Читать книгу Aileen Aroon, A Memoir - Stables Gordon - Страница 2

Scene: A lofty pine wood, from which can be caught distant glimpses of the valley of the Thames. “Aileen Aroon,” a noble Newfoundland, has thrown herself down by her master’s side. All the other dogs at play in the wood.

Aileen’s master (speaks): “And so you have come and laid yourself down beside me, Aileen, and left your playmates every one? left your playmates roaming about among the trees, while you stay here by me?

“Yes, you may put your head on my knee, dear, honest Aileen, or your chin at all events, for you yourself, old girl, have no idea of the weight of your whole head. No, Aileen, thank you, not a paw as well; you are really attempting now to take the advantage of my good nature. So be content, ‘Sable’1 – my good, old, silly, simple Sable. There, I smooth your bonnie brow to show you that the words ‘old’ and ‘silly’ are truly terms of endearment, and meant neither as a scoff at your age, nor to throw disparagement upon the amount or quality of your intellect. Intellect? Who could glance for a single moment at that splendid head of yours, my Aileen, and doubt it to be the seat of a wisdom almost human, and of a benevolence that might easily put many of our poor fallen race to shame. And so I smooth your bonnie brow thus, and thus. But now, let us understand each other, Aileen. We must have done with endearments for a little time. For beautiful though the day be, blue the sky, and bright the sunshine, I really have come out here to the quiet woods to work. It is for that very purpose I have seated myself beneath this great tree, the branches of which are close and thick enough to defend us against yonder shower, that comes floating up the valley of the Thames, if indeed it can ever reach this height, my Sable.

“No noisy school children, no village cries to disturb and distract one here, and scatter his half-formed ideas to the winds, or banish his best thoughts to the shades of oblivion. Everything is still around us, everything is natural; the twittering of the birds, the dreamy hum of insect life, the sweet breath of the fir-trees, combine to calm the mind and conduce to thought.

“Why do I not come and romp and play? you ask. I cannot explain to you why. There are some things, Aileen, that even the vast intellect of a Newfoundland cannot comprehend; the electric telegraph, for instance, the telephone, and why a man must work. You do not doubt the existence of what you do not understand, however, my simple Sable. We poor mortal men do. What a thing faith is even in a Newfoundland!

“No, Sable, I must work. Here look, is proof of the fifteenth chapter of my serial tale, copy of the sixteenth must go to town with that. In this life, Aileen, one must keep ahead of the printer. This is all Greek to you, is it? Well then, for just one minute I will talk to you in language that you do understand.

“There, you know what I mean, don’t you, when I fondle your ear, and smooth it and spread it over my note-book? What a great ear it is, Aileen! No, I positively refuse to have that paw on my knee in addition to your head. Don’t be offended, I know you love me. There, put back that foot on the grass.

“Yes, Aileen, it was very good of you, I admit, to leave your fan and your romps, and come and lay your dear kindly head on my lap. The other dogs prefer to play. Even ‘Theodore Nero,’ your husband, is tumbling on the ground on that broad back of his, with his four immense legs pointing skywards, and his whole body convulsed with merriment. The three collies are in chase of a hare, the occasional excited yelp that is borne along on the breeze can tell us that; we pray they may not meet the keeper. The Dandie Dinmont is hidden away in the dark depths of a rabbit burrow, and the two wiry wee Scotch terriers are eagerly watching the hole ’gainst the rabbit bolts.

“Fun and romps did I say, Aileen? Alas! dear doggie, these are hardly the words to apply to your little games, for you seldom play or romp with much heart, greatly though it rejoices me to see you lively. You seldom play with much heart, mavourneen, and when you do play, you seem but to play to please me and you tire all too soon. I know you have a deep sorrow at your heart, for you lost your former master, Aileen, and you are not likely to forget him. There always is a sad look in those hazel eyes of yours, and forgive me for mentioning it, but you are turning very grey around the lips. Your bright saucy-eyed husband yonder is three years older than you, Sable, and he isn’t grey. But, Aileen, I know something that you don’t know, poor pet, for I’m very learned compared to you. The seeds of that terrible disease, phthisis, are in your blood, I fear, and will one day take you from me, and I’ll have to sit and write under this tree – alone. I’m talking Greek again, am I? It is as well, Aileen, it should be Greek to you. Why do my eyes get a trifle moist, you seem to ask me. Never mind. There! the sad thoughts have all flown away for a time, but, my dear, loving dog, when you have gone to sleep at last and for ever, I’ll find a quiet corner to lay your bones in, and – I’ll write your story. Yes, I promise you that, and it is more than any one will ever do for me, Aileen.

“Don’t sigh like that. You have a habit of sighing, you tell me. Very well, so be it, but I thought at first that it was the wind soughing through this old pine-tree of ours. Yes, ours– yours and mine, Aileen. Now, do let me work. See, I’ll put my note-book close to your great nose, and your chin shall touch my left hand; you can lie so and gaze all the time in my face. That will help me materially. But by-and-by you’ll fall asleep and dream, and I’ll have to wake you, because you’ll be giving vent to a whole series of little ventriloquistic barks and sobs and sighs, and I will not know whether you are in pain or whether your mind is but reverting to —