Читать книгу CELTIC MYTHOLOGY (Illustrated Edition) - T. W. Rolleston - Страница 25

Yet to suppose that on this account the Celt was not a force of any real consequence in Europe would be altogether a mistake. His contribution to the culture of the Western world was a very notable one. For some four centuries—about A.D. 500 to 900—Ireland was the refuge of learning and the source of literary and philosophic culture for half Europe. The verse-forms of Celtic poetry have probably played the main part in determining the structure of all modern verse. The myths and legends of the Gaelic and Cymric peoples kindled the imagination of a host of Continental poets. True, the Celt did not himself create any great architectural work of literature, just as he did not create a stable or imposing national polity. His thinking and feeling were essentially lyrical and concrete. Each object or aspect of life impressed him vividly and stirred him profoundly; he was sensitive, impressionable to the last degree, but did not see things in their larger and more far-reaching relations. He had little gift for the establishment or institutions, for the service of principles; but he was, and is, an indispensable and never-failing assertor of humanity as against the tyranny of principles, the coldness and barrenness of institutions. The institutions of royalty and of civic patriotism are both very capable of being fossilised into barren formulae, and thus of fettering instead of inspiring the soul. But the Celt has always been a rebel against anything that has not in it the breath of life, against any unspiritual and purely external form of domination. It is too true that he has been over-eager to enjoy the fine fruits of life without the long and patient preparation for the harvest, but he has done and will still do infinite service to the modern world in insisting that the true fruit of life is a spiritual reality, never without pain and loss to be obscured or forgotten amid the vast mechanism of a material civilisation.