Читать книгу The Simple Art of Murder - Raymond Chandler - Страница 13

EIGHT

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Newton Street, between Third and Fourth, was a block of cheap clothing stores, pawnshops, arcades of slot machines, mean hotels in front of which furtive-eyed men slid words delicately along their cigarettes, without moving their lips. Midway of the block a jutting wooden sign on a canopy said, STOLL’S BILLIARD PARLORS. Steps went down from the sidewalk edge. Delaguerra went down the steps.

It was almost dark in the front of the poolroom. The tables were sheeted, the cues racked in rigid lines. But there was light far at the back, hard white light against which clustered heads and shoulders were silhouetted. There was noise, wrangling, shouting of odds. Delaguerra went towards the light.

Suddenly, as if at a signal, the noise stopped and out of the silence came the sharp click of balls, the dull thud of cue ball against cushion after cushion, the final click of a three-bank carom. Then the noise flared up again.

Delaguerra stopped beside a sheeted table and got a ten-dollar bill from his wallet, got a small gummed label from a pocket in the wallet. He wrote on it: “Where is Joe?” pasted it to the bill, folded the bill in four. He went on to the fringe of the crowd and inched his way through until he was close to the table.

A tall, pale man with an impassive face and neatly parted brown hair was chalking a cue, studying the set-up on the table. He leaned over, bridged with strong white fingers. The betting ring noise dropped like a stone. The tall man made a smooth, effortless three-cushion shot.

A chubby-faced man on a high stool intoned: “Forty for Chill. Eight’s the break.”

The tall man chalked his cue again, looked around idly. His eyes passed over Delaguerra without sign. Delaguerra stepped closer to him, said: “Back yourself, Max? Five-spot against the next shot.”

The tall man nodded. “Take it.”

Delaguerra put the folded bill on the edge of the table. A youth in a striped shirt reached for it. Max Chill blocked him off without seeming to, tucked the bill in a pocket of his vest, said tonelessly: “Five bet,” and bent to make another shot.

It was a clean crisscross at the top of the table, a hairline shot. There was a lot of applause. The tall man handed his cue to his helper in the striped shirt, said: “Time out. I got to go a place.”

He went back through the shadows, through a door marked MEN. Delaguerra lit a cigarette, looked around at the usual Newton Street riffraff. Max Chill’s opponent, another tall, pale, impassive man, stood beside the marker and talked to him without looking at him. Near them, alone and supercilious, a very good-looking Filipino in a smart tan suit was puffing at a chocolate-colored cigarette.

Max Chill came back to the table, reached for his cue, chalked it. He reached a hand into his vest, said lazily: “Owe you five, buddy,” passed a folded bill to Delaguerra.

He made three caroms in a row, almost without stopping. The marker said: “Forty-four for Chill. Twelve’s the break.”

Two men detached themselves from the edge of the crowd, started towards the entrance. Delaguerra fell in behind them, followed them among the sheeted tables to the foot of the steps. He stopped there, unfolded the bill in his hand, read the address scribbled on the label under his question. He crumpled the bill in his hand, started it towards his pocket.

Something hard poked into his back. A twangy voice like a plucked banjo string said: “Help a guy out, huh?”

Delaguerra’s nostrils quivered, got sharp. He looked up the steps at the legs of the two men ahead, at the reflected glare of street lights.

“Okey,” the twangy voice said grimly.

Delaguerra dropped sidewise, twisting in the air. He shot a snakelike arm back. His hand grabbed an ankle as he fell. A swept gun missed his head, cracked the point of his shoulder and sent a dart of pain down his left arm. There was hard, hot breathing. Something without force slammed his straw hat. There was a thin tearing snarl close to him. He rolled, twisted the ankle, tucked a knee under him and lunged up. He was on his feet, catlike, lithe. He threw the ankle away from him, hard.

The Filipino in the tan suit hit the floor with his back. A gun wobbled up. Delaguerra kicked it out of a small brown hand and it skidded under a table. The Filipino lay still on his back, his head straining up, his snap-brim hat still glued to his oily hair.

At the back of the poolroom the three-cushion match went on peacefully. If anyone noticed the scuffling sound, at least no one moved to investigate. Delaguerra jerked a thonged blackjack from his hip pocket, bent over. The Filipino’s tight brown face cringed.

“Got lots to learn. On the feet, baby.”

Delaguerra’s voice was chilled but casual. The dark man scrambled up, lifted his arms, then his left hand snaked for his right shoulder. The blackjack knocked it down, with a careless flip of Delaguerra’s wrist. The brown man screamed thinly, like a hungry kitten.

Delaguerra shrugged. His mouth moved in a sardonic grin.

“Stick-up, huh? Okey, yellowpuss, some other time. I’m busy now. Dust!”

The Filipino slid back among the tables, crouched down. Delaguerra shifted the blackjack to his left hand, shot his right to a gun butt. He stood for a moment like that, watching the Filipino’s eyes. Then he turned and went quickly up the steps, out of sight.

The brown man darted forward along the wall, crept under the table for his gun.

The Simple Art of Murder

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