Читать книгу Alice Lorraine: A Tale of the South Downs - R. D. Blackmore - Страница 5

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Westward of that old town Steyning, and near Washington and Wiston, the lover of an English landscape may find much to dwell upon. The best way to enjoy it is to follow the path along the meadows, underneath the inland rampart of the Sussex hills. Here is pasture rich enough for the daintiest sheep to dream upon; tones of varied green in stripes (by order of the farmer), trees as for a portrait grouped, with the folding hills behind, and light and shadow making love in play to one another. Also, in the breaks of meadow and the footpath bendings, stiles where love is made in earnest, at the proper time of year, with the dark-browed hills imposing everlasting constancy.

Any man here, however sore he may be from the road of life, after sitting awhile and gazing, finds the good will of his younger days revive with a wider capacity. Though he hold no commune with the heights so far above him, neither with the trees that stand in quiet audience soothingly, nor even with the flowers still as bright as in his childhood, yet to himself he must say something—better said in silence. Into his mind, and heart, and soul, without any painful knowledge, or the noisy trouble of thinking, pure content with his native land and its claim on his love are entering. The power of the earth is round him with its lavish gifts of life—bounty from the lap of beauty, and that cultivated glory which no other land has earned.

Instead of panting to rush abroad and be lost among jagged obstacles, rather let one stay within a very easy reach of home, and spare an hour to saunter gently down this meadow path. Here in a broad bold gap of hedge, with bushes inclined to heal the breach, and mallow-leaves hiding the scar of chalk, here is a stile of no high pretence, and comfortable to gaze from. For hath it not a preface of planks, constructed with deep anatomical knowledge, and delicate study of maiden decorum? And lo! in spite of the planks—as if to show what human nature is—in the body of the stile itself, towards the end of the third bar down, are two considerable nicks, where the short-legged children from the village have a sad habit of coming to think. Here, with their fingers in their mouths, they sit and muse, and scrape their heels, and stare at one another, broadly taking estimate of life. Then with a push and scream, the scramble and the rush down hill begin, ending (as all troubles should) in a brisk pull-up of laughter.

However, it might be too much to say that the cleverest child beneath the hills, or even the man with the licence to sell tea, coffee, snuff, and tobacco, who now comes looking after them, finds any conscious pleasure, or feels quickening influence from the scene. To them it is but a spread of meadows under a long curve of hill, green and mixed with trees down here, brown and spotted with furze up there; to the children a play-ground; to the men a farm, requiring repairs and a good bit of manure.

So it is: and yet with even those who think no more of it, the place, if not the scenery, has its aftermath of influence. In later times, when sickness, absence, or the loss of sight debars them, men will feel a deep impression of a thing to long for. To be longed for with a yearning stronger than mere admiration, or the painter’s taste can form. For he, whatever pleasure rises at the beauty of the scene, loses it by thinking of it; even as the joy of all things dies in the enjoying.

But to those who there were born (and never thought about it), in the days of age or ailment, or of better fortune even in a brighter climate, how at the sound of an ancient name, or glimpse of faint resemblance, or even on some turn of thought untraced and unaccountable—again the hills and valleys spread, to aged vision truer than they were to youthful eyesight; again the trees are rustling in the wind as they used to rustle; again the sheep climb up the brown turf in their snowy zigzag. A thousand winks of childhood widen into one clear dream of age.