Читать книгу The Historical Child - Oscar Chrisman - Страница 46

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In the earlier times of ancient Egypt, as of all nations, when the struggle for living required the putting forth of the energies and but little leisure was allowed, there was not much time for recreation and the people were not much given to amusements. As wealth grew and there was leisure time, the desire for amusement and entertainment increased until there grew up in the Egyptian character a softness and inclination to luxurious living. Great banquets were given, where hosts vied with one another in entertaining lavishly and in furnishing amusement for the guests, till it would appear as if they devised every possible kind of amusement. Nor was the zest for amusement confined to the upper classes, for during the inundation of the Nile, when but little work could be done, the peasantry gave themselves up to pastime and sport. Many of the kinds of entertainment given at the banquets were performed on the streets and open places.

Dancing was an indispensable entertainment at an Egyptian party and music was required with the dance. They danced to the music of the harp, lyre, guitar, pipe, tambourine, and other instruments, and in the streets also to the drum. Dancing was not done by the guests, as it was held not to be proper for the upper classes to dance, although the lower classes indulged in this amusement and greatly enjoyed it. The dancing was carried on before the guests by slaves taught the steps for that purpose or by hired performers who made a profession of furnishing dancing and music for festive occasions. Graceful posings and movements and especial skill and grace in the use of the hands were the important features of the dance. Both men and women danced for hire, the women showing the superior grace and elegance and the men displaying the most spirit. The dress of the female dancers was usually a loose flowing robe, reaching to the ankles, fastened at the waist, and around the hips was a small narrow girdle of various colors and ornamented with beads. The material of the dress was of a very fine texture and thin, showing the form and movement of the limbs in dancing.

There were various ways of dancing. Sometimes one person danced alone, sometimes they danced in pairs, again there were several dancers together sometimes of both sexes and then of but one sex. Some danced to slow music, while others preferred lively tunes, men sometimes displaying great spirit, bounding from the ground. The aim of the dance was to display a succession of figures in which were exhibited a great variety of gestures. Twirling was much used in dancing and the pirouette was quite a favorite form with them. In one dance two parties would each dance on one leg toward one another and perform a series of evolutions and then retire from one another. In another step, standing on one foot the dancer would strike the ground with the heel, changing back and forth from one foot to the other. The dances of the lower classes were sometimes in the form of a pantomime, in which there was a preference shown for the ludicrous rather than the graceful.

Music was very popular with the Egyptians and they had both vocal and instrumental. They had numerous songs and for various occasions. They had quite a variety of musical instruments. Music was used in military movements, in religious exercises, in their social functions, and in the wailing for the dead. Music formed a part of the education of a member of the upper classes, but he did not display this at social functions, as that, like dancing, was given over to professionals. Both men and women of the priestly order, though, did render service with voice and instrument in religious ceremonies.

"It is sufficiently evident, from the sculptures of the ancient Egyptians, that their hired musicians were acquainted with the triple symphony; the harmony of instruments, of voices, and of voices and instruments. Their band was variously composed, consisting either of two harps, with the single pipe and flute; of the harp and double pipe, frequently with the addition of the guitar; of a fourteen-stringed harp, a guitar, lyre, double pipe, and tambourine; of two harps, sometimes of different sizes, one of seven, the other of four strings; of two harps of eight strings, and a seven-stringed lyre; of the guitar, and the square or oblong tambourine; of the lyre, harp, guitar, double pipe, and a sort of harp, with four strings, which was held upon the shoulder; of the harp, guitar, double pipe, lyre, and square tambourine; of the harp, two guitars, and the double pipe; of the harp, two flutes, and a guitar; of two harps and a flute; of a seventeen-stringed lyre, the double pipe, and a harp of fourteen strings; of the harp and two guitars; or of two seven-stringed harps and an instrument held in the hand, not unlike an Eastern fan, to which were probably attached small bells, or pieces of metal that emitted a jingling sound when shaken, like the crescent-crowned bells of our modern bands; besides many other combinations of these various instruments; and in the Bacchic festival of Ptolemy Philadelphus, described by Athenæus, more than 600 musicians were employed in the chorus, among whom were 300 performers on the kithara."48

As was stated before, dwarfs and deformed persons were attached to the households of the greater people as a means of entertainment as in Rome and Medieval Europe. These dwarfs and also others engaged in buffoonery for the entertainment of guests. There were various tricks performed by jugglers, and we find there the old cup or shell game, in which a little ball or pea is rolled about on a board from one inverted cup to another to guess under which it finally rested. There were many kinds of acrobatic feats, mostly performed by women, such as two performers swinging around in a reckless fashion while holding hands. This was varied by two men holding the hands of two women and whirling them around with feet braced together. There were tumbling exhibits of turning forward and backward on the hands, somersaulting off one another's shoulders, and even sometimes doing these feats while holding one foot with a hand. There were tests of strength wherein two men would sit back to back and each strive to rise first from the ground, and in another test they would try who could lift the heaviest weight or raise a bag of sand with a straight arm up over head. They would throw knives at a board, each contestant striving to strike his knife in the center of the board or on a mark.

The most common indoor games were odd and even, mora, and draughts, all of which it would appear were played in Egypt from very ancient times. In odd or even bones, beans, nuts, almonds, and coins were used and any indefinite number was held between the hands, the game being to guess whether odd or even. The game of mora was usually played by two persons, each at the same time quickly throwing out the fingers of one hand, then trying to guess the number of fingers shown by both. Draughts was a favorite game of all ranks. It was played by two people on a board similar to the present checker-board, but the pieces were not flat, being raised, more like the pieces in chess, and picked up like chessmen between thumb and finger. In another game hooked rods were used by which a small hoop was to be snatched from one another, the skill in this was for one person to get his hoop loose from his opponent's rod and then snatch it away quickly before he had time to stop it. In one game a player knelt with face toward the ground between two others, who held over him in their closed hands shells or dice, the number of which he was to guess before being allowed to rise. They played with dice and probably played several other games of chance.

Wrestling was a favorite amusement among the lower classes. They fought with the single-stick and among the boatmen of the Nile were conflicts with long poles. Mock fights were common, especially with the military classes, sometimes quite a great affair wherein a temporary fort would be erected and attacked by a party with a battering-ram and other implements of war and vigorously defended by the party within the fort. There were bull fights, sometimes between the animals and again men would fight the bulls. The animals were carefully trained to fight and prizes were awarded to the owner of the victorious combatant. It is pretty certain that animals were taught to perform tricks and to dance.

All classes of the Egyptians delighted in hunting, fowling, and fishing. In hunting they used the bow, the spear, the lasso, and the net to place across enclosures. There were preserves on some of the estates in which animals were kept for hunting, but the greatest sport was hunting out on the desert. Dogs were used and different breeds reared, some for attacking, some for coursing, and the like. Sometimes there would be a great hunt arranged, with beaters for forcing the game into quarters where they could be enclosed with nets and then hunted within. In hunting for birds and water-fowl the real sportsman used only the throwing-stick, which was from a foot and a quarter to two feet in length, about one inch and a half in breadth, and slightly curved at the upper end. The hunter would usually go out in a boat into the places covered with tall reeds and lotuses and gliding swiftly in among the birds, or using a decoy bird to attract them toward him, he would cast the throwing-stick at them as they arose and thus fell them. Often a cat would accompany the hunter which was trained to get the birds as they fell and bring them to the boat. In the pleasure-grounds of villas were ponds well stocked with fish. The fish were caught from them by hook and line. But the real fisherman used the bident spear, which sometimes had feathers at one end, like an arrow, but more often without, and sometimes the spear had a string attached to it to bring it back when thrown. Running his boat over the surface of the water, as he would see a fish he would cast his spear at it. They prided themselves on their skill with the spear.