Читать книгу A Popular Handbook to the National Gallery, Volume I, Foreign Schools - National Gallery (Great Britain) - Страница 136

Garofalo (Ferrarese; 1481-1559). See 81.

Notice the rich cap in which the little St. John is dressed; it is not unlike those which French and Flemish children are still made to wear as a protection from tumbles. There is a grace in the figures of the Virgin and St. Elizabeth which recalls Raphael. A less happy effect of his influence may be seen in the vision of the heavenly host above, full of that exaggerated action which marks the decadence of Italian art. God the Father is represented gesticulating wildly, almost like an actor in melodrama. And so with the playing angels. In pictures of the great time they are shown "with uninterrupted and effortless gesture … singing as calmly as the Fates weave" (Relation between Michael Angelo and Tintoret, p. 15), but here they are all scrambling through their songs, their hair floating in the breeze and their faces full of excited gesture.