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Chapter IV
CHARACTERS IN THE MICROCOSM
ОглавлениеMrs. Craigie has recently protested against the metropolitan fable that London enjoys a monopoly of culture, and has reminded us that in the provinces may be found a great part of the intellectual energy of the nation. It would be hard to find a more intellectual environment than that in which Theodore Watts grew up. Indeed, his early life may be compared to that of John Stuart Mill, although he escaped the hardening and narrowing influences which marred the austere educational system of the Mill family. Mr. Watts-Dunton’s father was in many respects a very remarkable man. ‘He was,’ says the famous gypsologist, F. H. Groome, in Chambers’s Encyclopædia, ‘a naturalist intimately connected with Murchison, Lyell, and other geologists, a pre-Darwinian evolutionist of considerable mark in the scientific world of London, and the Gilbert White of the Ouse valley.’ There is, as the ‘Times’ said in its review of ‘Aylwin,’ so much of manifest Wahrheit mingled with the Dichtung of the story, that it is not surprising that attempts have often been made to identify all the characters. Many of these guesses have been wrong; and indeed, the only writer who has spoken with authority seems to be Mr. Hake, who, in two papers in ‘Notes and Queries’ identified many of the characters. Until he wrote on the subject, it was generally assumed that the spiritual protagonist from whom springs the entire action of the story, Philip Aylwin, was Mr. Watts-Dunton’s father. Mr. Hake, however, tells us that this is not so. Philip Aylwin is a portrait of the author’s uncle, an extraordinary man of whom I shall have something to say later. I feel myself fortunate in having discovered an admirable account of Mr. Watts-Dunton’s father in Mr. Norris’s ‘History of St. Ives’:—
“For many years one of the most interesting of St. Ivian figures was the late Mr. J. K. Watts, who was born at St. Ives in 1808, though his family on both sides came from Hemingford Grey and Hemingford Abbots. According to the following extracts from ‘The Cambridge Chronicle and University Journal’ of August 15, 1884, Mr. Watts died quite suddenly on August 7 of that year: ‘We record with much regret the sudden death at Over of our townsman, Mr. J. K. Watts, who died after an hour’s illness of heart disease at Berry House, whither he had been taken after the seizure. Dr. J. Ellis, of Swavesey, was called in, but without avail. At the inquest the post-mortem examination disclosed that the cause of death was a long-standing fatty degeneration of the heart, which had, on several occasions, resulted in syncope. Deceased had been driven to Willingham and back to Over upon a matter of business with Mr. Hawkes, and the extreme heat of the weather seems to have acted as the proximate cause of death.
Mr. Watts had practised in St. Ives from 1840, and was one of the oldest solicitors in the county. He had also devoted much time and study to scientific subjects, and was, in his earlier life, a well-known figure in the scientific circles of London. He was for years connected with Section E of the British Association for the Advancement of Science, and elected on the Committee. He read papers on geology and cognate subjects before that Association and other Societies during the time that Murchison and Lyell were the apostles of geology. Afterwards he made a special study of luminous meteors, and in the Association’s reports upon this subject some of the most interesting observations of luminous meteors are those recorded by Mr. Watts. He was one of the earliest Fellows of the Geographical Society, and one of the Founders of the Anthropological Society.’
Mr. Watts never collected his papers and essays, but up to the last moment of his life he gave attention to those subjects to which he had devoted himself, as may be seen by referring to the ‘Antiquary’ for 1883 and 1884, where will be found two articles on Cambridgeshire Antiquities, one of which did not get into type till several months after his death. It was, however, not by Archæology, but by his geological and geographical writings that he made his reputation. And it was these which brought him into contact with Murchison, Livingstone, Lyell, Whewell, and Darwin, and also with the geographers, some of whom, such as Du Chaillu, Findlay, Dr. Norton Shaw, visited him at the Red House on the Market Hill, now occupied by Mr. Matton. In the sketches of the life of Dr. Latham it is mentioned that the famous ethnologist was a frequent visitor to Mr. Watts at St. Ives. Since his death there have been frequent references to him as a man of ‘encyclopædic general knowledge.’
He was of an exceedingly retiring disposition, and few men in St. Ives have been more liked or more generally respected. His great delight seemed to be roaming about in meadows and lanes observing the changes of the vegetation and the bird and insect life in which our neighbourhood is as rich as Selborne itself. On such occasions the present writer has often met him and had many interesting conversations with him upon subjects connected with natural science.”
With regard to the family of Mr. Watts-Dunton’s mother, the Duntons, although in the seventeenth century a branch of the family lived in Huntingdonshire, some of them being clergymen there for several generations, they are entirely East Anglian; and some very romantic chapters in the history of the family have been touched upon by Dr. Jessopp in his charming essay, ‘Ups and Downs of an Old Nunnery.’ This essay was based upon a paper, communicated by Miss Mary Bateson to the Norfolk and Norwich Archæological Society, and treating of the Register of Crab House Nunnery. In 1896 Walter Theodore Watts added his mother’s to his father’s name, by a deed in Chancery.
I could not give a more pregnant instance of the difference in temperament between a father and a son than by repeating a story about Mr. Watts-Dunton which Rossetti (who was rich in anecdotes of his friend) used to tell. When the future poet and critic was a boy in jackets pursuing his studies at the Cambridge school, he found in the school library a copy of Wells’s ‘Stories after Nature,’ and read them with great avidity. Shortly afterwards, when he had left school and was reading all sorts of things, and also cultivating on the sly a small family of Gryengroes encamped in the neighbourhood, he was amazed to find, in a number of the ‘Illuminated Magazine,’ a periodical which his father, on account of Douglas Jerrold, had taken in from the first, one of the ‘Stories after Nature’ reprinted with an illustration by the designer and engraver Linton. He said to his father, ‘Why, I have read this story before!’ ‘That is quite impossible,’ said his father, ‘quite impossible that you should have before read a new story in a new number of a magazine.’ ‘I have read it before; I know all about it,’ said the boy. ‘As I do not think you untruthful,’ said the father, ‘I think I can explain your hallucination about this matter.’ ‘Do, father,’ said the son. ‘Well,’ said the father, ‘I do not know whether or not you are a poet. But I do know that you are a dreamer of dreams. You have told me before extraordinary stories to the effect that when you see a landscape that is new to you, it seems to you that you have seen it before.’ ‘Yes, father, that often occurs.’ ‘Well, the reason for that is this, as you will understand when you come to know a little more about physiology. The brain is divided into two hemispheres, exactly answering to each other, and they act so simultaneously that they work like one brain; but it often happens that when dreamers like you see things or read things, one of the hemispheres has lapsed into a kind of drowsiness, and the other one sees the object for itself; but in a second or two the lazy hemisphere wakes up and thinks it has seen the picture before.’ The explanation seemed convincing, and yet it could not convince the boy.
The very next month the magazine gave another of the stories, and the father said, ‘Well, Walter, have you read this before?’ ‘Yes,’ said the boy falteringly, ‘unless, of course, it is all done by the double brain, father.’ And so it went on from month to month. When the boy had grown into a man and came to meet Rossetti, one of the very first of the literary subjects discussed between them was that of Charles Wells’s ‘Joseph and His Brethren’ and ‘Stories after Nature.’ Rossetti was agreeably surprised that although his new friend knew nothing of ‘Joseph and His Brethren,’ he was very familiar with the ‘Stories after Nature.’ ‘Well,’ said Mr. Watts-Dunton, ‘they appeared in the “Illuminated Magazine.”’ ‘Who should have thought,’ said Rossetti, ‘that the “Illuminated Magazine” in its moribund days, when Linton took it up, should have got down to St. Ives. Its circulation, I think, was only a few hundreds. Among Linton’s manœuvres for keeping the magazine alive was to reprint and illustrate Charles Wells’s “Stories after Nature” without telling the public that they had previously appeared in book form.’ ‘They did then appear in book form first?’ said Mr. Watts-Dunton. ‘Yes, but there can’t have been over a hundred or two sold,’ said Rossetti. ‘I discovered it at the British Museum.’ ‘I read it at Cambridge in my school library,’ said Mr. Watts-Dunton. It was the startled look on Rossetti’s face which caused Mr. Watts-Dunton to tell him the story about his father and the ‘Illuminated Magazine.’
It was a necessity that a boy so reared should feel the impulse to express himself in literature rather early. But it will be new to many, and especially to the editor of the ‘Athenæum,’ that as a mere child he contributed to its pages. When he was a boy he read the ‘Athenæum,’ which his father took in regularly. One day he caught a correspondent of the ‘Athenæum’—no less a person than John P. Collier—tripping on a point of Shakespearean scholarship, being able to do so by chance. He had stumbled on the matter in question while reading one of his father’s books. He wrote to the editor in his childish round hand, stigmatizing the blunder with youthful scorn. In due time the correction was noted in the Literary Gossip of the journal. Soon after, his father had occasion to consult the book, and finding a pencil mark opposite the passage, he said, ‘Walter, have you been marking this book?’ ‘Yes, father.’ ‘But you know I object?’ ‘Yes, father, but I was interested in the point.’ ‘Why,’ said his father, ‘somebody has been writing about this very passage to the “Athenæum.”’ ‘Yes, father,’ replied the boy, red and ungrammatical with proud confusion, ‘it was me.’ ‘You!’ cried his astonished father, ‘you!’ And thus the matter was explained. Mr. Watts-Dunton confesses that he was never tired of thumbing that, his first contribution to the ‘Athenæum.’