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§ 3. Its earlier relation to Christianity.

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There was nothing hostile to Christianity or to the mediæval Church in the earlier stages of this intellectual revival, and very little of the neo-paganism which it developed afterwards. Many of the instincts of mediæval piety remained, only the objects were changed. Petrarch revered the MS. of Homer, which he could not read, as an ancestor of his might have venerated the scapulary of a saint.19 The men of the early Renaissance made collections of MSS. and inscriptions, of cameos and of coins, and worshipped them as if they had been relics. The Medicean Library was formed about 1450, the Vatican Library in 1453, and the age of passionate collection began.

The age of scholarship succeeded, and Italian students began to interpret the ancient classical authors with a mysticism all their own. They sought a means of reconciling Christian thought with ancient pagan philosophy, and, like Clement of Alexandria and Origen, discovered it in Platonism. Platonic academies were founded, and Cardinal Bessarion, Marsiglio Ficino, and Pico della Mirandola became the Christian Platonists of Italy. Of course, in their enthusiasm they went too far. They appropriated the whole intellectual life of a pagan age, and adopted its ethical as well as its intellectual perceptions, its basis of sensuous pleasures, and its joy in sensuous living. Still their main thought was to show that Hellenism as well as Judaism was a pathway to Christianity, and that the Sibyl as well as David was a witness for Christ.

The Papacy lent its patronage to the revival of literature and art, and put itself at the head of the movement of intellectual life. Pope Nicolas v. (1447–1455) was the first Bishop of Rome who fostered the Renaissance, and he himself may be taken as representing the sincerity, the simplicity, and the lofty intellectual and artistic aims of its earliest period. Sprung from an obscure family belonging to Saranza, a small town near Spezzia, and cast on his own resources before he had fairly quitted boyhood, he had risen by his talents and his character to the highest position in the Church. He had been private tutor, secretary, librarian, and through all a genuine lover of books. They were the only personal luxury he indulged in, and perhaps no one in his days knew more about them. He was the confidential adviser of Lorenzo de Medici when he founded his great library in San Marco. He himself began the Vatican Library. He had agents who ransacked the monasteries of Europe, and he collected the literary relics which had escaped destruction in the sack of Constantinople. Before his death his library in the Vatican contained more than 5000 MSS. He gathered round him a band of illustrious artists and scholars. He filled Rome with skilled and artistic artisans, with decorators, jewellers, workers in painted glass and embroidery. The famous Leo Alberti was one of his architects, and Fra Angelico one of his artists. Laurentius Valla and Poggio Bracciolini, Cardinal Bessarion and George of Trebizond, were among his scholars. He directed and inspired their work. Valla's critical attacks on the Donation of Constantine, and on the tradition that the Twelve had dictated the Apostles' Creed, did not shake his confidence in the scholar. The principal Greek authors were translated into Latin by his orders. Europe saw theology, learning, and art lending each other mutual support under the leadership of the head of the Church. Perhaps Julius ii. (1503–1513) conceived more definitely than even Nicolas had done that one duty of the head of the Church was to assume the leadership of the intellectual and artistic movement which was making wider the thought of Europe—only his restless energy never permitted him leisure to give effect to his conception. “The instruction which Pope Julius ii. gave to Michelangelo to represent him as Moses can bear but one interpretation: that Julius set himself the mission of leading forth Israel (the Church) from its state of degradation, and showing it—though he could not grant possession—the Promised Land at least from afar, that blessed land which consists in the enjoyment of the highest intellectual benefits, and the training and consecration of all the faculties of man's mind to union with God.”20

The classical revival in Italy soon exhausted itself. Its sensuous perceptions degenerated into sensuality, its instinct for the beauty of expression into elegant trifling, and its enthusiasm for antiquity into neo-paganism. It failed almost from the first in real moral earnestness; scarcely saw, and still less understood, how to cure the deep-seated moral evils of the age.

Italy had given birth to the Renaissance, but it soon spread to the more northern lands. Perhaps France first felt the impulse, then Germany and England last of all. In dealing with the Reformation, the movement in Germany is the most important.

The Germans, throughout the Middle Ages, had continuous and intimate relations with the southern peninsula, and in the fifteenth century these were stronger than ever. German merchants had their factories in Venice and Genoa; young German nobles destined for a legal or diplomatic career studied law at Italian universities; students of medicine completed their studies in the famous southern schools; and the German wandering student frequently crossed the Alps to pick up additional knowledge. There was such constant scholarly intercourse between Germany and Italy, that the New Learning could not fail to spread among the men of the north.

History of the Reformation

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