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Karla Crome
Writer
Karla is best known for her acting work. She played Riley in Sky Atlantic’s Hit and Miss alongside US star Chloe Sevingy. She subsequently worked with globally acclaimed director of The Killing, Birger Larsen, in the BAFTA award winning Murder for BBC2, in which she played the lead, Coleen. Both performances won her a place in Screen International’s 2012 Stars of Tomorrow, one of the most influential new talent roundups in the business (past candidates include Keira Knightley, Andrew Garfield and Dominic Cooper). Karla played series lead Jess in E4 flagship drama Misfits and most recently worked on Hit US drama Under The Dome.
Karla’s writing work includes Our Days of Rage, (cowritten for the Old Vic Tunnels), which explored the devastation caused by the Arab Spring. NYT subsequently commissioned Karla to write If Chloe Can, a stage play about the pressures young women face when considering career options. The play has been developed and is currently touring UK universities.
Rosy Banham
Director
Directing includes: England Street, If You’re Glad I’ll Be Frank (Burton Taylor Studio, Oxford Playhouse); One Under, Edges (Edinburgh Fringe); Charity Begins at Home (Waterloo East). Assistant directing includes: Things We Do For Love (Theatre Royal Bath & UK Tour); Bracken Moor (Tricycle); NSFW, The Witness (Royal Court); A Kind of Alaska, Krapp’s Last Tape, Coasting (all Bristol Old Vic); Dick Whittington (Oxford Playhouse); The Comedy of Errors (Tobacco Factory).
Carla Goodman
Designer
Carla Goodman is a set and costume designer working in theatre and opera. Her recent design credits include Theatre Uncut (Traverse, Soho Theatre and UK tour); Listen, We’re Family (Wilton’s Music Hall); Ariodante (Royal Academy of Music); I am your Neighbour (Oval House – site-specific); King Lear (Oval House Theatre); Miss Nightingale (New Wolsey Theatre and UK Tour); A New Face for Fast Times (Soho Theatre); The Love Project (Arts Depot and UK Tour); NOLA (Underbelly Edinburgh); Heroes (Only Connect); Royal Academy of Dance – Step Live! (Southbank Centre); Kitchen to Measure (Arcola Theatre); Mr Happiness (Old Vic Tunnels); Bud Take the Wheel (Underbelly Edinburgh) and Danny’s Deal (Old Vic New Voices tour). As assistant designer credits include: The Drowned Man (Punchdrunk); Elephantom (National Theatre Shed); Nabucco (De Vlaamse Opera Antwerp and Ghent); Prince Igor (Opernhaus Zurich and Staatsoper Hamburg); Heart of Darkness (Royal Opera House); The Railway Children (Eurostar Waterloo).
Chris Withers
Lighting Designer
Lighting Design credits include: Jack and the Beanstalk, Puss in Boots, Robin Hood, Aladdin, Heavy Like the Weight of a Flame, The Temperamentals (Greenwich Theatre); Hamlet, Thebes, Reptember, The Talented Mr Ripley, Romeo and Juliet, Joan of Arc (The Faction at New Diorama Theatre); Lucy and the Hawk (Northern Stage and Oval House); What the Animals Say (Hull Truck and Northern Stage); Othello, Hedda Gabler (UK and Ireland tour); A Quiet Life, Blind Date/27 Wagons full of Cotton (Riverside Studios); Hindle Wakes, December Man, Saturn Returns and The Killing of Mr Toad (Finborough Theatre); Change (Arcola), The Great British Country Fete (Bush Theatre and Tour); Gutted- A Revenger’s Musical (Assembly Ballroom, Edinburgh); Dirty White Boy - Tales of Soho (Trafalgar Studios); What’s Wrong With Angry? (King’s Head); The Canterbury Tales (Battersea Arts Centre) Recent credits as an assistant/associate include: The Seagull (Southwark Playhouse); Precious Little Talent (Trafalgar Studios); Lingua Franca (59E59 New York); Little Fish (Finborough); Well (Apollo Shaftesbury Ave) and How to Disappear Completely and Never be Found (Southwark Playhouse).
David Ridley
Composer
David is an associate composer with Bucket Club and Tap Tap Theatre companies. He gained a Masters in Composition from the University of Bristol where he studied as a full Faculty of Arts Scholar, and spent 6 months in East China where he served as the inaugural conductor of The Voices of Hangzhou Youth Choir. Recent theatrical composition work includes Lorraine and Alan (Bucket Club) which won the 2014 MTN award for innovation in music theatre; The Beasts (Bucket Club, Lyric Hammersmith and tour); Captain Morgan and the Sands of Time (TapTap Theatre), and orchestration work: Hansel and Gretel (Royal Ballet); The Secret of Crickley Hall (Dan Jones, BBC1).
David also writes concert music and is in demand as a composer for choirs and chamber ensembles.
To listen to David’s original music for Mush and Me, along with more of his work, please follow: www.davidjridley.co.uk.
Lip Sink
Producer
Lip Sink was founded in 2014 by performer and producer Daniella Isaacs, director Rosy Banham and writer Karla Crome. The company aims to create risk-taking new work influenced by real-life interviews with young adults. Their debut production, Mush and Me, received the Ideas Tap Underbelly Award and was performed at the Underbelly during the Edinburgh Fringe Festival in 2014. The production was subsequently shortlisted for the Brighton Fringe Award and announced as the Winner of the Holden Street Theatres Award.
Francesca Clark
Producer
Francesca is an independent theatre producer and project manager, as well as being Producer at HighTide Festival Theatre. Producing as part of HighTide Festival Theatre includes: peddling by Harry Melling (Off Broadway, Arcola, HighTide Festival); Bottleneck by Luke Barnes (Soho Theatre, UK tour, Pleasance & Underbelly Edinburgh); Incognito by Nick Payne (Bush Theatre, Live Theatre, Newcastle, North Wall, HighTide Festival); The Big Meal by Dan LeFranc (Theatre Royal Bath, HighTide Festival); The Girls Guide to Saving the World by Elinor Cook (HighTide Festival); Stuart: A Life Backwards by Alexander Masters adapted by Jack Thorne (Underbelly Edinburgh, Sheffield Theatres, Watford Palace Theatre); Neighbors by Branden Jacobs-Jenkins (Nuffield Theatre, HighTide Festival); Smallholding by Chris Dunkley (Soho Theatre, Nuffield Theatre, HighTide Festival); Boys by Ella Hickson (Soho Theatre, Nuffield Theatre , HighTide Festival); Mudlarks by Vickie Donoghue (Bush Theatre, 503, HighTide Festival ); Lidless by Frances Ya-Chu Cowhig (Trafalgar Studios, Underbelly Edinburgh, HighTide Festival) Stovepipe by Adam Brace (Bush Theatre, National Theatre).
Awards: 2012 and 2010 Fringe First Awards for Educating Ronnie and Lidless; 2009 Whatsonstage Award nomination for Best Off-West End Production (Stovepipe).
