Читать книгу The Simple Art of Murder - Raymond Chandler - Страница 9

FOUR

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A narrow rocky road dropped down from the highway and ran along the flank of the hill above the lake. The tops of cabins showed here and there among the pines. An open shed was cut into the side of the hill. Delaguerra put his dusty Cadillac under it and climbed down a narrow path towards the water.

The lake was deep blue but very low. Two or three canoes drifted about on it and the chugging of an outboard motor sounded in the distance, around a bend. He went along between thick walls of undergrowth, walking on pine needles, turned around a stump and crossed a small rustic bridge to the Marr cabin.

It was built of half-round logs and had a wide porch on the lake side. It looked very lonely and empty. The spring that ran under the bridge curved around beside the house and one end of the porch dropped down sheer to the big flat stones through which the water trickled. The stones would be covered when the water was high, in the spring.

Delaguerra went up wooden steps and took the keys out of his pocket, unlocked the heavy front door, then stood on the porch a little while and lit a cigarette before he went in. It was very still, very pleasant, very cool and clear after the heat of the city. A mountain bluejay sat on a stump and pecked at its wings. Somebody far out on the lake fooled with a ukulele. He went into the cabin.

He looked at some dusty antlers, a big rough table splattered with magazines, an old-fashioned battery-type radio, a box-shaped phonograph with a disheveled pile of records beside it. There were tall glasses that hadn’t been washed and a half-bottle of Scotch beside them, on a table near the big stone fireplace. A car went along the road up above and stopped somewhere not far off. Delaguerra frowned around, said: “Stall,” under his breath, with a defeated feeling. There wasn’t any sense in it. A man like Donegan Marr wouldn’t leave anything that mattered in a mountain cabin.

He looked into a couple of bedrooms, one just a shake-down with a couple of cots, one better furnished, with a make-up bed, and a pair of women’s gaudy pajamas tossed across it. They didn’t look quite like Belle Marr’s.

At the back there was a small kitchen with a gasoline stove and a wood stove. He opened the back door with another key and stepped out on a small porch flush with the ground, near a big pile of cordwood and a double-bitted axe on a chopping block.

Then he saw the flies.

A wooden walk went down the side of the house to a woodshed under it. A beam of sunlight had slipped through the trees and lay across the walk. In the sunlight there a clotted mass of flies festered on something brownish, sticky. The flies didn’t want to move. Delaguerra bent down, then put his hand down and touched the sticky place, sniffed at his finger. His face got shocked and stiff.

There was another smaller patch of the brownish stuff farther on, in the shade, outside the door of the shed. He took the keys out of his pocket very quickly and found the one that unlocked the big padlock of the woodshed. He yanked the door open.

There was a big loose pile of cordwood inside. Not split wood—cordwood. Not stacked, just thrown in anyhow. Delaguerra began to toss the big rough pieces to one side.

After he had thrown a lot of it aside he was able to reach down and take hold of two cold stiff ankles in lisle socks and drag the dead man out into the light.

He was a slender man, neither tall nor short, in a well-cut basket weave suit. His small neat shoes were polished, a little dust over the polish. He didn’t have any face, much. It was broken to pulp by a terrific smash. The top of his head was split open and brains and blood were mixed in the thin grayish-brown hair.

Delaguerra straightened quickly and went back into the house to where the half-bottle of Scotch stood on the table in the living room. He uncorked it, drank from the neck, waited a moment, drank again.

He said: “Phew!” out loud, and shivered as the whiskey whipped at his nerves.

He went back to the woodshed, leaned down again as an automobile motor started up somewhere. He stiffened. The motor swelled in sound, then the sound faded and there was silence again. Delaguerra shrugged, went through the dead man’s pockets. They were empty. One of them, with cleaner’s marks on it probably, had been cut away. The tailor’s label had been cut from the inside pocket of the coat, leaving ragged stitches.

The man was stiff. He might have been dead twenty-four hours, not more. The blood on his face had coagulated thickly but had not dried completely.

Delaguerra squatted beside him for a little while, looking at the bright glitter of Puma Lake, the distant flash of a paddle from a canoe. Then he went back into the woodshed and pawed around for a heavy block of wood with a great deal of blood on it, didn’t find one. He went back into the house and out on the front porch, went to the end of the porch, stared down the drop, then at the big flat stones in the spring.

“Yeah,” he said softly.

There were flies clotted on two of the stones, a lot of flies. He hadn’t noticed them before. The drop was about thirty feet, enough to smash a man’s head open if he landed just right.

He sat down in one of the big rockers and smoked for several minutes without moving. His face was still with thought, his black eyes withdrawn and remote. There was a tight, hard smile, ever so faintly sardonic, at the corners of his mouth.

At the end of that he went silently back through the house and dragged the dead man into the woodshed again, covered him up loosely with the wood. He locked the woodshed, locked the house up, went back along the narrow, steep path to the road and to his car.

It was past six o’clock, but the sun was still bright as he drove off.

The Simple Art of Murder

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