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The most wide-spread and interesting class of Fairy Tales is the one in which a wife endeavors to behold the face of her husband, who comes to her only at night. She succeeds, but her husband disappears, and she is not reunited to him until she has expiated her indiscretion by weary journeys and the performance of difficult tasks. This class, which is evidently the popular form of the classic myth of Cupid and Psyche, may for convenience be divided into four classes. The first turns on the punishment of the wife's curiosity; the second, on the husband's (Melusina); in the third the heroine is married to a monster, is separated from him by her disobedience, but finally is the means of his recovering his human form; the fourth class is a variant of the first and third, the husband being an animal in form, and parted from his wife by the curiosity or disobedience of the latter or of her envious sisters.

To illustrate the first class, we select, from the large number of stories before us, a Sicilian tale (Pitrè, No. 18) entitled: