Читать книгу Pretty Iconic: A Personal Look at the Beauty Products that Changed the World - Sali Hughes - Страница 15

Clarins Cleansing Milks

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My first foray into luxury skincare came via the Clarins catalogue, supposedly free but granted only after weeks of grooming a saleswoman who knew full well the schoolchild before her could barely afford a seven-inch single. I read this (and the ‘Clinique Directory’) like one might read a car repair manual, working out which products came in which order, where they were placed, how they might work, what they might do. The relative affordability of Clarins cleansing milks (and I really do mean relative, like gold to pavé-diamond platinum) made me save up my pocket money and Saturday job wages to get a bottle of my own, but not before I’d pinched some of my big brother’s girlfriend’s and sneakily refilled it with green Boots Natural Collection body lotion (I’m so sorry, Clare). It remains one of my more shameful decisions. I can only say in defence that I was stealing to invest in my future career.

Gratifyingly, the cleansers themselves (ivory ‘With Gentian’ and green ‘With Alpine Herbs’) remain unchanged since their launch in 1966 (the brand’s first products after their plant oils and an absolutely extraordinary bust firming contraption that looks like an industrial funnel attached to a garden hose) and I applaud Clarins’s apparent belief in ‘if it ain’t broke, don’t fix it’. These cleansers really are still wonderful. They shift make-up very thoroughly when used with a hot cloth (though I tend to use them in the morning and a balm, cream or oil at night), they leave no sticky residue, only softness and comfort, and they smell blissfully cosying. The packaging has changed a little – I miss the fat, weighty glass bottles of my teenage dressing table – but the modern version maintains the simplicity of the old. The new squeezy cap does, however, prevent tampering, which in my case is probably for the best.


Pretty Iconic: A Personal Look at the Beauty Products that Changed the World

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