Читать книгу History of the Reformation - Thomas M. Lindsay - Страница 34

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Culture, which had long abandoned the cloisters, came to settle in the towns. We have already seen that they were the centres of German Humanism and of the New Learning. The artists of the German Renaissance belonged to the towns, and their principal patrons were the wealthy burghers. The rich merchants displayed their civic patriotism in aiding to build great churches; in erecting magnificent chambers of commerce, where merchandise could be stored, with halls for buying and selling, and rooms where the merchants of the town could consult about the interests of the civic trade; in building Artushöfe or assembly rooms, where the patrician burghers had their public dances, dinners, and other kinds of social entertainments; in raising great towers for the honour of the town. They built magnificent private houses. Æneas Sylvius tells us that in Nürnberg he saw many burgher houses that befitted kings, and that the King of Scotland was not as nobly housed as a Nürnberg burgher of the second rank. They filled these dwellings with gold and silver plate, and with costly Venetian glass; their furniture was adorned with delicate wood-carving; costly tapestries, paintings, and engravings decorated the walls; and the reception-room or stube was the place of greatest display. The towns in which all this wealth was accumulated were neither populous nor powerful. They cannot be compared with the city republics of Italy, where the town ruled over a large territory: the lands belonging to the imperial cities of Germany were comparatively of small extent. Nor could they boast of the population of the great cities of the Netherlands. Nürnberg, it is said, had a population of a little over 20,000 in the middle of the fifteenth century. Strassburg, a somewhat smaller one. The population of Frankfurt-on-the-Main was about 10,000 in 1440.49 The number of inhabitants had probably increased by one-half more in the decades immediately preceding the Reformation. But all the great towns, with their elaborate fortifications, handsome buildings, and massive towers, had a very imposing appearance in the beginning of the sixteenth century.

There was, however, another side to all this. There was very little personal “comfort” and very little personal refinement among the rich burghers and nobles of Germany—much less than among the corresponding classes in Italy, the Netherlands, and France. The towns were badly drained, if drained at all; the streets were seldom paved, and mud and filth accumulated in almost indescribable ways; the garbage was thrown out of the windows; and troops of swine were the ordinary scavengers. The increase of wealth showed itself chiefly in all kinds of sensual living. Preachers, economists, and satirists denounce the luxury and immodesty of the dress both of men and women, the gluttony and the drinking habits of the rich burghers and of the nobility of Germany. We learn from Hans von Schweinichen that noblemen prided themselves on having men among their retainers who could drink all rivals beneath the table, and that noble personages seldom met without such a drinking contest.50 The wealthy, learned, and artistic city of Nürnberg possessed a public waggon, which every night was led through the streets to pick up and convey to their homes drunken burghers found lying in the filth of the streets. The Chronicle of the Zimmer Family relates that at the castle of Count Andrew of Sonnenberg, at the conclusion of a carnival dance and after the usual “sleeping drink” had been served round, one of the company went to the kennels and carried to the ball-room buckets of scraps and slops gathered to feed the hounds, and that the lords and ladies amused themselves by flinging the contents at each other, “to the great detriment,” the chronicler adds, “of their clothes and of the room.”51 A like licence pervaded the relations between men and women, of which it will perhaps suffice to say that the public baths, where, be it noted, the bathing was often promiscuous, were such that they served Albert Dürer and other contemporary painters the purpose of a “life school” to make drawings of the nude.52 The conversation and behaviour of the nobles and wealthy burghers of Germany in the decades before the Reformation displayed a coarseness which would now be held to disgrace the lowest classes of the population in any country.53

The gradual capitalising of industry had been sapping the old “gild” organisation within the cities; the extension of commerce, and especially the shifting of the centre of external trade from Venice to Antwerp, in consequence of the discovery of the new route to the Eastern markets, and above all, the growth of the great merchant companies, whose world-trade required enormous capital, overshadowed the “gilds” and destroyed their influence. The rise and power of this capitalist order severed the poor from the rich, and created, in a sense unknown before, a proletariat class within the cities, which was liable to be swollen by the influx of discontented and ruined peasants from the country districts. The corruption of morals, which reached its height in the city life of the first quarter of the sixteenth century, intensified the growing hatred between the rich burgher and the poor workman. The ostentatious display of burgher wealth heightened the natural antipathy between merchant and noble. The universal hatred of the merchant class is a pronounced feature of the times. “They increase prices, make hunger, and slay the poor folk,” was a common saying. Men like Ulrich von Hutten were prepared to justify the robber-knights because they attacked the merchants, who, he said, were ruining Germany. Yet the merchant class increased and flourished, and with them, the towns which they inhabited.