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Meltdown

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1988

My moods start to swing up and down almost minute to minute. I take uppers to get even higher and downers to bring myself down. Cocaine, white crosses, Valium, Percocet—I get them from the boys who skulk around the suburban malls hunting jailbait. I’m an easy target, in the market for their drugs and willing to do what they want to get them for free. The boys themselves are a high. They have something I want. They are to be used and discarded. The trick is to catch them and make them want the girl I am pretending to be. Then twist them up with wanting me, watch them squirm like worms on a hook, and throw them away.

I find myself on piles of pillows in their basements, pressed down under their bodies, their lurching breath in my ear. They are heavy, damp, hurried, young, still mostly dressed. I don’t know how I’ve wound up here, and I want it to end, and I repeat to the rhythm of their bodies, You’re a slut, you’re a whore, and I want a bath, want to scrub them off, why does this keep happening? Why don’t I ever say no? There’s a rush when they want me, and they always do, they’re boys, that’s what they want, and once they’ve got me half lying on the couch, each basement, each boy, each time, my brain shuts off, the rush is over, I’m numb, I want to go home. The impulsive tumble into the corner, the racing pressure in my head always ends like this: I hate them, and I hate myself, and I swear I won’t do it again. But I do. And I do. And I do.

And then I am home in my bedroom, blue-flowered wallpaper and stuffed animals on the bed, stashing my baggies of powders and pills. If I hit the perfect balance of drugs, I can trigger the energy that keeps me up all night writing and lets me stay marginally afloat in junior high, accentuating the persona I’ve created as a wild child, a melodramatic rebel—black eyeliner and dyed black hair, torn clothes, a clown and a delinquent, sulking, talking back. In class, I fool everyone into thinking I’m real.

But then I come home after school to the empty, hollow house, wrap into a ball in the corner of the couch, a horrible, clutching, sinking feeling in my chest. Nothing matters, and nothing will ever be all right again. I go into rages at the slightest thing, pitching things around the house, running away in the middle of the night, my feet crunching across the frozen lake. I cling to the cold chainlink fence of the bridge across the freeway and watch the late-night cars flash by, my breath billowing out into the dark in white gusts.

DAY YAWNS OPEN like a cavern in my chest. I lie in the dimness of my room, the blinds shut tight and blankets draped over them. I weigh a million pounds. I can feel my body, its heavy bones, its excess flesh, pressing into the mattress. I’m certain that it sags beneath me, nearly touching the floor. My father bangs on the door again. Breakfast! he calls.

I crawl out of bed and slide out the drawer from the bed stand, turn it over, and untape the baggie of cocaine underneath. Kneeling, I tap lines out onto the stand, lean over, and snort them up with the piece of straw I keep in the bag. I sit back on my knees and close my eyes. There it is: the feeling of glass shards in the brain. I picture the drug shattering, slicing the gray matter into neat chunks. My heart leaps to life as if I’ve been shocked. I open my eyes, lick my fingers and the straw, and put the baggie away, replacing the drawer. I lift off, the roller coaster swinging up, clattering on its tracks, me flying upside down.

Humming, I take a shower and dance into my clothes—a ridiculously short skirt with a hole that exposes even more thigh, black tights, a ripped-up shirt. I pack up my book bag, pull out another baggie, pills this time, from the far corner of the desk drawer. I select a few and put them in my pockets, then spring into the day, a gorgeous day, a good day to be alive. Good morning! I call, sitting down at the table, bouncing my knee at the speed of light.

You’re in a good mood this morning.

I am! I am indeed. I watch my father scramble eggs, and then panic: what am I thinking? I can’t eat that. I leap to my feet. Gotta go! Can’t stay to eat! I punch my father on the arm as I run out the door.

But you need to eat! he calls after me. Get back here! You can’t leave dressed like that!

Bye, I call, setting off down the street, my book bag banging against my leg. The trees are in bloom. The sun is pulsing. I can feel it touching my skin. My skin is alive, crawling. Suddenly I stop. My skin is on fire. I drop my book bag, start rubbing my skin. Get it off! I am dancing around in the middle of the road. There are bugs on my arms, crawling up my neck, crawling on my face and into my hair, Get them off me! Where the hell are they coming from? I fall onto the grass at the side of the road, rolling, trying to get them off. My hair tangles and dirt grinds into my clothes. Finally the bugs are gone. I stand up, smooth my hair, and, much better now, skip down the road to school. It’s so annoying when that happens. But I’m not about to give up the cocaine.

No one knows about the powders, the pills, the water bottle filled with vodka that I keep in my bag. My friends are good girls. I am a tramp. I don’t know why they bother with me. I slouch in my seat in the back of the room, my arms folded, hiding behind my hair. The teachers are idiots. I hate their clothes, their thick, whining Minnesota accents, the small-town smell that clings to them: dust and tuna casserole. This whole town is a bunch of suburban clones, blond, blue-eyed, dressed in tidy matching clothes. Everyone looks the same. Everyone will wind up married, living in a mini-mansion with a sprawling, manicured lawn. There’ll be cute little identical children, and the men will golf and drink and slap each other on the back, old chum, and the women will lunch at the country club and listen to lectures about the deserving poor, the homeless children downtown. They’ll shake their heads with concern and volunteer for the PTA and at the Lutheran church, collect bad art and vote Republican, and hate people like me.

I have to get out of this town.

After lunch, I lean over the toilet in the bathroom stall and throw up. I wipe my mouth, scrub my hands, sniffing them to make sure they don’t smell, wash them again, wipe them dry, look in the mirror, reapply my lipstick, study my face. I brighten my eyes, paste on a smile, and go back out, where the kids teem down the hall.

These are supposed to be the best years of my life.

I fail home economics. I refuse to sew the stuffed flamingo. I question the necessity of learning to make a Jell-O parfait. I blow up an oven—I forget to put the nutmeg in a baked pancake, and when it’s already in the oven, I toss in a handful as an afterthought, setting the entire thing on fire.

I persecute the art teacher. I sit in detention until dark, day after day. When I’m not in detention, I’m running around the newspaper room, putting together what I’m sure is an incendiary tract that’s designed to infuriate everyone who reads it. I am ducking under my desk every half-hour, sucking up the vodka in the water bottle. I am in the library, snorting cocaine off Dante, back in the stacks.

I gallop down the hall at school in a state of absolute glee, dodging in and out between the other kids, shouting, “Hi!” to the people I know as I pass. They laugh. I am hilarious! “You’re crazy!” they call. I am crazy! I’m marvelous! I’m fantastic! The day is fantastic, the world!

“Slow down!” a teacher shouts after me. “No running in the halls!”

I turn and gallop back to him. “Not running!” I shout joyfully. “Galloping, as you can plainly see!” I gallop off.

At the end of the hall, I crash into the wall and bounce back into the circle of my friends who are clustered around my locker. “Isn’t it wonderful?” I cry, flinging my arms wide, picking them up in the air.

“Now what?” Sarah laughs.

“Everything! Absolutely everything! You, today, all of it, wonderful! Amazing! Isn’t it grand to be alive?”

“Weren’t you, like, all freaky and twitchy this morning?” asks Sandra. I pound down the stairs, my legs are faster than speed itself! Tremendous! Spectacular speed, splendid speed, splendiferous speed! I reach the bottom of the stairs and go skidding across the hall. My friends are laughing. I make them happy. I make them forget their horrible homes. I love them, I love them hugely, they are absolutely essential, I would absolutely die without them.

“No!” I shout, “I wasn’t freaky! Well, if I was, I’m certainly not anymore, obviously!” I skip backward ahead of them as we go to lunch. I grab an ice cream sandwich and a greasy mini-pizza. I will be throwing these things up after lunch, obviously, wonderful! I laugh with delight, pleased with myself. “Aha!” I shout, and the people in the line ahead of me crane their necks to look. “Hello, all of you!” I shout, waving, “it’s a beautiful day!” Someone mutters, “She’s crazy,” and I don’t even care, everyone’s entitled to his opinion! That’s the way of the world! We are a world of many opinions, many beliefs! To each his own!

My friends and I move in an amoeba-like cluster over to an open table near the windows and sit down. We munch away on our lunches, chatting, and I chatter like a ventriloquist’s dummy, and all of us laugh, and then I start crying, but right myself quickly. “Enough of that!” I say, wiping my nose, making a grand gesture, “all’s well!” And everyone is relieved, and I have a brilliant idea! I pick up my personal pizza and whip it across the room like a Frisbee! And it lands perfectly in front of Leah Pederson, whom I hate! “Yes!” I shout, triumphant, and the entire lunchroom is laughing, and it’s time to go back to class. I gather my books and my friends and walk calmly down the hall and fling myself into my chair with an enormous sigh.

This time I will be good, I promise myself. This time I won’t make a scene. My heart pounds and I feel another round of hysterical laughter welling up in my chest. I press my face between my hands. I will hold it in. I won’t get detention. I won’t get kicked out of class. I won’t punch Jeff Carver. I won’t turn over any desks, or throw any chairs. I sit up in my chair, open my notebook, click my pen. I stare straight ahead at the teacher who is shuffling papers and handing them out. I will be good. I will, I will, I will.

I SIT IN THE OFFICE of my mother’s shrink. The air circulates slowly in the room. I turn in circles in my swivel chair. To my right, through the window, two floors down, is the parking lot and the sunny, empty afternoon. A small man with square black glasses and gray hair sits kicked back in his leather office chair, watching me.

“What would you like to talk about today?” he asks.

I keep turning in circles. I shrug. “What do you want me to say?”

“What would you like to say?”

I look out the window, count the red cars in the parking lot, then the blue. “I don’t have anything to say.”

We sit in silence. The minutes tick by.

“What are you thinking right now?” he asks.

“Nothing particular.” I turn to face him. He scribbles something on his yellow notepad.

“What are you writing?” I ask.

He gazes at me. “What do you think I’m writing?” he asks.

“I haven’t the faintest idea,” I say.

He scribbles some more.

“Are you supposed to be helping me?” I ask.

“Do you think you need help?”

I turn to face the window again. “I don’t know.” From the corner of my eye, I see him write something down.

“You seem very upset,” he says thoughtfully.

Startled, I look at him. “I’m not.”

He tilts his head to the side. “You’re very angry, aren’t you?” he says.

I laugh. “You’re very perceptive, aren’t you?” I say. He writes it down.

Seven red cars, six blue. The day is still. The branches of the trees don’t move. We sit in silence. I turn circles in my chair.

HE’S A FREUDIAN therapist. When he speaks, he asks me about my mother, about my dreams. I wait for him to tell me what’s wrong with me, why I snap into sudden, violent rages, and shut myself in my room with the dresser backed up against the door for days, and disappear in the middle of the night, and stay in constant trouble at school. Why is it that my moods are all over the goddamn map? How come I’m terrified all the time? He sits silently, watching me, saying nothing, fixing nothing. I give up.

He isn’t looking for eating disorders or drinking or drug use. He isn’t looking for mental illness. In truth, he isn’t looking for much at all. One day he slaps his notebook shut. What’s wrong with me? I ask. Am I crazy? I don’t ask that. I think I know.

His wise and considered opinion is that I’m a very angry little girl.

WORD GETS OUT at school that I’m seeing a psychiatrist. My friends avoid the subject. But other kids whisper about it when I come into the room, kids I don’t like and who don’t like me, the rich kids and the snobs. One of them, egged on by the others—Go on, ask her—comes up to me: Is it true you’re, like, crazy?

No, I say, looking down at my desk.

Then why are you seeing, like, a psychiatrist? Isn’t that for crazy people? Isn’t it? Come on, admit it!

I don’t answer. I scribble so hard in my notebook that my ballpoint tears the page. They laugh. I’m a freak, and everyone knows it, including me.

Then suddenly it hits, a massive, crippling headache. My migraines are coming on nearly every day. I stagger into the nurse’s office and collapse on a cot, curled up in a ball with a pillow over my face. The nurse calls my parents. Back home, I lie in the dark, blinds drawn, rabid thoughts and images zipping through my brain, flashes of blinding color and light. I lie there, shivering and sweating as the pain clenches my skull, nearly paralyzed with fear at the fierce throbbing behind my eyes.

My father opens the door slowly, shuts it quietly behind him. I wince at the deafening noise. The bed sags and he leans over me.

“Here,” he says softly. He lays a wet washcloth over my eyes. “How is it?” he asks.

“Horrible,” I whisper.

“I’m sorry,” he says. He lays a hand on my shoulder. “It will go away soon.”

The bed squeaks as he gets up. The door thunders shut behind him. I press my hands to my head.

They take me to doctor after doctor. No one knows what’s wrong. They give me medication, try biofeedback, tell my parents they don’t know. My parents tiptoe through the house, confused, scared. They don’t know what this onset of violent headaches means. Neither do the doctors. Neither do I.

DEATH WOULD BE SO quiet. I hide in the bathroom with an X-Acto knife, making tiny cuts, crosshatch patterns in my thighs. Nothing deep. It helps relieve the pressure, focus the thoughts. I take a sharp breath and breathe out slow. The blood beads along the cuts. I sop it up with Kleenex, the red spreading out over the tissue. I bleed. I’m alive.

AND THEN it’s dinner and my father’s screaming, and my mother’s cold and icy and cruel, and they’re yelling at me and I’m yelling at them—the crazies rise up in my chest and I run away from the table, the rage welled up so far it presses at the back of my throat. I can taste it. My father chases me, hollering. I shriek and run away. We stand face to face, screaming, his face is twisted and I can feel that my face is twisted and I hate him and his craziness and I hate myself for mine, and my mother gets up, walks down the hall, and slams the bedroom door.

My father and I scream each other down until we are exhausted, completely spent. We stand there panting.

“Say,” my father says brightly, perking up. “Want to play Yahtzee?”

“Sure!” I say. And we sit down to play, laughing and having a wonderful time.

AFTER SCHOOL, I open our front door and step inside. The first thing I see is my father, lying on his side on the couch. Light streams in through the long windows, and it takes my eyes a moment to adjust.

I drop my book bag. “What’s wrong?” I say to him from across the room. I don’t want to know what’s wrong. I’m tired of this. You never know which father is going to show up.

He curls up and wraps his arms around his knees.

“I don’t know, Marya,” he says, and starts to cry. “I really don’t know.”

I stare at him flatly. I want to run over there and kick him and pound him until he gets up. When he gets like this, I feel like I am drowning. The hands of his sadness close around my throat and I can’t breathe. I have run out of the enormous love he needs to be all right.

“You know those afternoons,” he asks, drawing a shaking breath, “where you’re just going along, doing fine, and then afternoon comes and it feels like you just got the wind knocked out of you and everything is wrong?” He sighs and slowly pushes himself up so he’s sitting upright. His shoulders are slumped. “That’s all,” he says. “It’s just one of those afternoons.”

We are silent for a minute. Then he lies back down on the couch.

I should say I love him. I should say it will all be all right. But it won’t.

I walk down the hall to my bedroom. I lie down on my side and stare at the wall, the blue-flowered wallpaper next to my nose. Despite my best efforts, I start to cry.

I know those afternoons.

Madness: A Bipolar Life

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