had enjoyed a very beautiful morning. Here spring was in the air, and we had left hot summer below. There was such fulness of life in the cool air that all nature seemed affected by it. The flowers looked brighter, the birds sang sweeter, and even the running water seemed to tinkle with a more silvery sound than in the valleys.
A simple circumstance, but one that impressed me very vividly, occurred as I was looking over the blue shadowed valley. An old peasant woman, very brown and wrinkled, laid a bunch of flowers on the cross, and as she knelt at its foot an oriole flew on to one of its arms and poured forth such a trill that it seemed as if the bird-voice was carrying aloft her mumbled prayers. When she entered the church a few minutes later, tears were in her eyes, but she looked so happy that I am sure the bird had not sung in vain. The romance of the little episode was injured by an unsentimental goat who completely demolished the flower-offering, and then tried to butt some children who had done nothing to offend it. They, however, did not seem to mind it, and laughed merrily at the antics of the creature. These children’s voices were just what was wanted to give a charming finish to the bright picture. What the flowers were to the garden, the stream to the valley, the birds to the air, and the sun’s rays to all, were the happy child-tones to the surrounding scene, gladdening everything in accord with each, and freshening with rippling music the fragrant uplands:
“Ah, what would the world be to us
If the children came no more?
We should dread the desert behind us
More than the dark before.”
I had hardly whispered these lines to my mule before the last two words sounded ominous. The animal showed signs of uneasiness which could not be attributed to the verse; for among his many faults a mule cannot be accused of sentimentality, and he cares as little for poetry as he does for a stick. He is so stubborn and self-willed, and yet carries it off with such a nonchalant air, that there is no way of knowing what may be passing in his mind, except by watching his restless ears. Fortunately, these appendages are so expressive—more so in fact than some human faces—that they explain his feelings and foretell his movements. On this occasion they were suddenly pointed straight forward, and as suddenly laid limp on his neck, then pricked again.
The air grew hot and still, a black mist was descending on us from the now hidden mountains, and it was plain that a heavy storm was about to break. On looking round, I saw a hand beckoning to me from a door, and in a few minutes my mule was under cover, and I found myself in a clean room drinking coffee with the kind hostess. Then the rain came down in torrents, and held me prisoner for some time. Here I saw one of those terrible snakes known as the “Fer-de-lance,” which had been killed not long before on the road to Trinité by the old lady’s husband, who had preserved it in a jar of spirits.
At the first lull we started again, and soon reached a stream spanned by a stone bridge of a single arch. This we crossed, and in a few minutes entered the forest ravine. Turning in the saddle, I was dazzled by a brilliant rainbow, which in a broad band struck the bridge at a right angle. It was so close that I could not resist the novelty of riding back into the middle of it. Then it danced off up the deep bed of the river, and before I re-entered the forest it had formed a bow, stretching across the mountain sides like a grand triumphal arch. A last look from the wooded portals revealed a bright blue sky and the sun shining over the lowlands, whilst around us the rain still fell, and through the dripping branches of the trees that met overhead only dull grey clouds were visible. Here commenced a series of mountain pictures in bewildering variety. For almost all the rest of the journey the path runs up and down hill, with a deep ravine sometimes on one hand and sometimes on the other. Through the ravine runs a stream, on the other side of which the mountain rises in a grand and almost perpendicular wall. On the near side the path is edged with banks which slope away to the higher hills, and diversified with glens and hollows, and an occasional overhanging rock.
The vegetation is of the most luxuriant description, as numerous waterfalls descend from both the mountain sides, here crossing the path in a broad stream, and there trickling down in a slender thread, which loses itself in thick ferns and grasses. Each turn in the road presents some new combination of rock, tree, and falling water. You emerge from an avenue of bamboos, to enter another arched over by the fronds of magnificent tree-ferns. The latter grow everywhere; you look up at their rough fibrous stems, and you look down into their very hearts. The banks are covered with begonias and primulas; above these rise the dark green blades of plantains, or dark green heliconias, with their red and yellow flowers. Then come the great forest trees, such as the locust, the angelim, the bois violon (fiddle wood), the bois immortelle, &c. Of begonias I counted four varieties, one of which was sweet-scented. For some time I searched, wondering whence the delicious fragrance—very like that of the lily of the valley—came.
I had never heard of a sweet-scented begonia, but at last I discovered one, and gathered a large bunch of the delicious blossoms. The flowers of this variety were very small and of a pink colour, but the elephant-eared leaves were as large as those of much finer flowering species. I regret much that I did not endeavour to transplant some specimens, as I have since heard that a scented begonia is unknown. The extraordinary wealth of tropical vegetation was such that, in spite of heavy rain, I constantly stood for many minutes lost in astonishment. And there was no questioning the down-pour; sometimes a perfect stream would enter the sensitive ears of the mule, and the poor animal would actually squeal and kick, and then droop, until he presented a spectacle of abject misery. Thoughts of fever hovered about me, but I had a change of clothes in my saddle-bags, and even without it I doubt whether I could have hastened my steps, so fascinating was the scenery.
Our progress had been so slow that it was noon before little more than half the distance had been accomplished. Then a certain spot offered such irresistible attractions for a halt that I picketed old Solomon—as the mule had been named—under a hanging rock, and lunched. There could not have been a prettier place, with its rich banks of flowers, feathery bamboos, and silvery fall, trickling down through a fernery of frail, shivering beauty. Across the wild ravine rose a perpendicular mass of black rock, hung with long waving grasses and tufts of green. Large trees clung to its side where there was, apparently, no root-hold, and their branches were loaded with orchids and red-spiked bromelias. The only sounds were the pattering of the raindrops and the murmur of the rapids below, which foamed over the rough stones that were hidden by the fringing arums, bamboos, and branching ferns.
Suddenly a whirring sound broke the silence, and I immediately saw a “Purple Carib”[20] humming-bird, hovering over a flowering vine. It was the first time I had ever seen one of this beautiful species alive, and he seemed determined I should not forget him. After every plunge into a flower, he retired to a favourite branch and preened his velvet black feathers and shook his wings, until their metallic green and the deep purple of the throat flashed again and again. His resting-place was a magnolia tree—numbers of which line this woodland path—and the dark, shining wet leaves formed a lovely frame for the dainty oiseau-mouche. He looked like a living gem, set in green enamel, and diamond sprays. I saw no other birds, and the silent woods raised in me a fancy to pull the long bell-ropes hanging from the trees, and thus set the forest chiming. I did so, and got nothing but a shower bath; and the falling leaves and sticks stilled for a moment the melancholy croak of the frogs, in their perpetual lament for the departed Indian race, “Ca-rib, Ca-rib.” Then I saddled Solomon, and we resumed our journey.
There is little more to describe. Everywhere beautiful scenes, and blending of loveliness and grandeur. Sometimes from the overhanging cliffs a landslip, caused by the heavy rains, rendered the path—which, with a very little trouble, might be made good enough for a carriage—almost impassable; otherwise, the road is remarkably easy and free from obstructions.
The finest view remains for the last. When the highest point to which the road ascends is reached, a narrow ridge, with a deep ravine on each side, commands a magnificent prospect over Trinité to the sea. Near by are rocky gorges, mountain peaks, and half-hidden glades. The rank vegetation forms green vistas above the descending terraces, and through them shines the deep blue water, out of which rise the bold outlines of Dominica on one side, and St. Lucia on the other. That these islands are visible, I only know from hearsay, as mist and clouds enshrouded so much of the landscape that I could only form an idea of what its beauty would be on a clear day. In rain I went to Trinité and in rain I returned. No feeling of ill-will towards the weather was felt by me, but rather one of gratitude, as, had it not been for the rain, I might never have torn myself from those enchanted grounds. It was my last and pleasantest excursion in Martinique.