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LETTERS FROM SWITZERLAND
PART THE FIRST
Art and nature

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My joy, my rapture at works of art when they are true, when they are immediate and speaking expressions of Nature afford the greatest delight to every collector, to every dilettante. Those indeed who call themselves connoisseurs are not always of my opinion; but I care nothing for their connoisseurship when I am happy. Does not living nature vividly impress itself on my sense of vision? Do not its images remain fixed in my brain? Do not they there grow in beauty, delighting to compare themselves in turn with the images of art which the mind of others has also embellished and beautified? I confess to you that my fondness for nature arises from the fact of my always seeing her so beautiful, so lovely, so brilliant, so ravishing, that the similation of the artist, even his imperfect imitation transports me almost as much, as if it were a perfect type. It is only such works of art, however, as bespeak genius and feeling that have any charms for me. Those cold imitations which confine themselves to the narrow circle of a certain meagre mannerism, of mere painstaking diligence, are to me utterly intolerable. You see, therefore, that my delight and taste cannot well be riveted by a work of art, unless it imitates such objects of nature as are well known to me, so that I am able to test the imitation by my own experience of the originals. Landscape, with all that lives and moves therein – flowers and fruit-trees. Gothic churches, – a portrait taken directly from Nature, all this I can recognize, feel, and if you like, judge of. Honest W – amused himself with this trait of my character, and in such a way that I could not be offended, often made merry with it at my expense. He sees much further in this matter, than I do, and I shall always prefer that people should laugh at me while they instruct, than that they should praise me without benefitting me. He had noticed what things I was most immediately pleased with, and after a short acquaintance did not hesitate to avow that in the objects that so transported me there might be much that was truly estimable, and which time alone would enable me to distinguish.

But I turn from this subject and must now, however circuitously, come to the matter which, though reluctantly, I cannot but confide to you. I can see you in your room, in your little garden, where, over a pipe of tobacco, you will probably break the seal and read this letter. Can your thoughts follow me into this free and motley world? Will the circumstances and true state of the case become clear to your imagination? And will you be as indulgent towards your absent friend as I have often found you when present?

Letters from Switzerland and Travels in Italy

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