Читать книгу Ghost MacIndoe - Jonathan Buckley - Страница 10

Alexander was sitting in the corner of the garden where the bindweed came over the fence and the fat tongues of dock leaves stuck out from under the nettles. Holding the stalk as he had seen his mother hold the stem of a glass, Alexander turned the white trumpet of a flower half a circle one way, half a circle back.

‘He’s a contented wee soul,’ he heard Mrs Beckwith remark. ‘If you ask me, he’s got a real talent for calmness.’

‘You think so?’ asked his mother, standing alongside her.

‘I don’t see what you’re fussing about, Irene. I’d be grateful if I were you. Not a minute’s peace with Megan.’

‘Nothing but peace with this one,’ said his mother, and she looked at him as if he were a mystifying but precious-looking object they had unearthed from the lawn. ‘Not like the others, are we, my love?’ With the toe of her sandals she dug gently at his ribs, he would remember. ‘Not a boisterous boy, are we?’ She threaded a hand under Mrs Beckwith’s elbow. ‘You wouldn’t credit how long this one can go without moving a muscle,’ she said. ‘Meditating MacIndoe we should have called him.’

‘A genius at hide and seek, I’ll bet,’ said Mrs Beckwith, and she kissed him on the top of his head.

A week later he was taken to see Dr Levine, in a room that he would remember for its smell of cold rubber and for its chairs, which were made of metal pipes and had red seats that glued to his skin. Dr Levine was a short, stout man with silver hair and a silver moustache that was striped with two yellow stains below his nostrils. His eyes were small and pale brown, and he looked at Alexander over the lenses of his half-moon glasses.

‘What exactly is the difficulty, Mrs MacIndoe?’ he asked.

‘It’s not a difficulty, as such,’ she replied.

‘Not a difficulty, as such,’ the doctor responded, as though repeating a sentence in a foreign language.

‘No.’

‘Then what precisely would it be?’

‘A feeling that something’s not quite right,’ she tentatively explained.

‘Could you be more specific, Mrs MacIndoe?’ asked the doctor. ‘Could we pin this something down?’

‘He doesn’t seem to have much energy, for a boy,’ she stated.

‘For a boy?’ smiled Dr Levine, putting down the gold-hooped black pen with which he had been toying.

‘For a child.’

‘He eats well? Sleeps well?’ asked Dr Levine.

‘Yes. I think so.’

Dr Levine rose from his chair and leaned on the edge of his desk, gazing down at Alexander. ‘Do you eat well, Alexander?’ he asked, and narrowed his eyes as if there was some trick to the question. ‘Do you sleep well?’ he added, before Alexander could speak.

‘Perfectly,’ said Alexander.

‘Perfectly,’ repeated Dr Levine, and he smiled at the floor as he placed a hand on Alexander’s brow. His skin was cold and very soft, like a balloon that has lost some air. ‘Give me your hands,’ he said. He put the tips of his fingers under the boy’s and bent forward to inspect the fingernails. ‘Look up,’ he said. He prodded the flesh around Alexander’s eyes, then took hold of his lashes and tugged at his eyelids. ‘Nothing to worry ourselves about so far,’ commented Dr Levine, reaching behind his back and lifting a small, flat stick.

‘I’m not worried.’

‘I’m glad to hear it,’ replied Dr Levine, and he pressed his lips together, making his moustache bulge outwards. He placed the smooth dry wood on Alexander’s tongue and peered along it; the whites of the doctor’s eyes, Alexander noted, were the colour of the wax of his nightlight in the morning.

‘There’s nothing wrong with him that I can see,’ declared Dr Levine eventually. ‘Do you feel there’s anything wrong with you, Master MacIndoe?’

‘No, sir.’

‘Well, neither do I.’ Dr Levine yawned, removed his glasses and bent his fingers to grind at his eyes with his knuckles.

‘He looked like a big squirrel,’ Alexander told Megan that afternoon, and he copied the way the doctor’s mouth had grimaced and his cheeks puffed out as he rubbed his eyes. ‘Nothing wrong with him,’ he repeated with a superior sniff, twiddling his thumbs pompously on his stomach. ‘Are you a fool, Mrs MacIndoe?’

It was not the first time he had heard Megan laugh, but that is how he was to recall it, with Megan standing on the opposite side of the road from Mrs Beckwith’s house, and stamping her foot as though the shock of her laughter had travelled right through her body. ‘So you’re not ill then?’ she asked.

‘No, I’m not ill.’

‘You’re just odd. That’s all there is to it,’ she said, walking backwards across the street.

‘That’s all there is to it,’ he parroted.

‘Odd Eck,’ said Megan as a goodbye.

‘Odd Eck, odd Eck; odd Eck, odd Eck,’ he repeated for her, to the tune of two chiming bells.

There was a place at the turn of the stairs where the grain of the wood had come through the varnish to form sand-coloured terraces that he would magnify in his imagination to the dimensions of the cliffs and bays that Jimmy Murrell had described. At the foot of the banister that rose from this step he had found a globule of varnish that was not absolutely hard, from which his thumbnail could detach a black sliver that had an aroma that was something like the tobacco that was left in the bowl when his father’s pipe went out. The morning after the visit to Dr Levine, he was sitting at the turn of the stairs, his face against the cool wood of the banister. His mother came up, carrying the laundry basket, and as she sidled past him he asked her: ‘Do you think I’m odd?’ The smile that he saw, immediately before she put her arms around him and kissed him, convinced him that she did.

‘You do, don’t you?’ he called up to her.

‘I don’t at all,’ she said, and she dropped over the banister a handkerchief that fell over his face.

She was as worried after the visit to the doctor as she had been before. He would be sitting on the threshold of the house, watching the traffic or the sky, and she would rush to him and urge him out into the street to play. ‘Come on, Alexander, look lively,’ she would almost shout, clapping her hands to recruit him for some chore about the house. ‘Watching the grass grow?’ she would ask, or ‘Saving shoe leather?’ or ‘Holding the floor down?’ And once, when he was in the garden, he heard her say to his father, ‘Our son’s turning into a tree, Graham.’

One afternoon in April she strode down the hall, lifted him up, and said: ‘What would you say if I said we were going up to town? To see the lights come on.’

‘That’d be nice,’ he replied.

‘Once more, with feeling?’ she requested.

‘That’d be very nice,’ he said, loudly enough to earn an embrace.

They left the house in the dusk, and it was dark when they reached Nelson’s Column. His mother pointed down the wide road that stretched off to Buckingham Palace. ‘Do you want to go down there?’ she asked. She did not seem interested by the idea.

‘Don’t mind,’ he said.

‘Fine. What about down there? Do you want to go and see the Houses of Parliament?’ she asked, and it seemed she would be disappointed if he did.

He looked down Whitehall. The buildings were all the same colour and all the people were walking with their heads down, as if they didn’t want to see anyone. ‘We saw them from the train, didn’t we?’ he replied.

‘Let’s go and see the lights then,’ she proposed.

The lights were in Leicester Square, where the Empire was presenting Easter Parade with Judy Garland and Fred Astaire. For a few minutes they stood in the drizzle, while his mother marvelled at the signs for the shows. ‘Magnificent, isn’t it?’ she said, gesturing at a building on which huge grey shadows floated like the spirits of the dead in the picture of heaven in Nan Burnett’s front room. ‘We’ll take a walk through theatreland,’ said his mother, and bareheaded in the rain they went up Haymarket and down St Martin’s Lane and across Covent Garden, where the pavements smelled of dustbins. Facing the Theatre Royal she took his hand and said to him, as if telling him something he must not tell anyone else: ‘This is a very famous place. A very special place. The Desert Song, Show Boat, Oklahoma! – they were all performed here.’ Under the theatre’s colonnade she sang a whole song for him, and she sang a few lines as they strolled back along the Strand, and on the journey home. But before the train reached Blackheath station she turned away from him and rested her forehead on the dark glass. From what felt like a great distance, Alexander regarded her, wondering what they had done that had made her unhappy.

Within twenty years the walk through theatreland would dwindle to the memory of the rain-slicked cars in Leicester Square and the sign for Easter Parade. The train journey home would vanish, but for the image of the tree of steam that rose from the funnel of a waiting engine, and of the railway lines rushing in like streams between the platforms of London Bridge station. The face of Dr Levine would vanish, as would the conversation on the stairs, and his mother’s conversation with Mrs Beckwith in the garden. All this he would forget, but he would remember acutely and at length the Saturday, in July of that year, on which he followed his mother.

Early on a Saturday afternoon he would sometimes go to Mr Prentice’s shop, for no reason except that it was a pleasant place to be. For as long as ten minutes he would stand behind the potato sacks, where he was not in anybody’s way. Breathing in the bountiful smells of the shop, he watched the brass cylinders flying over the heads of the customers, shuttling along the wires that ran between the counters and the cashier’s turret, where an old woman with a hairnet unscrewed the lids from the cylinders and scooped out the money and the chits, like a cat hooking food from a bowl. To his left were ranged the glazed grey flagons of ginger ale, lemonade and dandelion and burdock, and to the right were the greasy pink hams and wheels of cheese, and the slicing machine with the blade that spun quickly under its shiny steel cowl and made a ringing sound when its edge came out of the meat. Opposite was the door to the back room, where Mr Prentice worked.

Sometimes Mr Prentice would turn round from his desk and call out to him: ‘All in order, MacIndoe?’ To which Alexander’s response, copied from his father, was: ‘Aye aye, Mr P,’ and a soldier’s salute. And in reply Mr Prentice would brush his brow with his forefinger; and then, having hitched up the metal bands that held his shirtsleeves to his upper arms, he would return to his letters and bills. On this particular afternoon, Mr Prentice gave his one-fingered salute, glanced over Alexander’s shoulder and said, pointing: ‘Wasn’t that your mum going past?’

Through the gaps in the whitewash prices on the window Alexander watched his mother hurrying along the pavement. She was wearing her long chequered skirt and her chequered jacket, and the dark blue hat that he had seen on top of her wardrobe but never seen her wear.

Alexander looked at Mr Prentice, but Mr Prentice was leaning forward in his chair and looking out at the street, though there was no longer anyone to see there. ‘Better hurry home,’ he said.

‘Suppose,’ responded Alexander. He stepped out under the awning and saw his mother go straight across the road at which she would have turned right had she been going home. From a distance he pursued her, dashing from doorway to doorway, watching for a few seconds before following, excited by the adventure but agitated by a sense of his own deceitfulness. When he saw a man stop to look at her as, waiting on a kerb, she glanced at a window and altered the angle of her hat, Alexander’s anxiety became so strong that he almost turned back. He saw his mother pull at her cuff to check her watch, then quicken her stride; he followed again, his heartbeat seeming to increase with the speed of her footsteps. She crossed another road and then, beyond her, a bus drew out from its stop, uncovering The Winslow Boy in white boxy letters, and his limbs became hollow with the relief of knowing where his mother was going.

From behind a lamppost he watched her slide a coin under the grille of the booth and receive her ticket. She smiled at the woman in the booth, and she was smiling as she pushed at the curving brass door-handle and crossed the deep red carpet of the foyer. A commissionaire with golden bands around his cuffs held open the inner door, and eased it shut once she had passed through, as if it were the heavy steel door of a strongroom.

Alexander sat on the pavement, his back against the lamppost, and waited for a while. When three men arrived and bought tickets he stood up to watch the commissionaire open his door, thinking that perhaps she would come out as they went in. He walked around the block, stopped to watch the commissionaire’s fingers drumming on the ashtray on the wall, and walked around the block again. He crossed the street. In a padlocked glass cabinet to the side of the outer doors there were advertisements for the new films: a photograph of Orson Welles in a shadowy doorway, and a picture of Alec Guinness in a dress and one of John Wayne on a horse. It was when he noticed that the woman in the ticket booth was watching him out of the corner of her eye that Alexander was spurred into making up his mind.

Two buildings along from the cinema there was a blind alley which Eric Mullins had once taken him down. The alley made a right-angled turn twenty yards from the street, and on this angle there was a flat, handleless door which led, Eric said, to the cinema. ‘It’s not locked,’ he said. ‘They can’t lock it, because then it wouldn’t be an escape, would it? You can get it open with a knife.’ Alexander inserted a penny into the crack of the door and levered it out a quarter-inch. He grappled his fingers onto the strip of door and worked it open far enough to slip through.

On the other side was a corridor of bare brick with a floor of rough, ridged concrete; a single bare lightbulb burned in a socket above a door at the far end, through which came the sound of indistinct voices talking loudly. Another door, halfway down the corridor, opened with a judder and a woman came out, fiddling with a button on her blouse. She smiled and looked at him as if she were trying to work out who he was. ‘Hello, mischief,’ she said. The light from the bulb made her hair gauzy. She opened the door and pushed aside a velvet curtain. ‘You coming or aren’t you?’ she whispered.

He went inside. The cinema was so large and dark it seemed to have no boundary. Like a drift of scum on a river, a stream of smoke flowed upwards through the beam of light, which swelled and shrank and twitched incessantly. Dozens of faces tilted upwards underneath the beam, all of them with the same expression of expectation, or so it appeared initially. Alexander wrapped himself in the folds of the curtain, which smelt like curtains in Mr Mullins’s pub. Unable to understand what the people on the screen were doing, he looked again at the people who were watching them. A few sat open-mouthed, as if waiting to be fed. Some were chewing, while some sucked on cigarettes, making scarlet bugs appear in the darkness. One woman seemed to be joining in with the words that the actors were speaking. Under the lip of the balcony, a man kissed the woman in the seat beside him; in front of them a man had his eyes closed, next to a woman who was frowning as if she disagreed with everything she was hearing.

Alexander’s gaze travelled to the end of the row in which the frowning woman sat, and travelled gradually back, to halt at a face he had already passed over once, and realised now was his mother’s. It went dark for a moment and then the light flashed on her skin, but she remained motionless, like a woman balancing a book on her head. Voices were raised in the film. The frowning woman shook her head and the sleeping man woke up, and then his mother’s eyes widened in amazement, though nothing had happened, that Alexander could see, to make her react in this way, and her lips formed an expression as if someone he could not see was in the seat beside her and telling her something she could scarcely believe. She smiled to herself, curling a strand of hair around her finger.

Alexander smiled too, yet her lonely pleasure made him sorrowful. He was ashamed, and he told himself that he should not have left Mr Prentice’s shop. He picked a cancelled ticket from the carpet and turned it repeatedly in his fingers to keep his eyes from his mother.

‘This is where we came in,’ said a man somewhere in the shadows under the balcony. Three men and a woman came down the slope, making the floor boom under their tread. Alexander rolled under the curtain and reached the end of the corridor before the door behind him opened. He returned to his post at the end of the side street, and waited. Half an hour passed, and still his mother did not come out. He counted the buses that drove by. Ten buses passed, and in that time he saw many people leave, but not his mother. The sun was resting on the roofs when he decided to go home.

Alexander would remember the pursuit of his mother, and the apparition of her face amid the other shadowed faces. And from the evening of that day he would remember his father putting his elbows on the dinner table and drawing on his pipe so strongly the liquid rattled in its stem, and saying to him: ‘Anything wrong?’

Alexander stirred his spoon around the empty soup bowl as his mother gathered the rest of the cutlery and crockery. ‘Nothing,’ he said.

‘There is, I think,’ his mother teased.

‘Come on, what’s up?’ asked his father, taking off his glasses.

‘No, nothing,’ he repeated. ‘There’s nothing wrong with me,’ he grinned, holding his spoon upright like a sceptre. ‘Dr Levine said so.’

‘Comedian,’ said his mother. She stacked the plates and went off to the kitchen.

‘Come on,’ his father said. ‘Let’s go and help your mother in the galley.’

Alexander followed his father down the hall, twisting the ticket in his pocket as he walked.

In the kitchen his mother was reading a newspaper she had spread out on the draining board. Her head was posed like one of the women in the glass cabinet at the cinema, but she was even prettier. Alexander stood in the doorway and looked at her in the way the man in the street had looked at her, with his head angled slightly to one side and both hands in his pockets.

‘Can I have a picture of you?’ he asked her.

His mother looked sideways at him. ‘What do you need a picture for?’ she asked.

‘For my room.’

‘Don’t be silly,’ she told him. ‘You’ve got the real thing. You don’t need a picture.’

‘Please.’

‘No,’ she said. ‘You’re being silly.’

‘Please.’

‘Alexander, stop it,’ she said, and he ran out of the kitchen because he felt he might cry.