Читать книгу Engineering Acoustics - Malcolm J. Crocker - Страница 98
3.6 Sources of Sound
ОглавлениеThe second term on the right of Eq. (3.33), as before, represents sound waves traveling inward to the origin and is of little practical interest. However, the first term represents simple harmonic waves of angular frequency ω traveling outward from the origin, and this may be rewritten as [4]
where Q is termed the strength of an omnidirectional (monopole) source situated at the origin, and Q = 4πA1 /ρck. The mean‐square sound pressure p2rms may be found [4] by time averaging the square of Eq. (3.34) over a period T:
From Eq. (3.35), the mean‐square pressure is seen to vary with the inverse square of the distance r from the origin of the source, for such an idealized omnidirectional point sound source, everywhere in the sound field. Again, this is known as the inverse square law. If the distance r is doubled, the sound pressure level decreases by 20log(2) = 20(0.301) = 6 dB. If the source is idealized as a sphere of radius a pulsating with a simple harmonic velocity amplitude U, we may show that Q has units of volume flow rate (cubic metres per second). If the source radius is small in wavelengths so that a ≤ λ or ka ≤ 2π, then we can show that the strength Q = 4πa2 U.
Many sources of sound are not like the simple omnidirectional monopole source just described. For example, an unbaffled loudspeaker produces sound both from the back and front of the loudspeaker. The sound from the front and the back can be considered as two sources that are 180° out of phase with each other. This system can be modeled [13, 14] as two out‐of‐phase monopoles of source strength Q separated by a distance l. Provided l ≪ λ, the sound pressure produced by such a dipole system is
where θ is the angle measured from the axis joining the two sources (the loudspeaker axis in the practical case). Unlike the monopole, the dipole field is not omnidirectional. The sound pressure field is directional. It is, however, symmetric and shaped like a figure‐eight with its lobes on the dipole axis, as shown in Figure 3.11b.
The sound pressure of a dipole source has near‐field and far‐field regions that exhibit similar behaviors to the particle velocity near‐field and far‐field regions of a monopole.
Close to the source (the near field), for some fixed angle θ, the sound pressure falls off rapidly, p ∝ 1/r2, while far from the source (the far field kr ≥ 1), the pressure falls off more slowly, p ∝ 1/r. In the near field, the sound pressure level decreases by 12 dB for each doubling of distance r. In the far field the decrease in sound pressure level is only 6 dB for doubling of r (like a monopole). The phase of the sound pressure also changes with distance r, since close to the source the sine term dominates and far from the source the cosine term dominates. The particle velocity may be obtained from the sound pressure (Eq. (3.36)) and use of Euler's equation (see Eq. (3.37)). It has an even more complicated behavior with distance r than the sound pressure, having three distinct regions.
An oscillating force applied at a point in space gives rise to results identical to Eq. (3.36), and hence there are many real sources of sound that behave like the idealized dipole source described above, for example, pure‐tone fan noise, vibrating beams, unbaffled loudspeakers, and even wires and branches (which sing in the wind due to alternate side vortex shedding).
The next higher order source is the quadrupole. It is thought that the sound produced by the mixing process in an air jet gives rise to stresses that are quadrupole in nature. Quadrupoles may be considered to consist of two opposing point forces (two opposing dipoles) or equivalently four monopoles (see Table 3.1). We note that some authors use slightly different but equivalent definitions for the source strength of monopoles, dipoles, and quadrupoles. The definitions used in Sections 3.6 and 3.7 of this chapter are the same as in Crocker and Price [4] and Fahy [13] and result in expressions for sound pressure, sound intensity, and sound power which, although equivalent, are different in form from those in Ref. [20], for example.
The expression for the sound pressure for a quadrupole is even more complicated than for a dipole. Close to the source, in the near field, the sound pressure p ∝ 1/r3. Farther from the sound source, p ∝ 1/r2; while in the far field, p ∝ 1/r.
Sound sources experienced in practice are normally even more complicated than dipoles or quadrupoles. The sound radiation from a vibrating piston is described in Refs. [6, 16, 17, 21]. Chapters 9 and 11 in the Handbook of Acoustics [1] also describe radiation from dipoles and quadrupoles and the sound radiation from vibrating cylinders in chapter 9 of the same book [1].
The discussion in Ref. [21] considers steady‐state radiation. However, there are many sources in nature and created by people that are transient. As shown in chapter 9 of the Handbook of Acoustics, [1] the harmonic analysis of these cases is often not suitable, and time‐domain methods have given better results and understanding of the phenomena. These are the approaches adopted in chapter 9 of the Handbook of Acoustics [1].
