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A WIDOW'S TALE
CHAPTER III

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Miss Bampton's sentiments during this sudden change of circumstances were more remarkable than those of May, for she was as much dismayed and startled as her sister, and much more angry, understanding the whole process better; while at the same time she was, in the midst of her indignation, more or less satisfied to see that Fitzroy's attentions, which had made her so uneasy, were coming to an end. This is a state of mind which it is very difficult to describe in so many words. The excellent Julia would have believed herself ready, before Nelly came, to welcome anything which should break the charm of the stranger's fascinations, and restore May to her previous much more trustworthy suitor; but when this deliverance came in the shape of Mrs Brunton, her anger and resentment and sense of downfall were quite unreasonable. That any one – any man in his senses – should turn from May to Nelly! that the fresh and delightful bloom of the girl should be left neglected for the attractions of the maturer woman; that May, in her own house, the young princess of everything, should be thrust into the second place, and Nelly —Nelly, whose day was over – made the principal attraction! This was almost more than Miss Bampton could bear. And to see May sitting by with her needlework, or pretending to read, while Nelly and Fitzroy sang, and turned over the music and talked to each other, as musical people do, "Do you remember that phrase?" "Oh, don't you recollect this?" with a few bars played on the piano, and how "the melody comes in here," and how "that cadenza was repeated there," and so forth and so forth, interspersed with exclamations of ecstatic admiration – produced in Julia's mind an exasperation which it was almost impossible to subdue. Even Mr Bampton, who took so little notice, had said once or twice, "Why isn't May singing?" when he came in for his cup of tea. And May, taking it all like the darling she was, not sulky at all, saying a word when there was any room for her to come in, making her first experience in life, but so sweetly, so patiently, through all her surprise.

This changed altogether, however, the character of the scene in the drawing-room at Bampton-Leigh, where now the two sisters, who were the mistresses of the place, pursued their occupations almost as if they had been alone, while the little vaudeville, operetta, genteel comedy, or whatever you please to call it, went on at the piano. Miss Bampton felt that she had no call whatever to provide the scenery, as it were – the good piano, the pretty room, the tea-table, with all its agréments– for this drama. When May was the heroine it was all befitting and natural – but for Nelly! Miss Bampton's fingers trembled over her knitting, as she sat bursting with indignation. The only thing to console her was that she had never in her life so admired her little sister. How beautifully May behaved! When Julia, in an access of that fury which sometimes moves the mildest, said fiercely, under her breath, to her sister working at the window, "I can't bear this much longer!" May lifted up pathetic eyes and cried, "Why? You used to like it well enough," said the young martyr, steadily, yet with a pale cheek, ignoring any change. Oh, what a darling she was! and set aside in her own house by that little Nelly, a widow, who ought to be thinking of very different things.

I do not know how to justify Nelly's conduct in these circumstances, and yet I do not think she was so much to blame as appears at a first glance. Mrs Brunton's spirit, much subdued and cast down for a time, had risen before she came to visit her relations in the country, by the natural movement of life and youth, and the sense that after all her existence was not over, though she had tried hard to persuade herself that it was. It was not at all over; it was very warm and lively in her veins, despite of everything she had gone through. Poor Jack was gone. She had been very faithful to Jack, suffering no one to say a word against him either living or dead. She had not blamed him for giving very little thought to the comfort of his wife and children after he was gone. But now that he was gone, and his grave green, and her crape rusty and worn out, it was not natural that she should continue to pose, like a statue of woe leaning upon an urn. That was not at all the rôle which she had felt herself to be capable of playing. And she had never felt herself the venerable matron which she appeared to May. She was young; her blood was still running fast in her veins; her little children made no claim yet upon her for anything but kisses and smiles, and the cares which an excellent nurse made light. And Nelly, for a long time sequestered from every amusement, amused herself with relish as soon as it came within her reach. She was scarcely aware at first that she was taking May's admirer from her. Little Maysey! Why, she was only a child, not old enough for that sort of diversion. She had plunged into the music, into the fun, into that little excitement of flirtation which comes on so easily, without intention, without at all perceiving any other effect. And, indeed, she only awoke to what she had done quite suddenly one evening when there was a dinner-party at Bampton-Leigh, and when, after the gentlemen came back to the drawing-room, she had been called upon to sing with Mr Fitzroy for the delight of the party, and without waiting for any special entreaty had complied. When they sang one song they were asked for another, in the most natural way in the world.

"That is one of May's songs," said some one who was near the piano.

"Oh, is it?" cried Nelly. "I have sung it several times with Mr Fitzroy."

"But it is one of May's songs all the same," insisted this injudicious person. "I have heard her sing it very often, also with Mr Fitzroy."

"Yes," said young Harcourt, who was present, and who was still more angry than Julia to see May seated at the other end of the room talking to an old lady. "It is certainly one of May's songs: and nobody could sing it so sweetly," the young man added, with fire in his eyes.

"By the way," said the indiscreet person, "how is it, with so much music going on, that we have not had a song from May?"

"Oh, May – has not been singing much for some time," said Miss Bampton, with a little quiver in her voice.

And Mrs Brunton, startled, gave a sudden look round the room. She saw Fitzroy placing the music upon the piano in a deliberate, conscious way, which made it apparent to her suddenly awakened faculties that he was aware of the meaning in these words; and she caught young Harcourt's look fixed somewhat fiercely upon herself: and Julia, who had turned her head away and would not look at her at all: and May, in the background, smiling and talking to the old lady, talking very fast, smiling a little more than she meant, looking pale and "out of it" – that curious condition which is not to be described, but which betrays itself to a looker-on. All this Nelly saw with a sudden awakening to the real state of affairs, which ought, of course, to have occurred to her before. And for a moment shame and compunction were strong in her.

"I am so glad," she said. "It is far more suited to her voice than mine: and I want so much to hear her sing it. Please, Mr Harcourt, go and ask her. I hadn't sung for ever so long before I came here," she added, apologetically, to the little circle round the piano, "and they made me begin again; and I never know when to stop – so that I have scarcely heard May. Isn't it a dreadful confession to make?" she said, with an embarrassed laugh.

"You have so strong a voice," said Miss Bampton, melting a little. "May's voice is a little thing after yours."

"May herself is a little thing beside me," said Mrs Brunton, sitting down apart from the piano. "I am almost old enough to be her mother!" She felt that in saying this she had made fully the amende honorable to May.

But May would not sing, though she was entreated by all the company. She had her little dignity. "Oh, no," she said, "I could not sing after Nelly – Nelly has so much stronger a voice than I have. Oh, please no!"

"There is nobody who sings so sweetly as you do," said young Harcourt, delighted with the opportunity.

But May would not be persuaded. I don't know that Mrs Brunton was altogether pleased to hear her voice described as so "strong." That is not always a complimentary adjective, and it gave her an amusement tempered with annoyance to hear her organ thus classified. She could not help a little half-angry smile, nor could she help meeting Fitzroy's eye, whose position at the piano, with no one to join him, was a little absurd. He was putting aside the music, looking exceedingly annoyed and rather fierce; but when their eyes met he, too, laughed. They understood each other at once, and when, after this little incident, the music was stopped altogether, he came and sat by her, anxious to communicate his feelings. "What a ridiculous business!" he said. "How silly! to put a stop to everything for the gratification of a little absurd jealousy!"

"Jealousy!" said Nelly; "that would be the most absurd of all – if there was any jealousy in it. There is very little reason for any one to be jealous of me."

"I do not think so," said Fitzroy, in a low voice.

And then Nelly felt again how very foolish it was to remark upon such simple incidents in this strain.

"You don't understand my cousins, I see," she said. "It is nothing of the kind; but it is extraordinarily foolish of me to have absorbed everything, and forgotten that May was not a child any longer. She always seems a child to me."

"She looks quite as old as you do," her companion said.

"Oh, nonsense! she is full ten years younger than I am. However, it does not matter so much, for I am going away."

"So soon?" murmured Fitzroy.

"Soon! I have been here a fortnight – away from my little children." Mrs Brunton found it expedient to quench his tone of devotion by putting all her disadvantages in the foreground. He looked at her with more meaning than he had ever felt in his life in his eyes.

"Would it be indiscreet to ask where you were going?" he said.

"Not at all; I am going home. I have a little house at Haven Green, where my children are."

"I am going, too," he said. "May I come and see you? I shall be for some time in town."

"Oh, if you are in the neighbourhood," said Mrs Brunton; and she turned aside to talk to some one on the other side, an old friend, with whom her colloquy was not conducted in such subdued tones. And soon the name of Haven Green, and the fact that her children were there awaiting her, and that she was going almost immediately, floated from one to another through the room. Miss Bampton heard it, and her heart rose; yet it smote her when she thought these incidents over to feel that she had herself been almost guilty of suggesting to Nelly that it would be better if she went away. As for May, she had seen the conversation, the two heads bent, the exchange of looks, the evidently subdued tone of the communications that passed between them. The poor girl scarcely knew how to behave when Fitzroy approached her some time after. She had been foolish about the song – she had shown her feelings, which is to a girl in such circumstances the worst of sins. Should she tell him she had a headache, or a sore throat, or anything that would excuse her? But he did not leave her the time to invent any excuse.

"I am so sorry," he said, carrying the war into the enemy's country, "that you would not sing with me to-night: for it will be, I fear, one of the last times, if not the very last, that I shall have the chance."

May's poor little heart seemed to cease to beat. What a sudden, dreadful punishment was this for her little gentle self-assertion! "The last time?" she cried. "Oh, are you going away?"

"I must, I fear," he said. "I have been idling too long, and I seem to have outstayed my welcome. I did think that you would have sung with me this last night."

"Oh, Mr Fitzroy!" was all that May could say. She had hard ado to keep the tears out of her eyes.

A Widow's Tale, and Other Stories

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