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PREFACE

“Wildflowers” is self-evident. But so you don’t waste your time reading this book if you’re expecting a mountain-bike version of Downhill Racer, we’ll explain at the outset that our goal is to “live to ride again.” If you want to read about really wild rides, ask somebody who still feels immortal, one of the young guys at Mad Dog Cycles, for instance. We, after all, are academics with a hundred-odd years between us. We are saggy assed, long of tooth, and short of breath. “Wild,” in our context, means—well, you’ll see what it means.

In early 1999, Sam and I began writing a column called “Wild Rides, Wildflowers” for the Salt Lake Observer. I told the paper’s editor, Brooke Adams, that she had been ignoring gardening and sports: “Sam and I can fill that niche with a single column.” Brooke was skeptical, but finally agreed. Sam was harder to convince. “I’m no writer. There are too many words already in print. Count me out.” He relented only when he read my first piece. “That’s mostly horseshit you’ve written. If you’re going to write about me with your misbegotten talent, I’ll have to step in to protect myself.”

Five months later, when the bi-monthly paper went under (not our fault), we were picked up by Salt Lake’s monthly Catalyst Magazine, where Greta deJong published the column for more than three years.

Our intent was to ride a single portion of the Great Western Trail on the foothills of Mount Timpanogos again and again and again until we had seen its flora and fauna in every variation over the course of several years. We were looking for patterns, for meaning found only in repetition. We set out to catalogue our experiences with flora, fauna, weather, and geology, to see and hear and smell and taste everything along this trail so minutely, so sensitively, that our readers would be astonished. Unfortunately, we are aging men with tics and foibles that preclude much sensitivity. So we wrote about what we knew: fear of aging, male behavior patterns left over from junior high, anguish at the relentless “development” of wild lands in the West, and about what Thoreau described as “wild and noble sights…such as they who sit in parlors never dream of.”

Whether our story is read as a cautionary tale or an account of liberation will depend on whether the reader sees the authors as tenuous fathers, as inadequate husbands, as old and crotchety friends, as cantankerous Jack Mormons, as dedicated environmental activists, as heroic mountain bikers, or simply as that odd species called Masculinus americanus.

Scott Abbott

NOTE ON THE DIATOM IMAGES

While Scott and I were riding below magnificently bowed blue limestone cliffs and over quartzite outcroppings and through tenacious groves of scrub oak and past wildflowers beyond imagination, the beautiful Provo River was often in sight in the canyon below. In that swift water, a rarely witnessed botanical and geological drama was unfolding. I have spent my life studying that complex and shifting story, many of whose main characters are diatoms.

With a top-of-the-line Olympus microscope and a fine Nikon image capturing system, I took several hundred photographs of the organisms that exist and flourish in the river and nearby ecosystems. Each of the chapters of this book features a photograph of one such diatom (1/10 the diameter of a human hair).

Sam Rushforth