Читать книгу The Element Encyclopedia of the Celts - Rodney Castleden - Страница 229

Vix is a village in Burgundy at the site of an important ancient fortified settlement with several burial mounds.

One of the mounds contained the body of a 30-year-old aristocratic woman who died in about 550 BC. Her body was buried with great ceremony on a bier that was made out of the body of a wagon. The wheels were taken off and laid against the wall of her burial chamber. Her grave goods included a range of treasures, including Greek cups and other drinking vessels, but most remarkable was the huge bronze vessel, a krater for mixing wine. This stands as tall as the princess herself and is one of the most beautiful treasures of archaic Greek art that have survived to the present day. It is in the museum at Châtillon-sur-Seine in Burgundy.

The krater was made in Greece or a Greek colony in about 500 BC, and transported in kit form, in labeled pieces, across the Mediterranean and up the Rhône River into central France. The pieces were assembled for the royal client at Vix. This astonishingly exotic and expensive vase was decorated around its neck with a frieze of Greek warriors in full armor with chariots. The Greek krater does not tell us that the Greeks colonized central France, but that the Iron Age kings of Gaul were rich and powerful enough to purchase luxury goods from far afield.

It was importing artwork of this distinction that inspired the Celtic craftsmen to aspire to ever-higher artistic standards. It fueled cultural growth. The burial of the Greek krater also ensured that at least one example of this type of object survived for people of later centuries to enjoy; nothing quite like it has survived in Greece itself. By burying grave goods, the Celts became, unconsciously perhaps, custodians and curators of a European heritage.