Читать книгу A Popular Handbook to the National Gallery, Volume I, Foreign Schools - National Gallery (Great Britain) - Страница 82

Nicolas Poussin (French: 1593-1669). See under 39.

None of the "learned" Poussin's pictures in the Gallery shows so well as this how steeped he was alike in the knowledge and in the feeling of Greek mythology. Cephalus was a Thessalian prince whose love of hunting carried him away at early dawn from the arms of his wife Procris (see under 698). Hence the allegorical fable of the loves of Cephalus and Aurora, the goddess of the dawn, and her attempt to rival Procris in his affections. Cephalus here half yields to Aurora's blandishments, but a little Cupid holds up before him the portrait of his wife and recalls her love to his mind. Behind is Aurora's car, in which she is drawn by the white-winged Pegasus across the sky. But Pegasus, with that intermingling of many ideas which is characteristic of all Greek myths, is also "the Angel of the Wild Fountains: that is to say, the fastest flying or lower rain-cloud, winged, but racing as upon the earth."85 Hence beside him sleeps a river-god, his head resting on his urn. But the mountain top is tipped with dawn; and behind, one sees a Naiad waking. Farther still beyond, in a brightening horizon, the form of Apollo, the sun-god whose advent follows on the dawn, is just apparent, his horses and his car melting into the shapes of morning clouds.86