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Illustrations

Figures

Book Three (Psalms 73–89

Figure 1 Jesus Walking on the Water in a Storm. Source: Wagner, R. 2020. The Book of Praises. Translations from the Psalms. Norwich: Canterbury Press.

Figure 2 ‘But he, being full of compassion, forgave their iniquity and destroyed them not’. (Ps. 78:38). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

Figure 3 Michael Jessing, Ps. 80:8–9. The Vine with Human Figures. Source: http://www.psalms-mixastudio.com/psalms-69-84.php.

Figure 4 Interpretation of singing of Psalm 82 in its earliest setting. Reproduced with the kind permission of David Mitchell, Director of Music in Holy Trinity Pro-Cathedral, Brussels; website https://brightmorningstar.org/wp-content/uploads/2020/06/Ps-082.pdf.

Figure 5 Interpretation of singing of Psalm 87 in its earliest setting. Reproduced with the kind permission of David Mitchell, Director of Music in Holy Trinity Pro-Cathedral, Brussels; website https://brightmorningstar.org/wp-content/uploads/2020/06/Ps-087.pdf

Figure 6 Roger Wagner, Ps. 89:44–45: The King and the Cross. Source: Wagner, R. 2013. The Book of Praises: A Translation of the Psalms. Book Three. Oxford: The Besalel Press.

Book Four (Psalms 90–106)

Figure 7 Michael Jessing: An Ecological Interpretation of Psalm 104. Source: http://www.psalms-mixastudio.com/psalms-101-116.php.

Book Five (Psalms 107–151)

Figure 8 Interpretation of singing of Psalm 114 in its earliest setting. Reproduced with the kind permission of David Mitchell, Director of Music in Holy Trinity Pro-Cathedral, Brussels; website https://brightmorningstar.org/wp-content/uploads/2020/06/Ps-114.pdf.

Figure 9 Arthur Wragg, ‘But the earth hath he given to the children of men’ (Ps. 115:16). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

Figure 10 Arthur Wragg, ‘Wherewithal shall a young man cleanse his way?’ (Ps. 119:9). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

Figure 11 R. B. Benn, ‘I lift my eyes unto the mountains: from where shall my help come?’ (Ps. 121:1). Source: Benn, R. B. 1970. Les Psaumes. Lyon: Musee des Beaux-Arts.

Figure 12 Arthur Wragg, ‘Unto thee lift I up mine eyes, O thou that dwellest in the heavens’ (Psalm 123:1). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

Figure 13 Interpretation of singing of Psalm 134 in its earliest setting. Reproduced with the kind permission of David Mitchell, Director of Music in Holy Trinity Pro-Cathedral, Brussels; website https://brightmorningstar.org/wp-content/uploads/2020/06/Ps-134.pdf.

Figure 14 Arthur Wragg, ‘How long shall we sing the Lord’s song in a strange land?’ (Ps. 137:4). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

Figure 15 R. B. Benn ‘Let my prayer be set forth before thee as incense; and the lifting up of my hands as the evening offering’ (Ps 141:1‒2). Source: Benn, R. B. 1970. Les Psaumes. Lyon: Musee des Beaux-Arts.

Figure 16 Arthur Wragg, ‘I cried unto thee, O Lord: I said, Thou art my refuge and my portion in the land of the living’ (Ps. 142:5). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

Figure 17 A liturgical Score of the Ashrei (Psalm 144:15). Taken from F. L. Cohen (ed.) 1993:181. Source Massey, A., website https://alexandermassey.com/ashrei-yoshvei-veitecha)

Figure 18 Arthur Wragg, ‘Put not your trust in princes, nor in the son of man, in whom there is no help. His breath goeth forth, he returneth to earth; in that very day his thoughts perish’ (Ps. 146:34). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

Figure 19 The unexpected introduction to Psalm 150 by Ivor Stravinsky. Source: Public Domain/Creative Commons/Open Government (UK) Licence.

Plates

Plate 1 Psalm 74: ‘God works Salvation in the Midst of the Earth: The Birth of Christ.’ From The Eadwine Psalter, Trinity College M.17.1, fol. 128v (with permission from the Master and Fellows of Trinity College).

Plate 2 Psalm 78: David and the Unicorn. From The Stuttgart Psalter, Württembergische Landesbibliothek Stuttgart, Cod. Bibl M 23, fol. 108v (with permission from Württembergische Landesbibliothek, Stuttgart).

Plate 3 Psalm 81 (Latin 80) as the Sixth Liturgical Division: a Rotund Psalmist plays his Vielle to God. MS Canon Liturg 151, fol. 146v (with permission of The Bodleian Libraries, University of Oxford).

Plate 4 Psalm 84: A Figure points to Jerusalem’s Palaces and Towers. From The Parma Psalter, Biblioteca Paletina, Parma, MS Parm 1870 (Cod. De Rossi 510), fol. 119v (with permission from the owners of the facsimile of The Parma Psalter, at www.facsimile-editions.com).

Plate 5 Psalm 85: ‘Mercy and Truth are Met Together…’ . William Blake, c.1803, © Victoria and Albert Museum no. 9287 (with permission from the Victoria and Albert Museum, London).

Plate 6 Psalm 91: Christ tramples on a Lion and Serpent-Dragon: a Political Reading. Cover of The Douce Ivory, MS Douce 176 (with permission of The Bodleian Libraries, University of Oxford).

Plate 7 Psalm 95: Calls to Praise on a Shofar. From The Parma Psalter, Biblioteca Paletina, Parma, MS Parm 1870 (Cod. De Rossi 510), fol. 136v (with permission from the owners of the facsimile of The Parma Psalter, at www.facsimile-editions.com).

Plate 8 Psalm 98:1: Illuminated Initial ‘C’. Christ the Architect of the Universe, holding a Compass from The Bromheim Psalter MS Ashmole 1523, fol. 116v. (with permission of The Bodleian Libraries, University of Oxford).

Plate 9 Psalm 100 Reversed: The Ku Klux Klan deny Mercy and Justice. Philip Evergood, 1938–9, Jewish Museum New York No. 27477 (© Photo SCALA, Florence, with permission of Scala Group S.p.a.).

Plate 10 Psalm 102:6: The Pelican Feeds her Young as Christ feeds his Church. From The Theodore Psalter, British Library MS 19352, fol. 134r (with permission from the British Library Board).

Plate 11 Psalm 107: Psalms Book V Frontispiece. Donald Jackson, Scribe with Sally Mae Joseph. © 2004, The Saint John’s Bible, Saint John’s University, Collegeville, Minnesota, USA. Used by permission. All rights reserved.

Plate 12 Psalm 107: YHWH the Provider according to Moshe Tzvi HaLevi Berger, all rights reserved (www.museumofpsalms.com, reproduced with permission).

Plate 13 Psalm 107: God’s Deliverance from Storms at Sea. Thomas Denny: a stained glass window at the church of St. Mary, Whitburn, Durham Diocese (with permission of the Vicar and PCC of St. Mary’s Church, Whitburn).

Plate 14 Psalm 109: Illustrated Initial ‘D’. Judas, betrayer of Christ, hangs himself. From Le Psautier de Bertin, BMB MS 20 fol. 122v. (with permission of Bibliothèque municipal de Boulogne-sur-Mer).

Plate 15 Psalm 110: Christ at the Right Hand of the Father, in Conversation. From The History Bible, KB69B 10 fol. 31r. (with permission of the Koninklijke Bibliotheek, The Hague).

Plate 16 Psalm 110:1 Illustrated Initial ‘D’. Christ in Judgement Summons the Dead from their Graves. From The Omer Psalter MS 39810 fol. 120r (with permission from the British Library Board).

Plate 17 Psalm 113: A Synagogue Scene illustrating the Celebration of Passover. From The Barcelona Haggadah, Catalonia, Add 14761 fol. 65v (with permission from the British Library Board).

Plates 18 and 19 Psalm 114: The Parting of the Waters, with English and19 and Hebrew text: God’s Creative Care. © Psalm 114, Hebrew and English illuminations, from I Will Wake the Dawn: Illuminated Psalms, by Debra Band. Jewish Publication Society, 2007 (with permission of the author).

Plate 20 Psalm 117: A Vespers Psalm: The Presentation of Mary in the Temple, holding the Hebrew text of Psalm 117. Alessandro Allori (1598). Altarpiece in the Duomo in Lucca. (© simonemphotography123.com).

Plate 21 Psalm 118:19–20: Christ Rides through the Gates of Jerusalem. From The Theodore Psalter, British Library MS 19352, fol. 157v (with permission from the British Library Board).

Plate 22 Psalm 118: An invitation to Enter God’s Gates with Thanksgiving. From The Oppenheimer Siddur (Bodleian Ms. Opp. 776 Fol. 79b it).

Plate 23 Psalm 124:7: Our Soul is Escaped like a Bird out of the Snare of the Fowlers. © Benn, Les Psaumes. Lyon: Musee des Beaux-Arts, 1970 (no page numbers).

Plates 24 and 25 Psalm 126, with English and Hebrew text: © Psalm 126, Hebrew and English illuminations, from I Will Wake the Dawn: Illuminated Psalms, by Debra Band. Jewish Publication Society, 2007 (with permission of the author).

Plate 26 ‘By the Waters of Babylon’. From The Eadwine Psalter, Trinity College M.17.1, fol. 243v (with permission from the Master and Fellows of Trinity College).

Plate 27 Psalm 137:5 ‘If I forget you, O Jerusalem…’. Mosaic of Psalm 137 in the Chagall State Hall, Knesset (© ADAGP, Paris and DACS, London, 2020 ).

Plate 28 Psalm 148 fol. 41v: ‘Christus Rex’. From Les Très Riches Heures de Duc de Berry, Musée Condé Chantilly (© with permission from the Agence Photographique de la Réunion des musées nationaux).

Plate 29 Psalm 149:1: ‘Sing to the Lord a New Song’. From The Parma Psalter, Biblioteca Paletina, Parma, MS Parm 1870 (Cod. De Rossi 510), fol. 213b (with permission from the owners of the facsimile of The Parma Psalter, at www.facsimile-editions.com).

Plate 30 Psalm 150: ‘Praise the Lord!’. Marc Chagall’s stained glass window at Chichester Cathedral (© ADAGP, Paris and DACS, London, 2020).