Читать книгу Sakoontala; Or, The Lost Ring - Kalidasa - Страница 7

'An outline of the play to be performed at the Theatre this night.

'After a short discourse between the Sutradhar (the chief actor) and the Vidúshaka (the clown), Surswati (the Goddess of learning) will appear. Sutradhar will call his wife (Nati), and they will determine on performing the play of Shakuntala. They both will sing songs together, after which Nati will go away. The play will then regularly commence. Dushanta Rajah will appear in the Court, and order his Pradhan (the Minister) to make preparations for a hunting excursion. The Rajah, sitting in his carriage, will pursue a stag, the stag will disappear, upon which Dushanta will ask his coachman the cause thereof, this being known, the Rajah in his carriage will proceed farther, when they will see the stag again, upon which he will aim an arrow at the stag. The stag will run and reach the retirement of Waikhanas Rushi. The sage will come out of his hut and remonstrate with the Rajah against his killing the harmless animal. The Rajah will obey the injunctions of the sage, who will pronounce benedictions upon him. According to the Rushi's instructions, he will prepare to proceed to the residence of another sage named Kunwa. Bidding each other farewell, the Rushi will go to procure material for his religious ceremonies. After reaching Kunwa's place, and commanding his coachman to groom the horses, the Rajah will walk forth to the sage's hut. Observing on his way thither Shakuntala with her fellow mates watering the trees, he will hide himself behind a tree. Shakuntala will praise to her mates the beauty of the Keshar tree. Charmed with overhearing her discourse, Dushanta will try to find out her descent. Shakuntala will be very much teased by a Bhramar (fly) hovering about her face. The Rajah will then come forward and ask the cause of the disturbed state of her mind. After a mutual exchange of polite respect they all take their seats beneath a shady tree, Dushanta will inform her of his country and descent, whereupon they will all go to the Rushi's hut.

'Here there is a pause. A pleasing farce will then be performed.'

I have already stated that the '[S']akoontalá' in the words of my own translation has been since performed at Bombay and recently at Trivandrum, the capital of Travancore (see Preface to this edition, p. vii, &c).]

[Footnote 4: Rogers' Italy, note to line 23.]

[Footnote 5: The admirable Essay by Professor H.H. Wilson, prefixed to his Hindú Theatre, is the principal source of the information which I have here given.]

[Footnote 6: Wilson's Hindú Theatre, p. xii.]