Читать книгу The Guerilla Chief, and Other Tales - Reid Mayne - Страница 5

Yes, fair as the mother of men – it is no exaggeration to say it – was she who, answering my summons, had emerged from the shadowy chapparal, and now stood exposed to my view under the full light of the moon. It was a full moon – a Mexican moon, that delights to shine upon lovely woman; and no lovelier could its beams have ever embraced than she who now stood before me.

It was beauty of a type peculiar to the land in which I viewed it – peculiar even to a single province – the tierra caliente, or coast-region, of Vera Cruz.

The image of Lola is still upon the tablets of my memory, permanently impressed as I saw her at that moment; perhaps more deeply graven upon my heart as I beheld her afterwards.

The picture presented to my eye, and viewed under the moon’s mellow light, was that of a girl just approaching the completeness of womanhood – or rather having completed it, for there seemed nothing wanting to make the perfect woman.

A figure of medium height, neither sylphlike nor slender, but of full physical outline, in points even imposing.

I do not deny that there is something sensual in this type, and I know there are those who incline more to the intellectual. For my part, I doubt the honesty of such ethereal admirers; and must still cling to the belief that bold elliptical outline is the true ideal of beauty in the feminine form.

That of Lola, seen against the verdant background of the chapparal, exhibited this curve in all its luxuriant windings. It was displayed in the tournure of the head, the cheeks, the throat, and shoulders; it embraced bosom, waist, and limbs; it ran over her whole figure – a living, moving curve, like the undulations of some beautiful serpent, always tapering to an end, but never terminating.

It was the curve discovered by Hogarth, though but poorly expressed in his pictures. It was perfectly presented in the outlines of the lovely apparition that came before my eyes in that moonlit glade, on the field of Cerro Gordo.

Her dress did not destroy the voluptuous line. It could not, even had it been one of those monstrous contrivances of fashion for concealing the too-often distorted form. But it was not thus designed. The sleeveless chemise of snow-white cambric, and the translucent skirt of thin muslin, like the gown of Nora Creina, left —

“Every beauty free

To sink or swell as heaven pleases.”

The slight scarf of bluish grey cotton (rebozo) drawn over the crown of the head, and falling loosely down in front, scarcely interfered with the symmetrical outlines of the bosom; while behind, two thick plaits of hair, escaping from under it, hung down to the level of its fringed ends, terminating in a tie of bright red ribbons.

At first sight, I thought the girl was barefoot. The skirt and petticoat (enagua) permitted to be seen beneath them a pair of statuesque ankles, nude to mid-knee. But although thus stockingless, I soon perceived that her feet were in satin slippers, hidden behind the herbage. Neither the naked ankles, nor the slight but costly chaussure, gave me any surprise, however inappropriate either might be deemed to a walk through the thorny chapparal. I knew that both were in the fashion of the country.

At the moment, I was not thinking of either circumstance, nor of the incongruity of bare feet in satin slippers. My eyes and thoughts were turned higher, gazing on a face of peculiar loveliness.

It was a beauty I remember well, but can ill describe.

To say that the complexion was a golden brown, with crimson in the cheeks; that the lips were like a pair of rose-leaves convexly curving against each other, and when parted, displaying a row of pearly teeth; that both eyebrows and lashes were crescent-shaped and black as ebony; that the eyes were of the same hue, but sparkling with liquid light; that the nose was slightly aquiline; the throat full and boldly rounded upward – to say all this, would only be to state a series of physical facts, which can give no idea of the loveliness of that face. It was the combination of these features – their mutual adaptation, their play, that produced the charm which I have called peculiar.

And it was so. Even with a heart at that time not wholly free, it enchained me – and I stood admiring. The face was near, and the moon full enough upon it to enable me to view it with distinctness. I could trace every feature, every shade of expression, even to the quick changing of the colour upon her cheek.

I stood in silence gazing on this apparition so unexpected, so lovely. Surprise, along with admiration, restrained my speech.

For a time the girl was equally silent, though her silence had a different cause. Her eyes were fixed, not upon me but upon the form at my feet. She had only glanced at me, and then quickly transferred her gaze to the prostrate figure.

It was a look of eager inquiry, lasting not long. In a second it changed to one of recognition, and the instant afterwards her eyes filled with an expression of intense agony. She saw Calros – her beloved Calros – prostrate, his face besprinkled with blood. It was Calros, silent, but not asleep; speechless and motionless; perhaps dead?

“Dead! Mother of God, dead!” were the words that, in accents of anguish, came pealing from the lips of Lola.

Her eyes flashed upward. In an instant the expression changed – grief giving place to indignation – something still more dire.

I saw that I was myself its object. With astonishment did I perceive this. It had not occurred to me to reflect on my compromising position. I was still standing over the body of the Jarocho, blood-besprinkled as it was. Less than five minutes before, Calros’s voice had been heard, along with that of another man, mingling in excited dialogue.

A shot had been fired. I held a pistol in my hand, from the muzzle of which a slight film of sulphureous smoke could be seen stringing outward. Calros appeared to be dead. Who but I could have been his slayer?

I heard the word asesino ringing in my ears, with other epithets of like fearful signification, as the girl rushed up to the spot where I stood. There was no weapon in her hand, or I might have fancied she was about to strike me. Even with her clenched fist, I was for a while uncertain whether this was not her intention; and to avoid her, I stepped back.

She stood for some seconds looking me straight in the face. Behind the parting of her tightly compressed lips was displayed a double row of teeth, that, despite their pearly whiteness, gleamed fiercely in the moonlight; while her eyes, as they flashed, seemed to send forth jets of living fire!

“I am innocent!” I called out. “It is not my act; it was not I who – ”

“Asesino! monstre! Whoever thou art; false fiend, to deny a deed of which —madré de Dios! – I have been almost a witness. There – there – the weapon still in your hands – his blood freshly spilt!”

“It is not his blood,” I replied, hastily interrupting her.

But she heard not the rejoinder! for suddenly turning from me, she flung herself upon the prostrate form, drowning my voice with her wild exclamations.

“Dead! Calros! dear Calros! Are you dead? Speak to me one word – a whisper, to say you still live! Ay de mi! it is too true. No answer – no breath! Where is the wound that has robbed you of life, and me of my only friend? Where? – where?”

And as she continued to give voice to these detached exclamations, she proceeded, as if mechanically, to examine the wounds of the unconscious Jarocho.