Читать книгу The Complete Works of Samuel Taylor Coleridge (Illustrated Edition) - Samuel Taylor Coleridge - Страница 275
SCENE XI
ОглавлениеTo these enter WALLENSTEIN, accompanied by ILLO and BUTLER.
Wallenstein (as he enters). Tertsky!
Tertsky. My General?
Wallenstein. Let our regiments hold themselves
In readiness to march; for we shall leave
Pilsen ere evening. [Exit TERTSKY.
Butler!
Butler. Yes, my General.
Wallenstein. The Governor at Egra is your friend 5
And countryman. Write to him instantly
By a Post Courier. He must be advised,
That we are with him early on the morrow.
You follow us yourself, your regiment with you.
Butler. It shall be done, my General!
Wallenstein (steps between Max and Thekla). Part!
Max. O God! 10
[Cuirassiers enter with drawn swords, and assemble in
the background. At the same time there are heard
from below some spirited passages out of the
Pappenheim March, which seem to address MAX.
Wallenstein (to the Cuirassiers). Here he is, he is at liberty: I
keep him
No longer.
[He turns away, and stands so that MAX cannot pass by
him nor approach the PRINCESS.
Max. Thou know’st that I have not yet learnt to live
Without thee! I go forth into a desert,
Leaving my all behind me. O do not turn 15
Thine eyes away from me! O once more shew me
Thy ever dear and honoured countenance.
[MAX attempts to take his hand, but is repelled; he
turns to the COUNTESS.
Is there no eye that has a look of pity for me?
[The COUNTESS turns away from him; he turns to the
DUCHESS.
My mother!
Duchess. Go where duty calls you. Haply
The time may come, when you may prove to us 20
A true friend, a good angel at the throne
Of the Emperor.
Max. You give me hope; you would not
Suffer me wholly to despair. No! No!
Mine is a certain misery — Thanks to heaven
That offers me a means of ending it. 25
[The military music begins again. The stage fills more
and more with armed men. MAX sees BUTLER, and
addresses him.
And you here, Colonel Butler — and will you
Not follow me? Well, then! remain more faithful
To your new lord, than you have proved yourself
To the Emperor. Come, Butler! promise me,
Give me your hand upon it, that you’ll be 30
The guardian of his life, its shield, its watchman.
He is attainted, and his princely head
Fair booty for each slave that trades in murder.
Now he doth need the faithful eye of friendship,
And those whom here I see —
[Casting suspicious looks on ILLO and BUTLER.
Illo. Go — seek for traitors 35
In Galas’, in your father’s quarters. Here
Is only one. Away! away! and free us
From his detested sight! Away!
[MAX attempts once more to approach THEKLA. WALLENSTEIN
prevents him. MAX stands irresolute, and in
apparent anguish. In the mean time the stage fills
more and more; and the horns sound from below
louder and louder, and each time after a shorter
interval.
Max. Blow, blow! O were it but the Swedish Trumpets,
And all the naked swords, which I see here, 40
Were plunged into my breast! What purpose you?
You come to tear me from this place! Beware,
Ye drive me not in desperation. — Do it not!
Ye may repent it!
[The stage is entirely filled with armed men.
Yet more! weight upon weight to drag me down! 45
Think what ye’re doing. It is not well done
To choose a man despairing for your leader;
You tear me from my happiness. Well, then,
I dedicate your souls to vengeance. Mark!
For your own ruin you have chosen me: 50
Who goes with me, must be prepared to perish.
[He turns to the background, there ensues a sudden and
violent movement among the Cuirassiers; they
surround him, and carry him off in wild tumult.
WALLENSTEIN remains immovable. THEKLA sinks into
her mother’s arms. The curtain falls. The music
becomes loud and overpowering, and passes into a
complete war-march — the orchestra joins it — and
continues during the interval between the second
and third Act.
during this time in each others arms). 1800, 1828, 1829.
