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 PREMISE

After the first two episodes of the series “The Printer”, here we are at the end, the last episode of the saga dedicated to the Renaissance in Jesi. We left Andrea almost at the point of death, helped by his beloved, hidden in disguise. The plot has then moved to Urbino, but certainly our two heroes, Andrea Franciolini and Lucia Baldeschi, will have to return to Jesi to realize their dream of love. The wedding will have to be a festive and opulent event, and will have to be celebrated by the Bishop of the City of Jesi, Monsignor Piersimone Ghislieri. But are we sure that obscure plots, of destiny and of men, will not be able to hinder for the umpteenth time the union between Andrea and Lucia? The two lovers have found each other again, and not for anything they would want to leave each other again. Andrea finally wants to be a father to his little girl, Laura and, why not, to Lucia’s adopted daughter, Anna.

The girls are fantastic, they are growing up healthy and lively in the country residence of the Counts Baldeschi, and Andrea is enjoying their closeness. But winds of war will once again lead the Captain of Arms of the Royal City of Jesi to the battlefields. And soon to leave the peace and quiet regained. The Lansquenets press the gates of northern Italy and the Duke Della Rovere, in a strange alliance with Giovanni De’ Medici, better known as Giovanni Dalle Bande Nere1 , will do his best to prevent German soldiers from reaching Florence and even Rome. Avoiding the sacking of the Eternal City in 1527 will not be an easy task, neither for the Duke Della Rovere, nor for Giovanni Dalle Bande Nere, nor for Captain Franciolino de’ Franciolini.

Let us once again follow the events of the characters of the sixteenth century through the discoveries of ancient documents and archaeological finds of the young couple of researchers of our time. Once again, the scholar Lucia Balleani and the archaeologist Andrea Franciolini will take us and guide through the arcane mysteries of Jesi during the Renaissance, among streets, alleys and palaces of an old town centre that, at the gates of the year 2020, begins to burst from the underground ancient and important objects from past eras.

Stefano Vignaroli

 

In The Lion's Sign

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