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1 1 A.C. Spearing , Medieval to Renaissance in English Poetry (Cambridge: Cambridge University Press, 1985), 34, 59.

2 2 “Shakespeare and Milton were the greatest sons of their country; but Chaucer was the Father of his Country, rather in the style of George Washington.” G.K. Chesterton, Chaucer (London: Faber and Faber, 1932), 15.

3 3 Thomas Hoccleve , The Regiment of Princes , ed. Charles R. Blyth (Kalamazoo, MI: Medieval Institute Publications, 1999), l.1961.

4 4 Ibid., l.1964.

5 5 Ibid., ll.2080, 4983.

6 6 Ibid., l.4978.

7 7 Edmund Spenser , The Faerie Queene , ed. Thomas P. Roche Jr . (London: Penguin, 1978), IV.ii.32.

8 8 Richard Baker, A Chronicle of the Kings of England (London: Printed for Daniel Frere, 1643), 45 .

9 9 John Dryden , The Poems of John Dryden, vol. IV, ed. James Kinsley (Oxford: Clarendon Press, 1958), 1457.

10 10 Ibid., 1452–3.

11 11 Seth Lerer , Chaucer and His Readers: Imagining the Author in Late‐Medieval England (Princeton, NJ: Princeton University Press, 1993), 11.

12 12 Ibid., 16.

13 13 Harold Bloom , The Anxiety of Influence: A Theory of Poetry , 1973, 2nd edn. (Oxford: Oxford University Press, 1997).

14 14 Spearing, Medieval to Renaissance, 108–9.

15 15 Ibid., 109.

16 16 J.A. Burrow , ed., Geoffrey Chaucer: A Critical Anthology (Harmondsworth: Penguin, 1969), 44.

17 17 The Workes of Geffray Chaucer newly imprinted, ed. William Thynne (London, 1532), A2v.

18 18 All quotations from Chaucer’s works, unless otherwise specified, are taken from The Riverside Chaucer, gen. ed. Larry D. Benson (Boston, MA: Houghton Mifflin, 1987), and are cited by fragment or book and line numbers.