Читать книгу Handicraft Simplified Procedure and Projects in Leather, Celluloid, Metal, Wood, Batik, Rope, Cordage, Yarn, Horsehair, Pottery, Weaving, Stone, Primitive Indian Craft - Lester Griswold - Страница 6
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Part I—Art Crafts
ОглавлениеI.INTRODUCTION
II.CRAFTWORK IN LEATHER
A.The Story of Leather
Historical Sketch.
Sources of Supply.
Tanning Methods.
Classification
Craftwork Leather
B.Leather Projects, Tooling Steer and Calfskin
1.Single Coin Purse
2.Double Coin Purse
3.Folding Coin Purse
4.Key Purses
5-6.Memo Purse and Bill Folds
7.Photo Holder and Identification Card Case
8.Photo Frame, Easel Type
9.Envelope Bags
10.Vanity Purses
11.Strap Handbags
12.Metal Top Bags
13.Book Ends
14.Desk Set, Blotter Pad Corners
15.Note Books and Covers
16.Bridge Set and Playing Card Case
17.Writing Portfolio
18.Morocco Style Handbags and Purses
C.Leather Projects, Stamping and Carving—Cowhide and Vealskin
1.Neckerchief Slide
2.Bag Tag
3.Knife Sheath
4.Axe Sheath
5-6.Camera Case and First Aid Kits
7.Belts
8-9.Hatbands, Dog Collars
10.Note Book Covers and Note Books
11.Brief Case and Special Assembly Detail
D.Leather Projects, Miscellaneous
1.Archery Equipment: Quivers, Arm Guards, Cuffs, Shooting Gloves, Bow Case
2.Soft Leather Projects
3.Underlay and Cut Out Decoration.
4.Remnant Leather Projects—Vest
5.Rawhide Lamp Shades
E.Link Craftwork
F.Method of Decorating Leather, Tooling Steer and Calfskin
1.Preparation of the Leather.
2.Edge Creasing
3.Transfer of Design and Flat Modeling
4.Relief Modeling
5.Application of Background
6.Coloring
7.Gold Tooling and Gilding of Leather
8.Cut Out Decoration
9.Overlay and Inlay
G.Method of Decorating Leather, Cowhide and Vealskin
1.Preparation of the Leather
2.Transfer of Design and Incising of Outline
3.Beveling of Outline and Opening of Incised Lines
4.Application of Stamped Background
5.Carved Designs
6.Stamping
a.Preparation of the Leather
b.Border Stamping
c.Background Stamping
7.Toolmaking
8.Coloring
9.Application of Metal Ornaments
H.Assembly Procedure
1.Edge Skiving
2.Cementing of Parts
3.Punching
4.Cementing a Lining
5.Lining a Gusset
6.Edge Lacing
7.Special Assembly Detail:
a.Blotter Pad Corners
b.Punching and Lacing Procedure—Gussets
c.Attachments, Bag Tops
d.Attachments, Snap Fasteners and Bag Plates
e.Note Book Metals
f.Two Strap Turkshead Fastener
g.The Three Hole Thong Fastening
h.Split Strap Attachment—Button Suggestions
i.Terminal Turkshead Fastening, Split Strap
j.Straps Split Three Strand for Brading
III.LEATHER THONG HANDICRAFT.
A.Origin of Thong Handicraft and Applications
1.Fundamental Principles of Thong Plaiting
2.Methods of Cutting Thongs
3.Thong Cutter Specifications
4.Elementary Thong Plaiting—Four Plait:
a.Four Plait Round, and Terminal Knots
b.Knots used on Four Plait Round
c.Projects and Specifications in Four Plait
Hatbands, Lanyards, Watch Guards, Dog Leashes
d.Sliding Knot—Three Bight, Four Bight, Five Bight
e.Flat Plaits, Four, Seven, Nine, Eleven, Thirteen Thongs
f.Lapel Watch Guard
g.Riding Crops
5.Advanced Thong Plaiting and Knot Tying:
a.Six and Eight Plait Round
b.Two Bight Knots for Quirts, Reins, Bridles
c.Six Bight, Seven Bight, Five Strand Knots
d.Multiple Thong Knot
e.The Gaucho (South American) Knots
f.Lanyard with Gaucho Knots
g.Specifications—Bridles, Reins, Quirts
h.Detail of Assembly for Plaited Bridle
IV.RAWHIDE THONG HANDICRAFT
A.Indian and Pioneer Uses of Rawhide
Formation of the Tamale
1.Method of Lacing a Frame
2.Willow Camp Bed
3.Snow Shoes
4.Lariat Making
5.Sandals and Moccasin Soles
6.Tom Toms
7.Apache Stool
8.Clubs and Rattles
9.Parfleche Bags
V.TANNING METHODS FOR CAMP
1.Notes on the Preservation of Heads, Skins and Scalps
VI.CELLULOID HANDICRAFT
A.Industrial Developments and Applications
B.Celluloid Projects
Paper Knives, Book Ends, Desk Sets, Shade Pulls, Napkin Rings.
C.Procedure in Working Celluloid
1.Preparation
2.Tracing of Design
3.Drilling
4.Sawing
5.Edge Finishing
6.Surface Finishing
7.Bending
a.Book Ends
b.Envelope Holder
c.Blotter Corners
8.Painting
9.Uniting Pieces
10.Attachment of Celluloid Bag Tops with Acetone
D.Engraved Decoration of Celluloid Projects
1.Transfer of Design
2.Incising of Design
3.Application of Monogram Filler
E.Celluloid Etching
1.Making an Incising Tool
2.Transfer of Design
3.Etching the Plate
4.Printing from a Celluloid Plate
a.Letter Press Method
b.Clothes Wringer Method
c.Hand Roller Method
d.Inking the Celluloid Plate
e.Care of an Etched Celluloid Plate
METAL WORK PROJECTS
VII.SILVERWORK
A.Introduction
B.Primitive Indian Methods
C.Simplified Indian Silverwork Projects
1.Bracelets
2.Scarf Pins
3.Brooch
4.Rings
5.Setting Turquoise
6.Forming of Silver Balls
7.Cutting and Polishing Turquoise
8.Mounting an Arrowhead
9.Soldering a Bezel
10.Cutting and Stamping a Buckle
VIII.COPPER
A.Introduction and Historical Sketch
B.Projects in Copper and Working Procedure
1.Identification Tag
2.Paper Knife
3.Rocker Type Blotter
4.Blotter Corners
5.Book Ends
6.Envelope Holder
7.Napkin Slide
8.Napkin Clip
9.Neckerchief Slide
IX.PEWTER
A.Introduction and Historical Sketch
B.Elementary Projects—Working Procedure
1.Mess Kit Plate
2.Spoon
3.Cup, Bowl or Porringer
4.Casting Pewter
a.Mold Making in Plaster of Paris
b.Preparation of the Mold and Casting
5.Soldering
6.Mending a Break
C.Projects with Cast Parts
1.Individual Salt Container
2.Tea Ball
X.WOOD CARVING PROJECTS
A.Introduction
1.Guide Line Layout for Carved Detail
2.Carving Procedure
3.Stabbing the Design
4.Removing the Chip
5.Wood Carving Designs
B.Projects
1.Book Ends
2.Waste Basket
3.Bench
4.Chair
5.Wooden Equipment for Rope and Cord Work
6.Pattern Making for Castings
7.Lap Board
8.Furniture
XI.BATIK
A.Introduction
B.Methods of Applying Batik Decoration
1.The Javanese Wax Resist Method
2.Batik, Dye Stopper or Gum Arabic Method
3.Color Chart
4.Neckerchiefs
Part II—Primitive Crafts
XII.BONE AND HORN HANDICRAFT
A.Historical Notes
B.Horn as a Handicraft Material
C.Projects
1.A Horn Bugle
2.Neckerchief Slides, Buckles
3.Archer’s Bow Tip
4.Decorations
5.The Kukui Nut Slide
XIII.HORSEHAIR HANDICRAFT
A.Development and Application
B.Types of Horsehair Construction
1.Twisted Hairwork
2.Plaited Strand Hairwork
3.Assembly of a Strap from Plaited Strands
4.Sliding Knot and Tassel Construction
5.Woven Horsehair
6.Half Hitch Work in Horsehair
XIV.ROPE AND CORDAGE
A.Kinds of Rope and Sources of Material
B.Preparation of Rope
C.Classification of Knots
Anchor Knot
Bag Tie
Barrel Sling
Boat Fender
Bowline Knots:
Cowboy Method
Bowline on a Bight
Spanish Bowline
Bridle Rein Knots
Clove Hitch
Coiling and Throwing a Rope
Cord Weaving
English Diamond
Fire Escape Knot
Fisherman’s Bend
Fisherman’s Knot
Grommet
Halters:
Emergency
Hackamore
Lead
Hammock
Hitches:
Blackwall
Diamond
Half:
Lifting
Midshipman’s
Teamster’s
Lashing
Tripod
Spars
Lineman’s Loop
Masthead
Matthew Walker
Single and Double
Netting or Cord Weaving
Overhand Knot
Relaying End of Rope
Reef or Square Knot
Rope Bridle
Round End Knot
Sailor’s Jug Knot
Shamrock
Sheepshank
Shoe Ties
Shroud Knot
Splices:
Long Splice
Short Splice
End Splice
Eye Splice
Square or Reef Knot
Square Knot Work:
Method
Spirals and Terminals
Belt
Shade Pull
Half Hitch Work
Strangle Knot
Surgeon’s Knot
Tennis Net
Theodore Knot
Tom Fool’s Knot
Turkshead:
Three Strands
Four Strands
Five Strands
Wall Knot
Weaver’s Knot
Wrapping and Tying Packages
Whipping End of Rope
XV.YARN
A.Knitting Procedure
Casting On
Knit—Left Hand Tension Control
Purl—Left Hand Tension Control
Knit—Right Hand Tension Control
Purl—Right Hand Tension Control
Increase Method, A and B
Adding Stitches
Binding Off
XVI.POTTERY
Introduction
Processes:
Coiled Ware
Decoration of Pottery, Indian Method
Cast Pottery, Mold Making
Press Mold
Piece Molds
Kick Wheel
Jigger Wheel
Firing
Kilns:
Oil Barrel
Brick Bat Kiln
XVII.WEAVING
Technics of the Southwest
The First Blanket—Legend
Navaho Method
Loom Construction
Spanish Chimayo
Spanish Loom
Two Harness, Counter Balanced, Tie up
Double Width Cloth
Preparation of Wool
Scouring, Dyeing
Carding
Spinning
Navaho Method
Primitive English Method
Spinning Wheels
Bobbing Wheel
Saxony Wheel—Mechanics
Saxony Wheel—Operation
Handling Yarn
Spooling Warp
Simplified Portable Loom
Dressing the Loom
Weaving Procedure
XVIII.STONE WORKING
Shaping by Abrasion
Sawing Stone
Grinding and Polishing
Alabaster
Primitive Stone Handicraft
1.Stone Flaking
2.Arrowhead Making
a.Notching
b.Finishing
c.Mounting
3.Bead Making
4.Drilling Shells and Turquoise
XIX.NAVAHO INDIAN SILVERWORK
1.Introduction and Historical Notes
Suggested Projects for Camp:
1.Melting and Casting of Silver Ingots
2.Drawing Ingots into Sheets.
3.Methods of Shaping and Decorating.
4.Cleaning.
5.Mounting Turquoise.
6.Concha Button and Hollow Bead Making
7.Charcoal Making
8.Indian Symbols
XX.A.—BEAD HANDICRAFT
1.Introduction
2.Bead Design Graph Sheet
3.Beading a Leather Surface
4.Beading on the Edge of Leather
5.Making a Rosette and Rabbit’s Foot Pendant
6.Woven Bead Work and Loom Construction
7.Ending and Mounting Loom Bead Work
8.Tube Bead Projects
9.Necklaces and Breastplates
B.Quill Handicraft
1.Introduction
2.Banded Quill Work
3.Wrapped Quill Work
4.Quill Neckerchief Slide
5.Quill Covered Birch Bark Box
6.Wrapped Quill Bands
C.Hair Craftwork
1.Hair Anklet
2.Hair Rosette
3.Hair Roach
D.Feather Handicraft
1.War Bonnet and Dance Bustle
E.Costume Making
1.Dance Leggings
2.Breech Clout
3.Moccasin Making
a.Pattern Design and Assembly of Woods Type Moccasin
b.Pattern Design and Assembly of the Sioux Type Moccasin
c.Pattern Design of Navaho Type Moccasin
d.Design and Assembly of Black Foot Moccasin
4.Indian Make-up
XXI.INDIAN LORE
A.Introduction
B.Pageantry
Indian Lore—The Legend
Adaptation of a pageant from the Indian Legend
Stage Properties
Music
C.Dance Steps
Buffalo Step
Canoe Step
Ghost Dance
Grape Vine
Ojibway Scalp Dance
Sage Chicken Hop
Sioux Circle
Solo Dance Steps
Stamp Step
D.References, Indian Leaflets