Читать книгу The Three Edwards: The Pageant of England - Thomas B. Costain - Страница 15

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The life of a king is not all fighting battles and sitting in council, and (if he happens to be a monarch of medieval days) the building of grim castles and the condemning of unfortunate men to be hanged, drawn, and quartered. He always had a home life, and from what can be learned of the relatively quiet hours he spent with his queen and children, a truer picture of the man himself can sometimes be obtained than by the study of his official actions.

Edward was a devoted husband and a fond father. If his eye had been disposed to rove a little when he was younger and the married beauties of his father’s court had been prone to flaunt their willingness, he lost all interest in dalliance as soon as he and Eleanor began their life together. There would be no rifts in their marital happiness. Edward’s father, Henry III, who so lacked the attributes of kingship, did leave behind one golden legacy, the love of family.

It has already been explained that Windsor Castle became the main home of this family of delicate sons and radiantly lovely daughters. After the death of the second son, the oldest daughter, Eleanor, became first in the line of accession. Edward even went to the length of having the members of the baronage swear fealty to her as his successor. It was recognized that the princess now needed an official home of her own, and at first she was given Maiden Hall, a retired angle of Westminster Palace. There was not much room there for an elaborate household, and the princess had to be content with “three men servants, three maids and three greyhounds.” Later her retinue included “her own chamberlain, keeper of the hall, groom of the bedchamber, cook, salterer, shieldman and sumpterer, besides boys and damsels.” Her younger sisters accompanied her on visits to shrines where they left alms of stated amounts. It is recorded that on such outings they had tiny bells sewn into the hems of their dresses, because it was held that there was efficacy in a delicate, tinkling sound, that it had magical powers for good. Even winter would not keep them off the roads. Together they would set out in a chariot of sorts drawn by five horses. If it was impossible to keep snug and warm in the vehicle (carriage-making was still a new craft), it was at least dry and reasonably comfortable. Princess Eleanor always saw to it that her favorite Rougement was taken along so she could desert the close interior and enjoy a gallop on the rare occasions when the sun came out.

When they grew older the princesses hunted with their parents and became accustomed to the spectacular characteristics of their tall father in the field. He was renowned for his horsemanship, preferring to ride strong and hard-to-manage mounts. Lithe and muscular himself, he could leap into the saddle by placing one hand lightly against the leather. His favorite was a bay named Bayard, but it was gray Lyard he called for when he rode into battle, the great horse of which it is written, “He ever charged forward.” For the hunting field there was Ferrault, a shining blue-black jumper who “could leap over any chain, however high.”

Falconry had become the favorite sport of the day. William the Conqueror had placed restrictions on hawking, just as he had laid down his vicious Forest Laws. In the previous reign the laws had been relaxed and interest in the sport had become widespread. When Edward rode out to hawk, he was likely to be accompanied by his queen and some of his daughters and many ladies of the court. Ladies became so adept at handling the wild birds that their male companions complained that they were turning falconry into a frivolous and effeminate pastime. With their smaller hands, women could quickly learn to manage the jesses, lunes, and tyrrits—straps, thongs, and rings—the bells to be balanced and also fastened to the birds’ legs. They used the creance, a long thread to draw a bird back to its mistress’s gloved fist, a quick action known as reclaiming the hawk. An important if indolent member of the retinue was always the cadge-boy. From his shoulders was suspended a wooden frame which held, before the start of the hunt, the birds to be used. Among them might be a “falcon gentle” with hooked and notched bill, or a “mewing” falcon just taken out of the mews or enclosure built especially for these birds when they were losing but one feather at a time instead of molting in the wholesale manner of other winged creatures. All the birds on the frame were females and were kept “hood-winked,” the hoods made especially to fit their little heads and to cover their staring, intelligent eyes. Here were peregrines, fast-flying, swift-swooping; or the little merlin whose silhouette against the sky made an exquisite outline; the hobby was sometimes there, too, caught nesting in the southernmost part of England. It was larger than the merlin but not as long-winged as its sister flier, the kestrel. The short-winged, slow-flying goshawk was an especial favorite for the royal fist.

Once the hunters had reached a cleared space and released their birds, the cadge-boy, with nothing but an empty frame on his back, loafed about for tips. Thus came into general usage the word “cadge.”

Sometimes Eleanor accompanied Edward to the hunt. Dogs from the royal kennels scurried before them through the woods, English and Italian “gaze” hounds (they hunted by sight rather than scent) with long bodies and noses, precursors of the whippet. There were heavy-set, honey-colored dogs, too, a breed brought to England by returning crusaders and similar in appearance to the modern boxer. Short, crooked-legged little fellows, said to have been bred first in Artois and Flanders, dotted the fields, a dog with a good nose, riotous and headstrong, with a musical bark that brought little underground animals from their nests and lairs. This is called the basset hound today.

But sometimes the king and his ladies rode out to enjoy the new beauty of the countryside which was being cleared and neatly planted. Often in the fields where the grass had sprouted thickly they would pass flocks of sheep particularly large and sturdy in conformation—the merino sheep from Spain. It was Edward’s chère reine who had first suggested bringing these fine animals from her native Castile, and in time the Cotswold country of England would become noted for them.

The royal family seemed to be happiest on the wing. There was a constant visiting back and forth from one castle to another. Edward seems to have had an itching heel; he was known to change his place of residence as often as twice in three days. It should be stated that this was not always due to his roving spirit. A king’s train was huge and capable of depleting the food supplies of a royal residence in no time at all.

Economy might be exercised within the household, but when Edward took his fair ladies on processionals he saw to it that the background was a fitting one. He spent large sums of money, for instance, on two royal barges to be used on the Thames. They were so commodious and elaborate that seventy-four bargemen were needed to operate them. It is recorded also that Ade, the king’s goldsmith, was kept constantly employed in making plate against the time when the marriage of the princess would require a rich show.

Fashions in dress changed slowly through the Middle Ages. This may have been because the inventive faculty in man was at a standstill. He was beginning to build magnificent cathedrals, to paint pictures, to compose majestic sacred music, to write spirited poetry; but the flowing robes in which men arrayed themselves after escaping the intense discomfort of armor seemed good enough to be let alone. On the accession of Edward II there would be a sudden addiction to French styles and a complete swing over to oddity and extravagance in attire, but while the father was at the helm there was no more than a slow progress. The king himself was indifferent to dress. He shunned such rich and elaborate materials as cloth of gold, cloth of Tarsus, satins, silks, brocades, and trimmings of ermine and vare; he was content with the fine and substantial cloth made from English wool. His queen seems to have followed him in this, as in almost everything else. Perhaps it was because she was with him constantly on his travels, riding astride and finding it necessary to have warm clothes and to encase her slender feet in great, heavy riding boots. Perhaps one so naturally lovely did not feel the need of artificial aids to pulchritude. In any event, she had a preference for loose undergowns with sleeves that buttoned from elbow to wrist, and plain outer gowns lined with something in gay colors. The nonchalant attitude of the royal couple did not put any restrictions on the daughters, however, except that a certain economy was observed in the matter of materials. There is one record of the repairing of Christmas robes for the oldest daughter, one being so far gone that the tailor required seven days to make it presentable.

There were two tendencies of the day in the matter of costume which should be recorded. The first was the introduction of buttons. Used at first for decoration only, on books and purses and scabbards as well as clothes, the button began to prove its utility in holding clothing closer to the body, thereby providing a greater warmth and accentuating (where the ladies were concerned) the gentle curve of the figure. The button would become of increasing use as time moved along and would be largely responsible for the eccentricities and the fantastic developments of the succeeding reign.

The second had to do with color. In the warm and scented south the lord of the manor and the troubadour inclined to soft shades and poetic combinations, but in England it was still the day of the solid colors—stout reds, deep blues, and warm greens. The somber brown, which had been much in evidence before, was now left to the friar and the monk. White was not practical and black seems to have been little used. There was a vigor and stimulation about a gathering of any size in England as a result. When men in red and green danced at the Maypole with girls in blue, the eye of the beholder was filled with a beauty which sophisticated fashions could not attain.

The ladies, of course, were not entirely content to leave things at that. They experimented with head coverings and gradually evolved a round linen cap in place of the simple band about the hair. When the wimple, a hot and unattractive covering of linen or silk, was draped about these caps, the result was not felicitous or comfortable. Better far to have left the hair free to hang down the back.