Читать книгу A Popular Handbook to the National Gallery, Volume I, Foreign Schools - National Gallery (Great Britain) - Страница 84

Rubens (Flemish: 1577-1640). See 38.

On the left are the usual incidents of a "Riposo," or Repose in Egypt. St. Joseph is asleep, and the mule browses on the bank of the stream, while John the Baptist and attendant angels play with the Lamb. The Holy Child is on its mother's knee, and to them St. George is presenting his proselyte, the heathen princess whom he had saved from the dragon (see under 16). The dragon, now bridled with her girdle, follows her meekly, and St. George, as he introduces her to the mysteries of Christianity, plants the banner of the Faith. With the holy mother is St. Mary Magdalen – a penitent sinner herself, like the heathen princess, whom she now ushers into the Holy Presence.

Such appears to be the subject. As for the manner in which it is treated, it is interesting to know that the figures are portraits of the painter himself and his family. Rubens "is religious, too, after his manner; hears mass every morning, and perpetually uses the phrase 'by the grace of God,' or some other such, in writing of any business he takes in hand; but the tone of his religion may be determined by one fact. We saw how Veronese painted himself and his family as worshipping the Madonna. Rubens has also painted himself in an equally elaborate piece.88 But they are not worshipping the Madonna. They are performing the Madonna, and her saintly entourage" (Modern Painters, vol. v. pt. ix. ch. vi. § 9).