Читать книгу The Public World/Syntactically Impermanence - Leslie Scalapino - Страница 11
Оглавление:: Silence and Sound/Text
Note on my work:
I would like to do a writing in which ‘cultural’ (that is, both outside one and interior) scrutiny can occur as being the process of the writer’s thought and recognition coming up to the surface.
In As: All Occurrence in Structure, Unseen—(Deer Night), I intended a double—that an outside culture as seen interiorly by one be brought to bear on one’s own culture, that ‘conceptualization’ and ‘experience’ be at once apprehension and overt (as a play, yet read in silence) illusion.
This work was written during and after return from traveling in Bhutan and Thailand; it actually refers to many places, however. The word “their” sometimes refers to the people in the other culture, and more frequently to one’s. I wanted to iterate the separation psychically (here), which would ‘then’ not be the cultural categorization, but the bounding out of ‘one.’ ‘One’ is maintained.
As if ‘iterating’ conflicts inside one and outside at once—it is motions’ illusions.
‘Their’/word has to jump into the bounds of ‘their’ location, as oneself; oneself interpreted as being or through their ‘here’ (one’s own location)—one can be interiorly ‘only’ other than what one is.
The gesture itself and observing is recognized as illusion.
