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Online Examples

The audio and video examples discussed in this book are available at www.ucpress.edu/go/surfing.

AUDIO

1 “He inoa no Naihe” (Name Chant for Naihe), also known as “Deification of Canoe for Naihe.” Text collected by Mary Kawena Pukui and housed at the Bishop Museum Archives, Honolulu, Hawaiʻi. This audio example is a compilation of all four fragments of this long mele quoted in chapter 1, but in the order they appear in the original. Here it is chanted by Kalani Akana in the kepakepa (rhythmical, conversational) style and recorded by Aaron J. Salā, 2013, exclusively for use with this book.

2 “He Nalu no Emmalani” (Surf Chant for Queen Emma). Text collected by Mary Kawena Pukui and housed at the Bishop Museum Archives, Honolulu, Hawaiʻi. This audio example is a compilation of both sections from this long mele quoted in chapter 1. These sections of the mele are chanted by Snowbird Bento in the olioli (joyful) style and recorded by Aaron J. Salā, 2013, exclusively for use with this book.

3 “My Honolulu Hula Girl,” by Sonny Cunha, 1909. Recorded by Horace Wright and Rene Dietrich, with accompaniment by Louise and Ferera on Hawaiian guitars and ukulele. Victor Record 18159-B, 1916.

4 “Pirati,” music and lyrics by Gian Maria Vaglietti, performed by Ex Presidenti and released on their album Pirati, Surfer Girl Records, 2005 (www.expresidenti.com). Used by permission of Vaglietti.

5 “The Wolves,” lyrics and music by Ben Howard. From These Waters (EP 2009). www.benhowardmusic.co.uk. Used by permission of Owain Davies.

6 “H2O,” music and lyrics by Kelli Heath, performed by the Girlas and released on their album Now or Never, Kototama Productions, 2006, (www.myspace.com/thegirlas). Used by permission of Heath.

7 “Little Brown Gal” (1935, by Don McDiarmid, Lee Wood, and Johnny Noble). Arranged and performed by the Manhattan Beach Crew (Mike Goodin, Gene Lyon, Al Lee, and Laurie Armer). Field recording by the author, 2 December 2006. Used with the permission of the performers.

8 “Makaha,” by Troy Fernandez, performed by the Kaʻau Crater Boys (Troy Fernandez and Ernie Cruz Jr.) on their Making Waves album. Use courtesy of Roy Sakuma Productions, Inc. 1996 (http://roysakuma.net/).

9 “Golden Orb Weaver,” from the Life Like Liquid soundtrack, written and performed by Low Pressure Sound System, 2006. www.lowpressureproductions.com. Used with permission.

VIDEO

1 Slippery When Wet, Bruce Brown, 1958. Opening scene and credits with music by Bud Shank. 2:58. Courtesy of Bruce Brown Films, LLC (www.BruceBrownFilms.com).

2 The Endless Summer, Bruce Brown, 1964. Opening credits with the “Theme from Endless Summer” by the Sandals. 2:14. Courtesy of Bruce Brown Films, LLC (www.BruceBrownFilms.com).

3 The Innermost Limits of Pure Fun, George Greenough, 1969. The “Coming of the Dawn” excerpt. Music by Farm. 0:59. Used by permission of Greenough, Dennis Dragon, and Denny Aaberg.

4 Storm Riders, David Lourie, Dick Hoole, and Jack McCoy, 1981. Segment about pro surfer Mark Richards, accompanied by “Big City Talk,” by Marc Hunter, Polygram Records. 2:39. Used by permission of Jack McCoy.

5 Momentum, Taylor Steel, 1992. Segment featuring Kelly Slater surfing and “God Song,” by Bad Religion. 1:32. Used by permission of Steel, Greg Graffin, and Warner/Chappell Music.

6 Blue Crush, Bill Ballard, 1998. “Surfing in Mexico” segment, featuring Amel Larrieux singing Towa Tei’s “Time after Time.” 2:04. Used by permission of Ballard, Billygoat productions.

7 Litmus, Andrew Kidman, 2003. Opening scenes from the film, with “Rain,” music by the Val Dusty Experiment. 4:37. Used by permission of Kidman.

8 The September Sessions, Jack Johnson, 2000. Segment accompanied by Jack Johnson’s “F-Stop Blues.” 2:56. Used by permission of Johnson.