Читать книгу The Films of Samuel Fuller - Lisa Dombrowski - Страница 8
ОглавлениеIllustrations
| Samuel Fuller in Italy during World War II | 5 |
| Publicity still for Park Row | 11 |
| Drawing by Fuller for Park Row | 15 |
| Production still for Forty Guns | 19 |
| Frame enlargements from Underworld, U.S.A. | 22 |
| Publicity still for I Shot Jesse James | 32 |
| Publicity still for The Baron of Arizona | 37 |
| Publicity still for The Steel Helmet | 47 |
| Darryl Zanuck and Samuel Fuller | 53 |
| Production still for Fixed Bayonets | 61 |
| Production still contact sheet for Park Row | 66 |
| Publicity still for Pickup on South Street | 73 |
| Publicity still for Hell and High Water | 80 |
| Production still for House of Bamboo | 88 |
| Production still for Run of the Arrow | 101 |
| Publicity still for China Gate | 105 |
| Frame enlargements from Forty Guns | 114 |
| Publicity still for Verboten! | 118 |
| Frame enlargements from The Crimson Kimono | 127 |
| Frame enlargements from Underworld, U.S.A. | 140 |
| Production still for Merrill’s Marauders | 145 |
| Frame enlargements from Shock Corridor | 155 |
| Advertisement mat for Shock Corridor | 157 |
| Production still and frame enlargements from The Naked Kiss | 161 |
| François Truffaut and Samuel Fuller | 173 |
| Production still for Shark! | 179 |
| Frame enlargement from Dead Pigeon on Beethoven Street | 183 |
| Production still for The Big Red One | 188 |
| Production still for White Dog | 195 |
