Читать книгу From Vocal Poetry to Song - Jean Nicolas De Surmont - Страница 3

Table of Contents

Foreword

Note to the reader

Introduction

Theoretical approaches

Conceptual movement ... opera in movimento

Denominative neology

Learned and popular debate on the standards for the song

Use of empirical vocabulary

Chapter 1 Vocal poetry in mountains and dales

Historical approaches

Subject of polysemiotic study

Historical vision

Performance

Theme and style

Creative process

Song in a literary text

Status of text and status of music

Chapter 2 Parallel linearities: Poetry and music

Chapter 3 Componential mutations of the song object

Determining the nature of song object

Variation and hybridity

Folklorisation process: Notes for some concepts

Neology, definition of song vocabulary and examples of song objects’ transformation

Internal hybrid song

External hybrid song

External variation in textual components of a signed song

External variation in musical components of a signed song

Polymorphous song

Signed folklorised song

Oralised signed song

Hybrid signed song

Literalised traditional song

Chapter 4 Popular song and its ‘popular’ epithet

When popular renders the meaning of the song

Description in the Trésor de la langue française

Song of the street, street song

‘Popular’ song and Romanticism

Discarding the concept of /coming from the people/

Popular music and popular song

Chapter 5 Moral and aesthetic divisions

Distinction between music and text of lyrical poetry

Good song and exacting song

Paradoxical status of the song

Conclusion

Glossary

Bibliography

Copyright