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II

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"What ails you, Miss Melville?" asked Mr. Philip James. He had lit the gas and seen that she was crying.

At first she said, "Nothing." But there grew out of her gratitude to this family a feeling that it was necessary, or at least decent, that she should always answer them with the cleanest candour. As one rewards the man who has restored a lost purse by giving him some of the coins in it, so she shared with them, by the most exact explanation of her motives whenever they were asked for, the self which they had saved. So she added, "It's just that I'm bored. Nothing ever happens to me!"

Mr. Philip had hoped she was going to leave it at that "Nothing," and bore her a grudge for her amplification at the same time that the way she looked when she made it swept him into sympathy. Indeed, he always felt about the lavish gratitude with which Ellen laid her personality at the disposal of the firm rather as the Englishman who finds the Chinaman whom he saved from death the day before sitting on his verandah in the expectation of being kept for the rest of his life that his rescuer has forced upon him. It was true that she was an excellent shorthand-typist, but she vexed the decent grey by her vividness. The sight of her through an open door, sitting at her typewriter in her blue linen overall, dispersed one's thoughts; it was as if a wireless found its waves jammed by another instrument. Often he found himself compelled to abandon his train of ideas and apprehend her experiences: to feel a little tired himself if she drooped over her machine, to imagine, as she pinned on her tam-o'-shanter and ran down the stairs, how the cold air would presently prick her smooth skin. Yet these apprehensions were quite uncoloured by any emotional tone. It was simply that she was essentially conspicuous, that one had to watch her as one watches a very tall man going through a crowd. Even now, instead of registering disapproval at her moodiness, he was looking at her red hair and thinking how it radiated flame through the twilight of her dark corner, although in the sunlight it always held the softness of the dusk. That was characteristic of her tendency always to differ from the occasion. He had once seen her at a silly sort of picnic where everybody was making a great deal of noise and playing rounders, and she had sat alone under a tree. And once, as he was walking along Princes Street on a cruel day when there was an easterly ha'ar blowing off the Firth, she had stepped towards him out of the drizzle, not seeing him but smiling sleepily. It was strange how he remembered all these things, for he had never liked her very much.

He put his papers on the table and sat down by the fire. "Well, what should happen? No news is good news, I've heard!"

She continued to disclose herself to him without the impediment of shyness, for he was unattractive to her because he had an Edinburgh accent and always carried an umbrella. He was so like hundreds of young men in the town, dark and sleek-headed and sturdily under-sized, with an air of sagacity and consciously shrewd eyes under a projecting brow, that it seemed like uttering one's complaint before a jury or some other representative body. She believed, too, that he was not one of the impeccable and happy to whom one dare not disclose one's need for pity, for she was sure that the clipped speech that slid through his half-opened mouth was a sign that secretly he was timid and ashamed. So she cried honestly, "I'm so dull that I'll die. You and Mr. James are awfully good to me, and I can put up with Mr. Morrison, though he's a doited old thing, and I like my work, but coming here in the morning and going home at night, day in and day out, it drives me crazy. I don't know what's the matter with me, but I want to run away to new places and see new people. This morning I was running to catch the tram and I saw the old wife who lives in the wee house by the cycle shop had put a bit heather in a glass bottle at the window, and do you know, I was near turning my back and going off to the Pentlands and letting the work go hang!"

They were both law-abiding people. They saw the gravity of her case.

"Not that I want the Pentlands. Dear knows I love the place, but I want something more than those old hills. I want to go somewhere right far away. The sight of a map makes me sick. And then I hear a band play—not the pipes, they make me think of Walter Scott's poetry, which I never could bear, but a band. I feel that if I followed it it would lead me somewhere that I would like to go. And the posters. There's one at the Waverley station—Venice. I could tear the thing down. Did you ever go to Italy, Mr. Philip?"

"No. I go with the girls to Germany every summer."

"My patience!" said Ellen bitterly. "The way the world is! The people who can afford to go to Italy go to Germany. And I—I'll die if I don't get away."

"Och, I often feel like this," said Mr. Philip. "I just take a week-end off at a hydro."

"A hydro!" snorted Ellen. "It's something more like the French Revolution I'm wanting. Something grand and coloured. Swords, and people being rescued, and things like that."

"There's nothing going on like that now," he said stolidly, "and we ought to be thankful for it."

"I know everything's over in Europe," she agreed sadly, "but there's revolutions in South America. I've read about them in Richard Harding Davis. Did ever you read him? Mind you, I'm not saying he's an artist, but the man has force. He makes you long to go."

"A dirty place," said Mr. Philip.

"What does that matter, where there's life? I feel—I feel"—she wrung her inky brown hands—"as if I should die if something didn't happen at once: something big, something that would bang out like the one o'clock gun up at the Castle. And nothing will. Nothing ever will!"

"Och, well," he comforted her, "you're young yet, you know."

"Young!" cried Ellen, and suddenly wept. If this was youth—!

He bent down and played with the fire-irons. It was odd how he didn't want to go away, although she was in distress. "Some that's been in South America don't find it to their taste," he said. "The fellow that's coming to-night wants to sell some property in Rio de Janeiro because he doesn't mean to go back."

"Ah, how can he do that?" asked Ellen unsteadily. The tears she was too proud to wipe away made her look like a fierce baby. "Property in Rio de Janeiro! It's like being related to someone in 'Treasure Island.'"

"'Treasure Island!' Imph!" He had seen his father draw Ellen often enough to know how to do it, though he himself would never have paid enough attention to her mental life to discover it. "You're struck on that Robert Louis Stevenson, but he wasn't so much. My Aunt Phemie was with him at Mr. Robert Thompson's school in Heriot Row, and she says he was an awful young blackguard, playing with the keelies all he could and gossiping with the cabmen on the rank. She wouldn't have a word to say to him, and grandfather would never ask him to the house, not even when all the English were licking his boots. I'm not much on these writing chaps myself." He made scornful noises and crossed his legs as though he had disposed of art.

"And who," asked Ellen, with temper, "might your Aunt Phemie be? There'll not be much in the papers when she's laid by in Trinity Cemetery, I'm thinking! The impairtinence of it! All these Edinburgh people ought to go on their knees and thank their Maker that just once, just once in that generation, He let something decent come out of Edinburgh!" She turned away from him and laid her cheek against the oak shutter.

Mr. Philip chuckled. When a woman did anything for itself, and not for its effect on the male, it seemed to him a proof of her incapacity to look after herself, and he found incapacity in women exciting and endearing. He watched her with a hard attention that was his kind of tenderness, as she sat humped schoolgirlishly in her shapeless blue overall, averting her face from the light but attempting a proud pose, and keeping her grief between her teeth as an ostler chews a straw.

"He had a good time, the way he travelled in France and the South Seas. But he deserved it. He wrote such lovely books. Ah," she said, listening to her own sombre interpretation of things as to sad music, "it isn't just chance that some people had adventures and others hadn't. One makes one's own fate. I have no fate because I'm too weak to make one." She looked down resentfully on her hands, that for all her present fierceness and the inkstains of her daily industry lay little things on her lap, and thought of Rachael Wing, who had so splendidly departed to London to go on the stage. "But it's hard to be punished just for what you are."

He wondered whether, although she was the typist, there was not something rare about her. He could not compare her in this moment with his sisters May and Gracie, who were always getting up French plays for bazaars, or Chrissie, who played the violin, for the earth held nothing to vex the sturdiness of these young women except the profligacy with which it offered its people attractions competitive with bazaars and violin solos. But he thought it unlikely that any occasion would have evoked from them this serene despair, which was no more irritable than that which is known by the nightingale. It was impossible that they could shed such tears as smudged her bright colours now, such exquisite distillations of innocent grief at the wasting of the youth of which she was so innocently proud, and generous rage at the decrying of a name that was neither relative nor friend nor employer but merely a maker of beauty. Without doubt she lived in a lonely world, where tears were shed for other things than the gift of gold, and where one could perform these simplicities before a witness without fear of contempt, because human intercourse went only to the tune of charity and pity. Suddenly he wanted to enter into this world; not indeed with the intention of naturalising himself as its inhabitant nor with the intention of staying there for ever, but as a navvy might stop on his way to work and refresh his horny sweating body by a swim in a sunny pool. He felt a thirst, a thing that stopped the breath for her pity. And although his desire was but for participation in kindness, his instinct for conformity was so suspicious of her vividness that he felt furtive and red-eared while he searched in the purse of his experiences to find the coin that would admit him to her world. The search at first was vain, for most of them that he cared to remember were mere manifestations of the kind of qualities that are mentioned in testimonials. But presently he gripped the disappointment that would buy him her pity.

He said, "I'm right sorry for you, Miss Melville. But you know … We all have our troubles."

She raised her eyebrows.

"I wanted to go into the Navy."

"You did? Would your father not let you?" She said it in her red-headed "My-word-if-I'd-been-there" way.

"Aye, he would have liked it fine."

"What was it then?" She leaned forward and almost crooned at him. "What was it then?"

His speech became more clipped. "My eyes."

"Your eyes!" she breathed. He suddenly became a person to her. "I never thought."

"I'm as short-sighted as a bat."

"They look all right." She frowned at them as though they were traitors.

He basked in her pity. "They're not. I never could play football at the University."

She rose and stood beside him at the table, so that he would feel how sorry she was, and set one finger to her lips and murmured, "Well, well!" and at the end of a warm, drowsy moment, after which they seemed to know each other much better, she said softly and irrelevantly, "I saw you capped."

"Did you so? How did you notice me? It was one of the big graduations."

"I went with my mother to see my cousin Jeanie capped M.A., and we saw your name on the list. Philip Mactavish James. And mother said, 'Yon'll be the son of Mactavish James. Many's the time I've danced with him when I was Ellen Forbes.' Funny to think of them dancing!"

"Oh, father was a great man for the ladies." They both laughed. He vacillated from the emotional business of the moment. "Do you dance?" he asked.

"I did at school—"

"Don't you go to dances?"

She shook her head. It was a shame, thought Mr. Philip.

With that long slender waist she should have danced so beautifully; he could imagine how her head would droop back and show her throat, how her brows would become grave with great pleasure. He wished she could come to his mother's dances, but he knew so well the rigid standards of his own bourgeoisie that he felt displeased by his wish. It was impossible to ask a Miss Melville to a dance unless one could say, 'She's the daughter of old Mr. Melville in Moray Place. Do you not mind Melville, the wine merchant?' and specially impossible to ask this Miss Melville unless one had some such certificate to attach to her vividness. But he wished he could dance with her.

Ellen recalled him to the business of pity. She had thought of dances for no more than a minute, though it had long been one of her dreams to enter a ballroom by a marble staircase (which she imagined of a size and steepness really more suited to a water-chute), carrying a black ostrich-feather fan such as she had seen Sarah Bernhardt pythoning about with in "La Dame aux Camélias." This hour she had dedicated to Mr. Philip, and he knew it. She was thinking of him with an intentness which was associated with an entire obliviousness of his personal presence, just as a church circle might pray fervently for some missionary without attempting to visualise his face; and though he missed this quaint meaning of her abstraction, he was well content to watch it and nurse his private satisfaction. He was still aware that he was Mr. Philip of the firm, so he was not going to tell her that for two nights after he had heard the decision of the Medical Examiners he had cried himself to sleep, though he was fourteen past. But it was exquisite to know that if he had told her she would have been moved to some glorious gesture of pity. His imagination trembled at the thought of its glory as she turned to him with a benignity that was really good enough, and said diffidently, because her ambition was such a holy thing that she feared to speak of his: "Still, there are lots of things for you to do. I've heard. … "

He was kindly and indulgent. "What have you heard?"

Ellen had, as her mother used to say, a great notion of politics. "Why, that you're going to stand for Parliament."

"That's true enough," he said, swelling a little.

"Could anything be finer?" she breathed. "What are you going to do?"

"I'll have to contest two-three hopeless seats. Then they'll give me something safe."

"But what will you do?"

He didn't follow.

"What'll you do after that?" She towered above him, her cheeks flushed with intellectual passion. "In Parliament, I mean. There's so much to do. Will it be housing? If it was me it would be housing. But what are you going to do?"

"I'll sit as a Liberal," he said, with an air of quiet competence. "We've always been Liberals."

"Ach! Liberal!" she said, with the spirit of one who had cried, "Keep the Liberal out!" at a Leith polling-booth and had been haled backwards by the hair from the person of Mr. Winston Churchill. Mr. Philip laughed again and felt a kind of glow. He never could get over a feeling that to discover a woman excited about an intellectual thing was like coming on her bathing; her cast-off femininity affected him as a heap of her clothes on the beach might have done. But the flash in her eyes died to the homelier fires of a more personal quarrel. "Is yon Mrs. Powell's heavy feet coming up the stair?" she enquired.

"It is so. I asked her to do a chop for me, so that I won't need to dine on the train. … "

"Mercy me! We'll see the fine cook she is!" She ran out to the landing (she had never known he was so nice). Mr. Philip found that her absence acted curiously as a relief to an excitement that was beginning to buzz in his head. Then she came back with the tray, her cheeks bright and her mouth pursed, for she and the caretaker had been sandpapering each other's temperaments with a few words. "Be thankful she thought to boil a potato. No greens. And I had to ask for a bit bread. And the reason's not far to seek. She's had a drop again. It staggers me how your father, who's so particular with the rest of us, stands such a body in the place."

He did not answer her. The moment had become one of pure enjoyment. There was no sense of strain in his appreciation of her while she was putting down the tray, spreading out the plates, and doing things that were all directed to giving him comfort. Their relationship felt absolutely right.

"Will you have one of the bottles of Burgundy your father keeps for when he lunches in?" she said.

"I was just thinking I would," he answered, and went into his father's room. As he stooped before the cupboard her voice reached him, fortuitously uplifted in "The Flowers of the Forest are a' wede away." Now how did she look when she sang? It improved some people. He knelt for a minute in front of the dusty cupboard, frowning fiercely at the bottles because it struck him that she would stop singing when he went back, and he could think of no way of asking her to go on that would not be, as he put it, infra dig. And sure enough, when he entered the room a shy silence fell on her, which she broke by saying, "If you've not got the corkscrew there's one on my pocket-knife." He used it, telling himself that it spared turning on the gas again in the other room, and she stood behind him murmuring, "Yon's not a bad knife. Four blades and a thing that takes stones out of a horse's hoof. … "

He sat down to his meal, and she remained by the fireplace until he said, "Pray sit down, Miss Melville, I wish I could ask you to join me. … "

She obeyed because she was afraid she might be fretting him by standing there, and took the seat on the other side of the table. The gas-jet was behind her, so to him there was a gold halo about her head and her face was a dusky oval in which her eyes and the three-cornered patch of her mouth were points of ardour. She had an animal's faculty for keeping quite still. He felt a pricking appetite to force the moment on to something he could not quite previsage, and found himself saying, "Will you have some Burgundy?"

She was shocked. "Oh no!"

He perceived that here was a matter of principle. But he felt, although principles were among his conventions, not the least impulse to defer to it. Instead, the project of persuading her to do something he felt she oughtn't to do flooded him with a tingling pleasure.

He said, "But it's so pretty!" He could not imagine why he should have said that, and yet he knew when he had said it that he had hit on an argument that would weigh with her.

She sighed as who makes a concession. "Oh yes, it's pretty!" And then, to his perplexity, her face fell into complete repose. She was absorbed in the red beauty in his glass.

It angered him, yet he still felt bland and coaxing. "You'll have a glass?"

"No, thank you."

"You'll surely have a taste?"

"Ah, no—"

"Just a drop. … "

Their eyes met. He was peering into her face so that he could be sure she was looking at him, and somehow the grimace seemed to be promising her infinite pleasure.

She muttered, "Well, just a drop!" and found herself laughing unhappily.

He passed her his glass.

"But what," she asked in dismay, "will you drink from?"

Almost irritably he clicked his tongue, though he still smiled. "Drink it up! Drink it up!"

She raised the glass to her lips and set her head back that the sin might have swift progress, expecting the loveliest thing, like an ice, but warm and very worldly; and informed with solemn pleasure too, for such colours are spilt on marble floors when the sun sets behind cathedral windows, such colours come into the mind when great music is played or some deep voice speaks Shakespeare. …

"Ach!" she screamed, and banged the glass down on the table. "It's horrid! It draws the mouth!" She started up and stood rubbing her knuckles into her cheeks and twisting her lips. She had never thought wine was like this. It was not so much a drink as a blow in the mouth. And yet somehow she felt ashamed of not liking it. "The matron at school used to give us something for toothache that was as bad as this!" she said peevishly, and tears stood in her eyes.

Mr. Philip stood up, laughing. The crisis of his pleasure in persuading her to do the thing which she hadn't wanted to do was his joy that she hadn't liked it when she had done it. And suddenly one of the walls of the neat mental chamber in which he customarily stood fell in; by the light that streamed in upon him he perceived that his ecstasy was only just beginning. At last he knew what he wanted to do. With gusto he marked that Ellen too was conscious that the incident was not at its close, for she was still wringing her hands, though the taste of the wine must long have gone from her mouth, and was stammering miserably, "Well, if yon stuff's a temptation to any poor folk—!" Again he felt that their relationship was on a proper footing; he moved towards her, walking masterfully. Oh, it was going to be ecstasy. … There was a loud knocking at the outer door.

The Judge

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