Читать книгу A History of the Japanese People - Kikuchi Dairoku - Страница 144

The reign of Yuryaku is partially saved from the reproach of selfish despotism by the encouragement given to the arts and crafts. It has already been related that the members of the Hata-uji, which had been constituted originally with artisans from China, gradually became dispersed throughout the provinces and were suffering some hardships when Yuryaku issued orders for their reassembly and reorganization. Subsequently the sovereign gave much encouragement to sericulture, and, inspired doubtless by the legend of the Sun goddess, inaugurated a custom which thereafter prevailed in Japan through all ages, the cultivation of silkworms by the Empress herself. At a later date, learning from a Korean handicraftsman (tebito)—whose name has been handed down as Kwan-in Chiri—that Korea abounded in experts of superior skill, Yuryaku commissioned this man to carry to the King of Kudara (Paikche) an autograph letter asking for the services of several of these experts. This request was complied with, and the newcomers were assigned dwellings at the village of Tsuno in Yamato;* but as the place proved unhealthy, they were afterwards distributed among several localities.

*There were potters, saddlers, brocade-weavers, and interpreters.

It is also recorded that, about this time, there came from China a man called An Kiko, a descendant of one of the Wu sovereigns. He settled in Japan, and his son, Ryu afterwards—named Shinki—is reputed to have been the first exponent of Chinese pictorial art in Japan. In the year A.D. 470, there was another arrival of artisans, this time from Wu (China), including weavers and clothiers. They landed in the province of Settsu, and to commemorate their coming a road called the "Kure-saka" (Wu acclivity) was constructed from that port to the Shihatsu highway. The descendants of these immigrants were organized into two hereditary corporations (be) of silk-clothiers, the Asuka no Kinu-nui-be and the Ise no Kinu-nui-be. Two years later (472), orders were issued for the cultivation of mulberry trees in all suitable provinces, and at the same time the previously reassembled members of the Hata-uji were once more distributed to various localities with the object of widening their sphere of instruction.

In the year 473 a very interesting event is recorded. The muraji of the Hanishi was ordered to furnish craftsmen to manufacture "pure utensils" for serving viands daily in the palace. These Hanishi are first spoken of as having been employed at the suggestion of Nomi-no-Sukune, in the days of the Emperor Suinin (A.D. 3), to make clay substitutes for the human beings thitherto inhumed at the sepulchres of notables. In response to this order the muraji summoned his own tami-be (private hereditary corporation) then located at seven villages in the provinces of Settsu, Yamashiro, Ise, Tamba, Tajima, and Inaba. They were organized into the Nie no Hanishibe, or hereditary corporation of potters of table-utensils. Ceramists had previously come from Kudara (Paikche), and there can be no doubt that some progress was made in the art from the fifth century onwards. But there does not appear to be sufficient ground for a conclusion formed by some historians that the "pure utensils" mentioned above were of glazed pottery. The art of applying glaze to ceramic manufactures was not discovered until a much later period.