Читать книгу Signors of the Night - Pemberton Max - Страница 6

Frà Giovanni stepped from his gondola, and stood at the door of the Palazzo Pisani exactly at a quarter to ten o'clock. Thirty minutes had passed since he had talked with the bravo, Rocca, and had put him to the proof. The time was enough, he said; the tale would have been told, the glad news of his own death already enjoyed by those who would have killed him.

Other men, perhaps, standing there upon the threshold of so daring an emprise, would have known some temptation of fear or hesitation in such a fateful moment; but the great Capuchin friar neither paused nor hesitated. That strange confidence in his own mission, his belief that God had called him to the protection of Venice, perchance even a personal conceit in his own skill as a swordsman, sent him hurrying to the work. It was a draught of life to him to see men tremble at his word; the knowledge which treachery poured into his ear was a study finer than that of all the manuscripts in all the libraries of Italy. And he knew that he was going to the Palazzo Pisani to humble one of the greatest in the city—to bring the sons of Princes on their knees before him.

There were many lights in the upper storeys of the great house, but the ground floor, with its barred windows and cell-like chambers, was unlighted. The priest saw horrid faces grinning through the bars; the faces of fugitives, fleeing the justice of Venice, outcasts of the city, murderers. But these outcasts, in their turn, were silent when they saw who came to the house, and they spoke of the strange guest in muted exclamations of surprise and wonder.

"Blood of Paul—do you see that? It is the Capuchin himself and alone. Surely there will be work to do anon."

"Ay, but does he come alone! Saint John, I would sooner slit a hundred throats than have his shadow fall on me. Was it not he that hanged Orso and the twelve! A curse upon the day he came to Venice."

So they talked in whispers, but the priest had passed already into the great hall of the palace and was speaking to a lacquey there.

"My friend," he said, "I come in the name of the Signori. If you would not hear from them to-morrow, announce me to none."

The lacquey drew back, quailing before the threat.

"Excellency," he exclaimed, "I am but a servant——"

"And shall find a better place as you serve Venice faithfully."

He passed on with noiseless steps, mounting the splendid marble staircase upon which the masterpieces of Titian and of Paolo Veronese looked down. At the head of the stairs, there was a painted door, which he had but to open to find himself face to face with those who were still telling each other that he was dead.

For an instant, perhaps, a sense of the danger of his mission possessed him. He knew well that one false step, one word undeliberated, would be paid for with his own blood. But even in the face of this reckoning he did not hesitate. He was there to save Venice from her enemies; the God of Venice would protect him. And so with- out word or warning, he opened the door and stood, bold and unflinching, before those he had come to accuse.

There were four at table, and one was a woman. The priest knew her well. She had been called the most beautiful woman in Venice—Catherine, Countess of Treviso. Still young, with a face which spoke of ambition and of love, her white neck glittered with the jewels it carried, her dress of blue velvet was such a dress as only a noblewoman of Venice could wear. A queenly figure, the friar said, yet one he would so humble presently that never should she hold up her head again.

As for the others, the men who had cloaked conspiracy with a woman's smile, he would know how to deal with them. Indeed, when he scanned their faces and began to remember the circumstances under which he had met them before, his courage was strengthened, and he forgot that he had ever reasoned with it.

He stood in the shadows; but the four, close in talk, and thinking that a lacquey had entered the room, did not observe him. They were laughing merrily at some jest, and filling the long goblets with the golden wine of Cyprus, when at last he strode out into the light and spoke to them. His heart beat quickly; he knew that this might be the hour of his death, yet never had his voice been more sonorous or more sure.

"Countess," he exclaimed, as he stepped boldly to the table and confronted them, "I bring you a message from Andrea, the lord of Pisa!"

He had expected that the woman would cry out, or that the men would leap to their feet and draw their swords; but the supreme moment passed and no one spoke. A curious silence reigned in the place. From without there floated up the gay notes of a gondolier's carol. The splash of oars was heard, and the low murmur of voices. But within the room you could have counted the tick of a watch—almost the beating of a man's heart. And the woman was the first to find her tongue. She had looked at the friar as she would have looked at the risen dead; but, suddenly, with an effort which brought back the blood to her cheeks, she rose from her seat and began to speak.

"Who are you?" she asked, "and why do you come to this house?"

Frà Giovanni advanced to the table so that they could see his face.

"Signora," he said, "the reason of my coming to this house I have already told you. As to your other question, I am the Capuchin friar, Giovanni, whom you desired your servant Rocca to kill at the Church of San Salvatore an hour ago."

The woman sank back into the chair; the blood left her face; she would have swooned had not curiosity proved stronger than her terror.

"The judgment of God!" she cried.

Again, for a spell, there was silence in the room. The priest stood at the end of the table telling himself that he must hold these four in talk until the bells of San Luca struck ten o'clock, or pay for failure with his life. The men, in their turn, were asking themselves if he were alone.

"You are the Capuchin friar, Giovanni," exclaimed one of them presently, taking courage of the silence; "what then is your message from the Count of Pisa?"

"My message, signore, is this—that at ten o'clock to-night, the Count of Pisa will have ceased to live."

A strange cry, terrible in its pathos, escaped the woman's lips. All had risen to their feet again. The swords of the three leaped from their scabbards. The instant of the priest's death seemed at hand. But he stood, resolute, before them.

"At ten o'clock," he repeated sternly, "the Count of Pisa will have ceased to live. That is his message, signori, to one in this house. And to you, the Marquis of Cittadella, there is another message."

He turned to one of the three who had begun to rail at him, and raised his hand as in warning. So great was the curiosity to hear his words that the swords were lowered again, and again there could be heard the ticking of a clock in the great room.

"For me—a message! Surely I am favoured, signore."

"Of that you shall be the judge, since, at dawn to-morrow, your head will lie on the marble slab between the columns of the Piazzetta."

They greeted him with shouts of ridicule.

"A prophet—a prophet!"

"A prophet indeed," he answered quietly, "who has yet a word to speak to you, Andrea Foscari."

"To me!" exclaimed the man addressed, who was older than the others, and who wore the stola of the nobility.

"Ay, to you, who are about to become a fugitive from the justice of Venice. Midnight shall see you hunted in the hills, my lord; no house shall dare to shelter you; no hand shall give you bread. When you return to the city you would have betrayed, the very children shall mock you for a beggar."

Foscari answered with an oath, and drew back. The third of the men, a youth who wore a suit of white velvet, and whose vest was ablaze with gold and jewels, now advanced jestingly.

"And for me, most excellent friar?"

"For you, Gian Mocenigo, a pardon in the name of that Prince of Venice whose house you have dishonoured."

Again they replied to him with angry gibes.

"A proof—a proof—we will put you to the proof, friar here and now, or, by God, a prophet shall pay with his life."

He saw that they were driven to the last point. While the woman stood as a figure of stone at the table, the three advanced towards him and drove him back before their threatening swords. The new silence was the silence of his death anticipated. He thought that his last word was spoken in vain. Ten o'clock would never strike, he said. Yet even as hope seemed to fail him, and he told himself that the end had come, the bells of the city began to strike the hour, and the glorious music of their echoes floated over the sleeping waters.

"A proof, you ask me for a proof, signori," he exclaimed triumphantly. "Surely, the proof lies in yonder room, where all the world may see it."

He pointed to a door opening in the wall of mirrors, and giving access to a smaller chamber. Curiosity drove the men thither. They threw open the door; they entered the room; they reeled back drunk with their own terror.

"The body of Andrea, Lord of Pisa, lay upon the marble pavement."

For the body of Andrea, lord of Pisa, lay, still warm, upon the marble pavement of the chamber, and the dagger with which he had been stabbed was yet in his heart.

"A proof—have I not given you a proof?" the priest cried again, while the woman's terrible cry rang through the house, and the three stood close together, as men upon whom a judgment has fallen.

"Man or devil—who are you?" they asked in hushed whispers.

He answered them by letting his monk's robe slip from his shoulders. As the robe fell, they beheld a figure clad in crimson velvet, and corselet of burnished gold; the figure of a man whose superb limbs had been the envy of the swordsmen of Italy; whose face, lighted now with a sense of power and of victory, was a face for which women had given their lives.

"It is the Prince of Iseo," they cried, and, saying it, fled from the house of doom.

At that hour, those whose gondolas were passing the Palazzo Pisani observed a strange spectacle. A priest stood upon the balcony of the house holding a silver lamp in his hand; and as he waited, a boat emerged from the shadows about the church of San Luca, and came swiftly towards him.

"The Signori of the Night," the loiterers exclaimed in hushed whispers, and went on their way quickly.

*****

Very early next morning, a rumour of strange events, which had happened in Venice during the hours of darkness, drew a great throng of the people to the square before the ducal palace.

"Have you not heard it," man cried to man; "the Palazzo Pisani lacks a mistress to-day? The police make their toilet in the boudoir of my lady. And they say that the lord of Pisa is dead."

"Worse than that, my friends," a gondolier protested, "Andrea Foscari crossed to Maestre last night, and the dogs are even now on his heels."

"Your news grows stale," croaked a hag who was passing; "go to the Piazzetta and you shall see the head of one who prayed before the altar ten minutes ago."

They trooped off eager for the spectacle. When they reached the Piazzetta, the hag was justified. The head of a man lay bleeding upon the marble slab between the columns. It was the head of the Marquis of Cittadella.

In the palace of the police, meanwhile, Pietro Falier, the Captain, was busy with his complaints.

"The lord of Pisa is dead," he said, "the woman has gone to the Convent of Murano; there is a head between the columns; Andrea Foscari will die of hunger in the hills—yet Gian Mocenigo goes free. Who is this friar that he shall have the gift of life or death in Venice?"

His subordinate answered:

"This friar, Captain, is one whom Venice, surely, will make the greatest of her nobles to-day."