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Contents

Acknowledgments

Introduction: Restaging German Song / Laura Tunbridge

1“Eine wahre Olla Patrida [sic]”: Anna Milder-Hauptmann, Schubert, and Programming the Orient / Susan Youens

2Song in Concert as Observed by the Schumanns: Toward the Personalization of the Public Stage / Benjamin Binder

3From Miscellanies to Musical Works: Julius Stockhausen, Clara Schumann, and Dichterliebe / Natasha Loges

4Natalia Macfarren and the English German Lied / Katy Hamilton

5“For Any Ordinary Performer It Would Be Absurd, Ridiculous, or Offensive”: Performing Lieder Cycles on the American Stage / Heather Platt

6The Concert Hall as a Gender-Neutral Space: The Case of Amalie Joachim, née Schneeweiss / Beatrix Borchard, Translated by Jeremy Coleman

7Nikolai Medtner: Championing the German Lied and Russian Spirit / Maria Razumovskaya

8From the Benefit Concert to the Solo Song Recital in London, 1870–1914 / Simon McVeigh and William Weber

9German Song and the Working Classes in Berlin, 1890–1914 / Wiebke Rademacher

10Lilli Lehmann’s Dedicated Lieder Recitals / Rosamund Cole

11“Eine Reihe bunter Zauberbilder”: Thomas Mann, Hans Pfitzner, and the Politics of Song Accompaniment / Nicholas Attfield

12Performers’ Reflections / Natasha Loges and Laura Tunbridge

Timeline

Index