Читать книгу Sun Thief - Jamie Buxton - Страница 18

We’re travelling up the Great River on a cargo boat.

The river is milky smooth and earthy brown. There are fields on either side and dusty date palms droop in the heat. The boat is long and wide, low in the water, weighed down with cargo. Small fishing boats hug the banks. I see a horse running across a field of grass so green it makes me want to laugh with joy because the horse is beautiful and the rider looks so free.

I’m standing right at the back of the boat, where the giant helmsman nestles the steering oar under one massive arm. I stand next to him, my own arm wrapped round the sternpost. When the helmsman moves the rudder, eddies bloom and the water chuckles. I feel happy.

If I walk from one end of the boat to the other, climbing over the bales of hay, sacks of grain, jars of oil and wine, stacks of wood, rolls of linen, that’s thirty big paces. If I walk from side to side, right in the middle where the mast is, that’s ten big paces. The sailors look at me, call me mad monkey and laugh, but not unkindly. Even though my world is ten paces wide and thirty paces long, I feel free.

Then Imi joins me. Her skin is dull as if the sun has dried it. My happiness turns to dust and falls away. She needs looking after and that’s my job, but I don’t know what to do. The helmsman glances down at her.

‘Water,’ he says in a deep voice. ‘The little girl needs a drink.’

I dip a ladle in the pitcher of water he keeps by him and hold it to Imi’s lips. At first she presses her lips together, but I remember how she used to do that when she was a baby. Always started off by saying no. I persist. She takes a sip, then another, then takes the ladle and tips it into her mouth and drinks deeply and the relief I feel is like a drink of cool water.

‘Where are we?’ she says.

‘On the river. The Great River.’

‘Where are we going?’

I look up at the helmsman, who pulls the corners of his mouth down and shrugs. ‘People it call it the Horizon, little girl, but if you want to call it by its full name, you can try the City of the Sun’s Horizon, Home of the Only Living God on Earth, Akenaten, Champion of the Sun Itself and his Wife, Nefertiti, the Beautiful One is Approaching. It is the new capital of the Land of the Two Kingdoms.’ He points to the river ahead of us. ‘See that boat? See how high she rides? She’s delivered her cargo and now she’s heading back downriver to pick up more.’

‘Is the boat a lady?’ Imi asks.

‘If you treat her right. If you don’t then she turns into a –’

‘Boy!’

The Quiet Gentleman’s picking his way down the boat towards us. He beckons to me.

‘Careful,’ he says, when we’re out of earshot. ‘You’ll have to keep her from talking and remember the story. I’m your uncle. We’re going to find work in Horizon City. The king has spies everywhere on the river, don’t forget.’

‘But Jatty’s talking to everyone,’ I protest. It’s true, though no one really wants to talk to him.

‘Jatty’s a fool and may have to be dealt with. Now, get your sister something to eat.’

‘But suppose she asks me when we’re going home? What do I say?’

‘The better she behaves, the sooner she’ll be going home. Tell her that.’

But it’s hard to keep an eye on Imi all the time. Every evening, when we drop anchor, the sailors gather round a small brazier and cook the fish they’ve caught. They save Imi the best bits, sing her songs and tie knots for her and, while I know I should keep her away in case she talks about the fight at the inn, I can’t when she seems to be happy with them.

Once I saw her ask the captain, who sits on a sort of throne just behind the mast, when she was going home. He looked embarrassed and shot a glance at the Quiet Gentleman. It took a while for me to work out that he was frightened and didn’t know what to say. It was then, I think, that I understood the Quiet Gentleman’s power, his ability to scare, applied to everyone and not just me. I found the thought strangely comforting.

It’s getting towards the evening of the second day and we’ve dropped anchor. Towns, villages and even fields have slid away behind us, though the land on either side is lush with reeds and grass. There’s a gentle bend in the river so we can’t see the boats behind us or ahead.

Imi’s asleep. I’m looking up at the stars in the clearest sky I have ever seen and wondering how the frogs can make quite so much noise when the Quiet Gentleman comes and sits beside me.

‘We’ve got a problem,’ is all he says.

‘Not of my making,’ I answer.

‘Not directly maybe,’ he says. ‘Jatty’s made a friend at last.’

I did notice that Jatty was hanging out with one particular sailor. ‘That skinny one with the face like a dog?’ I ask.

‘That’s the one. Notice anything odd about him?’

‘He wags his tail if you chuck him a bone?’

The Quiet Gentleman ignores my quite good joke. ‘He works less than the others, but the captain never shouts at him.’

‘So what?’

‘He’s a spy. Everything passes up and down the river: ships, goods, people, news. If the king wants to find out what’s going on in his kingdom, he just has to plant snitches on boats and in harbours.’

‘You think Jatty . . .’

‘Either Jatty can’t see a spy in front of his nose or he’s playing a dangerous game. Either way, his new friend has a supply of wine and Jatty’s trying to drink it all. That makes me worried too.’

‘And what do you want me to do about it?’ I snap. ‘I don’t want anything to do with Jatty. I’ve got my own worries.’

Just then something bumps against the side of the boat. The crewmen murmur and enough crowd to the side to tip the deck. Hannu’s hand folds itself around my arm.

‘That noise was a crocodile. Sailors feed them. Why do you think they do that?’

‘I don’t know,’ I say.

He narrows his eyes. ‘Let’s look at this another way. Why do you think crocodiles always wait where the reeds on the riverbank are trampled down?’

I shake my head.

‘It’s because they know that’s where the cattle drink. And why do you think crocodiles wait by the east bank of the river at sunset and the west bank at sunrise?’ Hannu asks.

I shake my head again.

‘So they can get close to the cattle behind the glare of the sun. Why am I telling you this?’

‘Because you like cows?’ I say.

‘A clever tongue will only get you so far in this world, boy. Work it out.’

‘Crocodiles are dangerous,’ I say. ‘The crew think that if they give them offerings, they won’t eat them.’

‘Good.’

‘But the crocodile doesn’t know that,’ I say. ‘It’s stupid.’

‘Crocodiles just want to eat,’ Hannu says. ‘Fill their bellies and they’ll be less likely to eat you.’

He’s giving off something. You know the heat of stones after a long, hot day? They give off a memory of warmth. What’s coming off him, what’s coming off his stillness is a memory of violence.

‘It’s not just crocodiles, is it?’ I say. ‘It’s people too. Sometimes you have to give people what they want to get them off your back.’

‘You need me to survive, boy,’ he says in a thick voice. ‘So when I ask, you give.’

There’s no wind the next day. The boat tugs sluggishly against its anchor like a lazy fish on a line. The heat builds. The sun’s like a metal plate in the sky. Imi’s sitting quietly in the shade, feeding the ship’s goat. Jatty wakes. He must have fallen asleep on a pile of ropes and they’ve left dents across his cheek. He’s hungover, cross and, from the way he stretches, aching. He stumbles up to the ship’s cook and asks for some bread, complains that it’s stale then leans over the side of the boat and spits into the river.

I keep watching. He drinks water, asks for beer, drinks that too and cheers up. He walks round the boat, talking to the crewmen. Some of them are making knots and he has a go but so badly that everyone laughs. He drinks more beer, rests on a bale of linen, then gets up and finds Dogface and they move to the back of the boat.

No wind so no helmsman, just a little hen coop so the captain can have eggs for breakfast. The ship’s cat likes to sleep on top of it, gazing down at the birds with white-toothed love.

I remember what the Quiet Gentleman said about giving him something so I crawl behind the hen hut. It’s a narrow space littered with old vegetable peelings and droppings. The hens make gentle henny noises, but I can hear Jatty and Dogface over them.

‘I’m still not clear what you want,’ Dogface says. ‘What’s in it for me?’

‘I told you,’ Jatty says. ‘Hannu’s after something.’

‘But what is Hannu after?’ Dogface sounds mean and disbelieving. If he said it was a nice day, you’d check to make sure the sun was shining.

‘He’s not heading to the Horizon out of idle curiosity. He’s plotting.’

‘And the kids?’

‘Cover. The boy makes things. You needn’t worry about them.’

‘What things?’

‘Little model animals out of mud.’

‘Could be blasphemous. The morality police will be interested in that. Might be worth something.’

‘Turn ’em in, sell ’em, send ’em south, stuff ’em in a sack and drop ’em in the river. I don’t care,’ Jatty says. ‘I just want to get Hannu.’

‘So what’s in it for you?’ Dogface asks.

‘Me? I’m just doing my duty for king and country,’ Jatty says. ‘Hail the king and hail the sun.’

‘You want him out of the way. All right. Here’s what we’ll do.’

There’s a creak and the boat heels slightly. Their conversation is cut short by the thunder of bare feet on the deck that starts before the captain even has time to shout: ‘Up sail!’

Jatty and Dogface move away and when the deck is clear, I crawl out of my space and find Hannu, the Quiet Gentleman. He listens very carefully.

‘Very good. That makes my decision easier.’

‘What decision?’ I ask.

He shakes his head as if I’m an idiot for even asking.

Later that day, when the boat is under way and the land – bare desert now – is slipping past us, he gives me a small wineskin.

‘I don’t want that,’ I say. ‘I hate drinking.’

It’s true. When you’ve seen as many drunks as I have, you tend to steer well away.

‘Good. It’s not for you,’ the Quiet Gentleman says. ‘But you’re going to pretend that it is and tonight you’re going to make sure Jatty sees it. And when he takes it off you, which he will, you’re to say that it’s from my secret supply of wine and if I find out it’s gone there’ll be hell to pay.’

‘What then?’

‘Then he’ll drink it and that’s what we want,’ the Quiet Gentleman says.

‘But . . .’ I begin.

‘But nothing. Have you forgotten what you told me? Stuff ’em in a sack and drop ’em in the river. Do you think he’s joking?’

‘But why? Where is this place we’re going? And why are we going there? I need to know. Otherwise . . . it all just feels pointless.’

The Quiet Gentleman takes a deep breath as if he’s controlling himself. ‘All right,’ he says. ‘If it will help you.’

I nod.

‘There’s nowhere else in the world like Horizon City and there won’t be ever again. It’s the king’s brainchild and the people there are the thoughts that flit around it.’

‘But why?’

‘He wanted to break the priests. The old kings were gods, but only because the priests made them so. He changed all that. He said there’s one god, the sun, and he’s the only one that can talk to him. It’s a new city for a new idea.’

‘But why are you going?’ I say. ‘And why am I here? I thought I was just a hostage, but Jatty said you brought me along because I can make things.’

‘It’s better you don’t know.’

‘I need to know,’ I say. I try to talk like the Quiet Gentleman, level and patient, as if I can’t imagine not having the answer. I feel a little surge of excitement – and terror – as I meet his eye and hold his stare, trying to imitate it.

‘Well, well,’ he says. ‘We’re getting close to the city and it’s even changing mud boy into something new.’ He squats suddenly, until his face is close to mine. I can hear the breath in his nose. ‘You making things might help us, but it’s not the point,’ he says. ‘The point is that you and me, boy, are going to commit a new type of crime together. It’s going to be heinous.’

He’s smiling and for the first time since I met him, he actually looks happy.

‘But what?’ My voice has gone hoarse and my mouth is dry.

‘We’re going to the Horizon and, when we get there, we’re going to steal the light from the sun.’

He smiles and walks off, leaving me shaking.