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Table of Contents

Cover

Preface

A An Artwork is… Aestheticization Amplifiers of Emotions Animal Architecture Anonymity Architectural Courtesy Architecture and Being Architecture and Biology Architecture as Experience Architecture as Impure Discipline Architecture is Constructed Mental Space Art as Representation and Reality Architecture, Reality and Self Art vs Science I Art vs Science II Artists as Phenomenologists and Neurologists Artists vs Architects Atmospheres in Architecture Atmospheric Intelligence Atmospheres in the Arts Atmospheric Sense [The]

B Beauty Beauty and Ethics Beauty and Time Being in the World Biophilic beauty Books (and architecture) Burial architecture

C Cinema and Architecture Cinema and Painting Collaboration Collective Memories Complexity of Simplicity [The] Computer and Imagination Computerised Hand [The] Condensing Craftsmanship Creative Imagination Creative Team Work?

D Depthlessness Design Process Digital Universe Drawing Drawing by Hand

E Education Elementarism Embodied Existence Embodied Knowledge and Thought Embodied Memory Embodied Understanding Emotional Echo Emotions Emotions and Creative Thought Empathy Encountering Architecture Evocativeness Exchange Existential Space I Existential Space II Experience has a Multi‐Sensory Essence Eyes

F Fragile Architecture Forgetting Fragments Fusion of the Self and the World

G Generosity

10  H Hapticity Hearth Homelessness Horizons of Meaning Humility

11  I Ideal Client Ideals Identity The Existential Task of Architecture (2009) Imaginary Imperfection

12  L Language of Matter [The] Liberating Images vs Withering Images Light Limits Limits and Immensity Lived Space

13  M Man Matter and Time Meaning Memory Metaphor Microcosms Modes of Thinking Moving Museums of Time Myth

14  N Newness Nihilism Nomadism and Mobility Nostalgia Nowness and Eternity

15  O Odours in Architecture Optimism

16  P Painter, Architect and Surgeon Painting and Architecture Perfection and Error Peripheral Vision Personality Cult Phenomenology of Architecture Philosophy in the Flesh Physical and Mental Landscape Playing with Forms Present Tense of Art

17  R Rationalising Architecture Realism and Idealization Reality and Imagination Reality vs Symbol Reconciling Relational Experiences Reverse Interpretation Roots and Biology Ruins

18  S Sacredness Senses I Senses II. How many senses do we have? Silence, Time and Solitude Smells Sound Space and Imagination Space‐Time Spatialized Memories Speed Speed and Time Stairways of Cinema Sublime Sustainability Symbol Synaesthesia Syncretic Imagination

19  T Tactility and Materiality of Light Tasks of Architecture [The] Tasks of Art [The] Theorizing Architecture Thinking Hand [The] Time Time and Eternity Touch Tradition Triad

20  U Uncertainty Unfocused Vision

21  V Verbs vs Nouns

22  W Water and Time

23  Inseminations: Seeds for Architectural Thought Preamble The Psychological Digging The Approach: Jumps Vs Linear Thought Pallasmaa's Reply to Our Proposal A Weak Structure: The Alphabetical Order Literary References What is the Book and How Should We “Use” It? Final Thoughts

24  Index

25  End User License Agreement

Guide

Cover

2 Table of Contents

Begin Reading

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Inseminations

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