Читать книгу The Museo Vincenzo Vela in Ligornetto - Marc-Joachim Wasmer - Страница 12

However, success did not enable him to understand that the political climate in his adopted country had changed: Vela’s being the favourite in the 1863 competition in Turin to execute a Monument to Camillo Benso, Count of Cavour (IV) gave rise to a murky conspiracy, which ended with the sculptor’s abruptly abandoning the chair at the Academy. Being Swiss, after the unification of Italy he was made a foreigner who had to compete with local artists. In 1867, at the age of forty-seven, he bitterly withdrew to the place he had grown up in, where he had built a summer residence with a view to its becoming a museum for his work. However, he continued to be unanimously considered the founder of Italian verism: his admirers called him the ‘Cavour of art‘ (Carlo Pisani, 1870) and the ‘Ligornetto Phidias‘. During the last thirty years of his life he continued to work apace, accepting commissions for portraits and funerary monuments, and not unfrequently for representations of popular themes. Even when elderly, he could not resist projects of vast scope.