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Contents

ACKNOWLEDGMENTS

INTRODUCTION

CHAPTER I What is Productive Imagination? From Kant to Phenomenology

Introduction

Methodological Considerations

Kant on Productive Imagination

Productive Imagination in Post-Kantian Philosophy

Conclusion

CHAPTER II What is Productive about Reproductive Imagination? Edmund Husserl’s Phenomenology of Phantasy and the Constitution of Cultural Worlds

Introduction

What is Reproduction and What is Reproductive Imagination?

Perception and Imagination

Memory and Phantasy

The Role of Phantasy in the Constitution of Cultural Worlds

Conclusion

CHAPTER III Between Phenomenology, Pragmatism and Metaphysics: Max Scheler’s Concept of Productive Phantasy

Introduction

Scheler’s Critique of Pragmatism

Productive Phantasy and the Genesis of Experience

Sensation, Perception and Phantasy

The Psychic, Historical and Cultural Dimensions of Productive Phantasy

Phantasy and Desire

The Development of Productive Phantasy

The Limits of Productive Phantasy

Life, Spirit, and Productive Phantasy

Conclusion

CHAPTER IV Between Phenomenology, Ontology and Philosophy of Culture:Productive Imagination and the Cassirer-Heidegger Disputation

Introduction

The Historical Setting

Productive Imagination and the Subjectivity of the Subject

The Copernican Turn

Terminus a Quo and Terminus ad Quem

Freedom

The Possibility of Reconciliation

Temporality

Conclusion

CHAPTER V From Phenomenology to the Kyoto School: Miki Kiyoshi and the Logic of Imagination

Introduction

Miki as a Phenomenologist

The Standpoint of Contemplation and the Standpoint of Action

The Field of Imagination as the Field of Action

The Logic of the Imagination as the Logic of Collective Representations

The Logic of Imagination as the Logic of Symbols

The Logic of Imagination as the Logic of Forms

The Logic of Imagination as the Logic of Institutions

Conclusion

CHAPTER VI From the Phenomenology of the Body to the Ontology of the Flesh: Maurice Merleau-Ponty and Embodied Imagination

Introduction

Merleau-Ponty’s Early Phenomenology of Imagination

Two Forms of the Imaginary in the Sorbonne Lectures (1949-1952)

Imagination and Perceptual Faith in The Lectures on Passivity (1954-1955)

Phenomenological Ontology and the Imaginary Texture of the Real in “Eye and Mind”

Conclusion

CHAPTER VII From Phenomenology to Hermeneutics: Paul Ricœur’s Philosophy of Productive Imagination

Introduction

The Paradox of Irreality

Utopian and Constitutive Tendencies: Sartre, Castoriadis and Ricœur

The Reproductive Model of Imagination

The Productive Model of Imagination

Pre-Predicative Imagination and the Genesis of Metaphors

The Paradox of Irreality Revisited

Conclusion

CHAPTER VIII From Jean-Paul Sartre to Paul Ricœur: Ricœur’s Lectures on Imagination Revisited

Introduction

Where is Pierre? The Paradigm of Absence and Reproductive Imagination

Ricœur as Sartre’s Follower and Adversary

At a Crossroads: Sartre and Ricœur Part Ways

Painting as a Form of Productive Imagination

Towards a Phenomenology of Productive Imagination

Conclusion

CHAPTER IX Productive Imagination and Embodiment

Introduction

Productive Imagination and the Subjectivity of the Subject

Phenomenology of Embodied Subjectivity

Embodied Subjectivity and Imagination

Productive Imagination and Embodiment

Embodiment and Social Imaginaries

Phenomenology of Embodiment and Carnal Hermeneutics: A New Ground for the Philosophy of Imagination?

Conclusion

References