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A POSSIBLE SUGGESTION FOR SHAKESPEARE'S TEMPEST.—WILLIAM STRACHEY, a contemporary of Shakespeare and secretary of the Virginian colony, wrote at Jamestown and sent to London in 1610 the manuscript of A True Repertory of the Wrack and Redemption of Sir Thomas Gates, Kt., upon and from the Islands of the Bermudas. This is a story of shipwreck on the Bermudas and of escape in small boats. The book is memorable for the description of a storm at sea, and it is possible that it may even have furnished suggestions to Shakespeare for The Tempest. If so, it is interesting to compare these with what they produced in Shakespeare's mind. Strachey tells how "the sea swelled above the clouds and gave battle unto heaven." He speaks of "an apparition of a little round light, like a faint star, trembling and streaming along with a sparkling blaze, half the height upon the main mast, and shooting sometimes from shroud to shroud." Ariel says to Prospero:—

"I boarded the king's ship; now on the beak,

Now in the waist, the deck, in every cabin,

I flam'd amazement: Sometimes I'ld divide,

And burn in many places; on the topmast,

The yards, and bowsprit, would I flame distinctly,

Then meet and join."

Strachey voices the current belief that the Bermudas were harassed by tempests, devils, wicked spirits, and other fearful objects. Shakespeare has Ferdinand with fewer words intensify Strachey's picture:—

"Hell is empty,

And all the devils are here."

The possibility that incidents arising out of Virginian colonization may have turned Shakespeare's attention to "the still vex'd Bermoothes" and given him suggestions for one of his great plays lends added interest to Strachey's True Repertory. But, aside from Shakespeare, this has an interest of its own. It has the Anglo-Saxon touch in depicting the wrath of the sea, and it shows the character of the early American colonists who braved a wrath like this.

[Illustration: GEORGE SANDYS]

POETRY IN THE VIRGINIA COLONY.—GEORGE SANDYS (1577–1644), during his stay in the colony as its treasurer, translated ten books of Ovid's Metamorphoses, sometimes working by the light of a pine knot. This work is rescued from the class of mere translation by its literary art and imaginative interpretation, and it possesses for us an additional interest because of its nativity amid such surroundings. Two lines telling how Philemon

"Took down a flitch of bacon with a prung,

That long had in the smoky chimney hung,"

show that his environment aided him somewhat in the translation. He himself says of this version that it was "bred in the new world, whereof it cannot but participate, especially having wars and tumults to bring it to light, instead of the muses." He was read by both Dryden and Pope in their boyhood, and the form of their verse shows his influence.

The only original poem which merits our attention in the early Virginian colony was found soon after the Revolutionary War in a collection of manuscripts, known as the Burwell Papers. This poem is an elegy on the death of Nathaniel Bacon (1676), a young Virginian patriot and military hero, who resisted the despotic governor, Sir William Berkeley. It was popularly believed that Bacon's mysterious death was due to poison. An unknown friend wrote the elegy in defense of Bacon and his rebellion. These lines from that elegy show a strength unusual in colonial poetry:—

"Virginia's foes,

To whom, for secret crimes, just vengeance owes

Deserved plagues, dreading their just desert,

Corrupted death by Paracelsian art,

Him to destroy …

Our arms, though ne'er so strong,

Will want the aid of his commanding tongue,

Which conquered more than Caesar."

DESCRIPTIONS OF VIRGINIA.—ROBERT BEVERLY, clerk of the Council of Virginia, published in London in 1705 a History and Present State of Virginia. This is today a readable account of the colony and its people in the first part of the eighteenth century. This selection shows that in those early days Virginians were noted for what has come to be known as southern hospitality:—

"The inhabitants are very courteous to travellers, who need no other recommendation, but the being human creatures. A stranger has no more to do, but to inquire upon the road where any gentleman or good housekeeper lives, and there he may depend upon being received with hospitality. This good nature is so general among their people, that the gentry, when they go abroad, order their principal servant to entertain all visitors with everything the plantation affords. And the poor planters who have but one bed, will very often sit up, or lie upon a form or couch all night, to make room for a weary traveller to repose himself after his journey."

[Illustration: WILLIAM BYRD]

COLONEL WILLIAM BYRD (1674–1744), a wealthy Virginian, wrote a History of the Dividing Line run in the Year 1728. He was commissioned by the Virginian colony to run a line between it and North Carolina. This book is a record of personal experiences, and is as interesting as its title is forbidding. This selection describes the Dismal Swamp, through which the line ran:—

"Since the surveyors had entered the Dismal they had laid eyes on no living creature; neither bird nor beast, insect nor reptile came in view. Doubtless the eternal shade that broods over this mighty bog and hinders the sunbeams from blessing the ground, makes it an uncomfortable habitation for anything that has life. Not so much as a Zealand frog could endure so aguish a situation. It had one beauty, however, that delighted the eye, though at the expense of all the other senses: the moisture of the soil preserves a continual verdure, and makes every plant an evergreen, but at the same time the foul damps ascend without ceasing, corrupt the air, and render it unfit for respiration. Not even a turkey buzzard will venture to fly over it, no more than the Italian vultures will fly over the filthy lake Avernus or the birds in the Holy Land over the salt sea where Sodom and Gomorrah formerly stood.

"In these sad circumstances the kindest thing we could do for our suffering friends was to give them a place in the Litany. Our chaplain for his part did his office and rubbed us up with a seasonable sermon. This was quite a new thing to our brethren of North Carolina, who live in a climate where no clergyman can breathe, any more than spiders in Ireland."

These two selections show that American literature, even before the Revolution, came to be something more than an imitation of English literature. They are the product of our soil, and no critic could say that they might as well have been written in London as in Virginia. They also show how much eighteenth-century prose had improved in form. Even in England, modern prose may almost be said to begin with John Dryden, who died at the beginning of the eighteenth century. In addition to improvement in form, we may note the appearance of a new quality—humor. Our earliest writers have few traces of humor because colonization was a serious life and death affair to them.

DIFFERENT LINES OF DEVELOPMENT OF VIRGINIA AND NEW ENGLAND.—As we now go back more than a hundred years to the founding of the Plymouth colony in 1620, we may note that Virginia and New England developed along different lines. We shall find more dwellers in towns, more democracy and mingling of all classes, more popular education, and more literature in New England. The ruling classes of Virginia were mostly descendants of the Cavaliers who had sympathized with monarchy, while the Puritans had fought the Stuart kings and had approved a Commonwealth. In Virginia a wealthy class of landed gentry came to be an increasing power in the political history of the country. The ancestors of George Washington and many others who did inestimable service to the nation were among this class. It was long the fashion for this aristocracy to send their children to England to be educated, while the Puritans trained theirs at home.

[Illustration: EARLY PRINTING PRESS]

New England started a printing press, and was printing books by 1640. In 1671 Sir William Berkeley, governor of Virginia, wrote, "I thank God there are no free schools, nor printing, and I hope we shall not have these hundred years; for learning has brought disobedience and heresy and sects into the world, and printing has developed them."

Producers of literature need the stimulus of town life. The South was chiefly agricultural. The plantations were large, and the people lived in far greater isolation than in New England, where not only the town, but more especially the church, developed a close social unit.

One other reason served to make it difficult for a poet of the plowman type, like Robert Burns, or for an author from the general working class, like Benjamin Franklin, to arise in the South. Labor was thought degrading, and the laborer did not find the same chance as at the North to learn from close association with the intelligent class.

The reason for this is given by Colonel William Byrd, from whom we have quoted in the preceding section. He wrote in 1736 of the leading men of the South:—

"They import so many negroes hither, that I fear this Colony will some time or other be confirmed by the name of New Guinea. I am sensible of many bad consequences of multiplying these Ethiopians amongst us. They blow up the pride and ruin the industry of our white people, who seeing a rank of poor creatures below them, detest work, for fear it should make them look like slaves."