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Table of Contents

Acknowledgements

Abbreviations

Foreword

Introduction

Travails

Methodologies

After Auschwitz

Selecting the Texts

Chapter Outline

1. Prose: Coming and Going

Preamble

Traumatic Progress

Walking as Thinking

Watt and Traumatic Temporality

Walking as Traumatic Symptom

Blurring National Boundaries

Going Nowhere

Coming and Going

Fort-Da

Coming and Going

Writing ‘About’ Trauma

Language and Dis-Orientation

The Wandering ‘I’

2. Theatre: Late Stage

Late Words

Beginning to End

Lateness

Stage Presence

Not I

Acting Out

Coming to Terms

That Time

Time, Trauma and the Self

Never the Same After That

Three Voices

Footfalls

Not Quite There

Shades

Pas

Imagining Later

3. Radio: The Voice Breaks

Haunted Media

Radio

Spectral Radio

Wireless Subjects

Embers

Diminishing in Tone

Trauma and the Subject

Unspeakably Excruciating

(Character) Studies of Trauma

Spectrality

Traumatic Modernity

Trauma, Modernity, Radio

The Birth of Modern Trauma

The Mechanism Jams

Conclusion: As the Story Was Told

As the Story was Told

When now?

Bibliography

General Bibliography

Online Resources

Film

Samuel Beckett in Company

Copyright