Читать книгу The Public World/Syntactically Impermanence - Leslie Scalapino - Страница 5

Wesleyan University Press

Published by University Press of New England, Hanover, NH 0375 5

© 1999 by Leslie Scalapino

All rights reserved

Printed in the United States of America 5 4 3 2 1

CIP data appear at the end of the book

The author wishes to thank Tom White for his helpful reading of this text in manuscript.

A version of “The Cannon” was published in the American Poetry Review (Spring, 1998). “Experience/‘On’ Sight” is Leslie Scalapino’s part of an introduction to SIGHT, a collaboration by Lyn Hejinian and Leslie Scalapino, published by Edge Books. A version of “‘Thinking Serially’ in For Love, Words, and Pieces” was published in Objects in the Terrifying Tense/Longing from Taking Place, Leslie Scalapino (New York: Roof Books, 1993); and Disembodied Poetics: Annals of the Jack Kerouac School, edited by Anne Waldman and Andrew Schelling (Albuquerque: University of New Mexico Press, 1994). A version of “Footnoting” was published in SHARK. Passages from “The Radical Nature of Experience” on Philip Whalen appear in Leslie Scalapino’s introduction to Philip Whalen’s Overtime: The Selected Poems, edited by Michael Rothenberg (New York: Viking Penguin, 1999). A passage from “Silence and Sound/Text” appeared in Boundary.

A version of The Weatherman Turns Himself In was published by Zasterle Press, Canary Islands, Spain, 1995.

Passages from As: All Occurrence in Structure, Unseen—(Deer Night) were published in Chain, Explosive Magazine, Boundary, and Fishdrum.

Cover photograph: Untitled, Petah Coyne, 1993, gelatin silver print. Courtesy of the Artist and GalerieLelong, New York.