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Chapter 11

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THAT which for nearly a year had been Vronsky’s sole and exclusive desire, supplanting all his former desires: that which for Anna had been an impossible, dreadful, but all the more bewitching dream of happiness, had come to pass. Pale, with trembling lower jaw, he stood over her, entreating her to be calm, himself not knowing why or how.

‘Anna, Anna,’ he said in trembling voice, ‘Anna, for God’s sake!’

But the louder he spoke the lower she drooped her once proud, bright, but now dishonoured head, and she writhed, slipping down from the sofa on which she sat to the floor at his feet. She would have fallen on the carpet if he had not held her.

‘My God! Forgive me!’ she said, sobbing and pressing Vronsky’s hand to her breast.

She felt so guilty, so much to blame, that it only remained for her to humble herself and ask to be forgiven; but she had no one in the world now except him, so that even her prayer for forgiveness was addressed to him. Looking at him, she felt her degradation physically, and could say nothing more. He felt what a murderer must feel when looking at the body he has deprived of life. The body he had deprived of life was their love, the first period of their love. There was something frightful and revolting in the recollection of what had been paid for with this terrible price of shame. The shame she felt at her spiritual nakedness communicated itself to him. But in spite of the murderer’s horror of the body of his victim, that body must be cut in pieces and hidden away, and he must make use of what he has obtained by the murder.

Then, as the murderer desperately throws himself on the body, as though with passion, and drags it and hacks it, so Vronsky covered her face and shoulders with kisses.

She held his hand and did not move. Yes! These kisses were what had been bought by their shame! ‘Yes, and this hand, which will always be mine, is the hand of my accomplice.’ She lifted his hand and kissed it. He knelt down and tried to see her face, but she hid it and did not speak. At last, as though mastering herself, she sat up and pushed him away. Her face was as beautiful as ever, but all the more piteous.

‘It’s all over,’ she said. ‘I have nothing but you left. Remember that.’

‘I cannot help remembering what is life itself to me! For one moment of that bliss …’

‘What bliss?’ she said with disgust and horror, and the horror was involuntarily communicated to him. ‘For heaven’s sake, not another word!’

She rose quickly and moved away from him.

‘Not another word!’ she repeated, and with a look of cold despair, strange to him, she left him. She felt that at that moment she could not express in words her feeling of shame, joy, and horror at this entrance on a new life, and she did not wish to vulgarize that feeling by inadequate words. Later on, the next day and the next, she still could not find words to describe all the complexity of those feelings, and could not even find thoughts with which to reflect on all that was in her soul.

She said to herself: ‘No, I can’t think about it now; later, when I am calmer.’ But that calm, necessary for reflection, never came. Every time the thought of what she had done, and of what was to become of her and of what she should do, came to her mind, she was seized with horror and drove these thoughts away.

‘Not now; later, when I am calmer!’ she said to herself.

But in her dreams, when she had no control over her thoughts, her position appeared to her in all its shocking nakedness. One dream she had almost every night. She dreamt that both at once were her husbands, and lavished their caresses on her. Alexis Alexandrovich wept, kissing her hands, saying: ‘How beautiful it is now!’ and Alexis Vronsky was there too, and he also was her husband. And she was surprised that formerly this had seemed impossible to her, and laughingly explained to them how much simpler it really was, and that they were both now contented and happy. But this dream weighed on her like a nightmare, and she woke from it filled with horror.

Anna Karenina (Maude Translation, Unabridged and Annotated)

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