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Praise for Born to Be Posthumous:

‘Edward Gorey has been granted the most remarkable biography, one I believe he could have lived with. What was the likelihood that this singular genius could be restored, with such compassion and grace, within his whole context: Balanchine, surrealism, Frank O’Hara, Lady Murasaki, et al?’

JONATHAN LETHEM

‘Edward Gorey’s ardent admirers have long known there is something about his work one can’t quite pin down. Past all reason, Mark Dery has pinned it down. A genius book about a bookish genius’

DANIEL HANDLER, author of A Series of Unfortunate Events

‘Knowing Gorey’s full story, done sparkling justice by Mark Dery, will only make you adore him more’

CAITLIN DOUGHTY, author of Smoke Gets in Your Eyes

‘A devoted and highly readable biography of the illustrator who – from The Doubtful Guest to The Curious Sofa – defined and embodied a world of camp, gothic hilarity’

BEN SCHOTT, Guardian Books of the Year

‘An entertaining account of an artist who liked to be coy with anybody who dared to write about him’

New York Times

‘The best biographies are the result of a perfect match between author and subject, and it’s relatively rare when the two align perfectly. But that’s the case with Born to Be Posthumous. Dery’s book is smart, exhaustive and an absolute joy to read. He has given Gorey the biography he has long deserved’

NPR

‘Excellent and deeply researched … Dery makes a convincing case that Gorey was the true godfather of Goth, inspiring a generation of pop culture memento mori, from the IMAX-scale nightmares of Tim Burton to the travails of Lemony Snicket. Dery has set the standard for a comprehensive appraisal of his legacy’

STEVE SILBERMAN, author of Neurotribes

‘A fascinating and very enjoyable biography. Dery does an excellent job in teasing out the origins of Gorey’s style. For Gorey, as this book elegantly delineates, life was to be lived in art’

MATTHEW STURGIS, author of Oscar: A Life

‘Edward Gorey is the doubtful guest in this fine biography: a stubbornly evasive and irreducible essence, now sprawled in a tureen, now chewing on crockery, now standing with his nose to the wall’

The Atlantic

‘Born to Be Posthumous clears the dust bunnies from the shadowy corners of the House of Gorey, revealing a talent that extended far beyond the macabre faux Victoriana we remember best, and a mind unlike any other’

Vogue